Arabian Nights
Arabian Nights
| 30 April 2000 (USA)
SEASON & EPISODES
  • 1
  • Reviews
    ada

    the leading man is my tpye

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    Motompa

    Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

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    Lollivan

    It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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    Fleur

    Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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    henry balfour

    There simply are not enough films that can qualify over this length of time with the family as we have grown up. My daughters were five and seven when it came out, and we have enjoyed the film repeatedly as they grew to now 22 and 24. This is excellent value for money !! The production strengths are there in spades ... acting A+++, cinematography A+++ Scripting A+++ locations A+++. I won't go one, but wanted to review this quite lovely film now in 2017, after all these years. This one is a winner.

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    propertravel

    I have been worked in the production in this movie, pity my name is not on credits being Assistant to Production Manager and somewhere, transport coordinator and 2nd. unit assistant at war scene's.The whole production was a great experience for me and fun most of the times if you ignore the non stop work and run....Unfortunately it was the only movie shoot at Antalya Film Studios which is a great and brand new studio. We have been working over 3 months at locations in Cappadocia where I live now.I do watch the film time to time and still enjoy fully, knowing the inside information the set and the characters etc.I did buy a lot of props from the movie and have pictures, raw video materials etc. Do you think one can sell those on e-bay etc. I have more than plenty... So I can spare some out.If you did not watch the movie yet its well worth it to find a copy and watch.Happy viewing, Murat

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    tedg

    Spoilers herein.One key to master storytelling is the art of folding. That includes all sorts of techniques of overlapping narrative, spanning from overarching metaphor to stories within stories. It is an ancient technique, as old as any story we know. It is especially present in the 'Arabian Nights' stories, signified by what's inside the lamp.The writer of this film understood the singular advantage of the material and made changes to emphasize the folds: the warring genies played by the same actor; the many bleeds between the framing story and the inner stories, and most particularly in the outer framing layers. The whole thing could be what we see from the magical giant, or what his wife whispers in his ear, or how the interloper makes love... or what the teller in the market tells, and that's well before you get into Scheherezade's double nesting: telling the story to her kids and/or telling to her husband.Once you have that, you have a success. Add in some beautiful faces (Vanessa Mae), some lush (but somewhat comic) costumes and really successful locations, and you've got something that works, even in the face of imperfect directing and pacing.One thing that's wonderful about these stories, the originals, is how they cover the 'orient.' This is extended here in referencing locations an peoples in various Arabian locations plus, Persia, Africa, China, even Tibet. Ted's Evaluation -- 3 of 3: Worth watching.

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    My Goddess

    It was one of the most enchanting movies I've ever seen. It draws you in and holds you there. It has everything, action, romance, comedy. You cheer for the good guy, and boo the bad. None of the damsels are in distress, they heal it. three thumbs up.

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