How sad is this?

Good concept, poorly executed.

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Based on a true story, Aristocrats follows an English aristocratic family, who claims royal blood and status via Charles II bastard lineage. The convoluted time-line in fits and starts, takes place prior to the American Revolution on through to the Irish uprising in 1798. The story starts out interestingly enough, but at about part 3 of 6 you begin to wonder if there is a point to the story. The last 3 parts are simply depressing. More than anything, the time-line begins to rapidly fly by without any specific storyline accountability nor historical grounding. The casting is odd in general. In particular, as the characters age, the casting changes are really horrible choices that offer no consistency or context of character and plot. If you've nothing else, you may find this a mild diversion. But all in all, this doesn't measure up to the BBC's standards.

No mini-series has made me want to read the book more. The source material seems absolutely fascinating, and so many allusions and sometimes confusing references were made in the series that one realizes only a book can flesh out the intricacies of the complete story.This was a compelling series up to the end disc, when previously minor flaws became too great to ignore. The writer can't seem to decide if the story is about 4 sisters and their relationship to each other; their interactions with social norms & how they abided by, flaunted, or bent them; the plight of the aristocracy itself during a time of social turmoil; or how great a stand one should take on great political/moral issues and what consequences that may have.This is obviously far too much for any 6-part series to take on, even by so venerable an institution as the BBC. Casting, acting, direction, sets, and costumes are outstanding, as always. But the story...the story raises little questions here and there that don't get resolved. One's willing to overlook that because everything else is so compelling. But the final disc (2 episodes), where the timeline has progressed into the sisters' later years, really starts to fall apart. Characters we barely know suddenly take up the bulk of screen time and the 4- pronged story arc starts to fray.It was such a disappointing end to an otherwise wonderful period piece. I can't wait to read the book.

"I remained convinced that our prestigious family with its significant connections could still hold sway over history." Thus spake Emily, Duchess of Leinster, in 1798, shortly before her son, the notorious and dashing Irish revolutionary, Edward Fitzgerald, was executed for the murder of a British soldier. The world they knew was rapidly changing, and, indeed, there was little, if *anything*, the Duchess or her aristocratic family held sway over anymore, except each other. But a few short years before, she and her sisters were among the most admired and privileged women on earth. The five sisters, Caroline, Emily, Louisa, Sarah and Cecilia, were the great-granddaughters of Charles II with his mistress, Louise de Keroualle, the Duchess of Portsmouth. Their grandfather, the king's illegitimate son, was Charles Lennox, 1st Duke of Richmond. His son, also Charles, became the 2nd Duke of Richmond. The 2nd Duke married an Irish woman, of whose background, both were deeply ashamed of and desperately tried to conceal. When their eldest daughter Caroline, an intelligent woman with a thirst for sophisticated pleasures, eloped with Henry Fox, 1st Baron Holland, the Duke and Duchess were mortified at her insubordination – marrying a politician against the wishes of her father brought swift judgement upon Caroline, and she was banished from her family. Caroline missed her family greatly and grieved over their estrangement, but from her home, Holland House (the same one on the Holland House liquor labels), she kept discreet correspondence with her sisters. When second eldest daughter, Emily, begged her parents to allow her to marry James Fitzgerald, 20th Earl of Kildare, an Irish statesman, the parents were aghast at the possibility of Irish blood (re-)entering their bloodline, but fearing another estrangement, they agreed to the marriage, partially because it was evident that the Earl deeply loved Emily, and partially because the Earl was extraordinarily wealthy. She had a son, Edward Fitzgerald, a celebrated United Irishman, whose dedication to Irish freedom would have been incomprehensible to his grandparents. Louisa, the third sister, married Thomas Conolly, a kind and loving man, had a brood of children and lived happily ever after. Fourth sister, Sarah, married badly, had an affair, a baby, a divorce, and complete social ostracism all in short order. Fifth sister, Cecilia, died in her teens. There was also a brother who became 3rd Duke of Richmond.Meticulously adapted from Stella Tillyard's masterpiece by the same name, *Aristocrats* is a story of magnificent scope and grandeur, but told without the usual gassy adoration of the British upper class. Its basis is not embellished reports and embroidered tales, but the massive archives of correspondence and household and historical records left behind by these women. It is as much a story of the sisters' love for each other and their families, as it is a historical drama, but the viewer never forgets that it is through the eyes of these women that we see the epic unfold. As with many epics, it makes short work of some of history's more momentous occasions, but that serves to keep the story focused on the sisters. The production values are top notch. With an excellent screenplay by Harriet O'Carroll, superb direction, and outstanding craftsmanship throughout, *Aristocrats* is as splendid a production as it is a story.

I've read some comments on this mini-series and I agree with each and every word I read. This is a great mini-series, the actors are fantastic, the story is delightful but there are some plot holes... Cecilia dies of (I think) tuberculosis and we get to see her lying on her death bed with Caroline by her side. But more than that, what the hell happened with Sarah's daughter? The one she had with Lord William... We understand that she had two boys with Cap. Napier but what happened to her daughter? We never see her again... But, even with a a few plot holes, this mini-series is, nevertheless one of the best I've seen!