I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

This is a must-see and one of the best documentaries - and films - of this year.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

By the time the dramatic fireworks start popping off, each one feels earned.

I came across this movie some time back and decided to pick it up since the anime version remains one of my favorites of all time. The premise seemed promising, as did the cast of characters. Iria and her partners Bob and Fujikuro face off against an army of intergalactic mercenaries, thugs, etc. and a new robotic Zeiram unit is assigned to help them out. With Iria's old friends Kamiya and Teppei stumbling upon the face-off, the fusion of the first film and the anime was complete and success assured. And then somehow the director let everything fall apart at an amazing rate. Whatever potential the elements from the anime storyline had were completely wasted in favor of reiterating the first movie. As a result, by the end of the first hour you have the feeling that you've seen it all before, and performed a lot better the first time around. All in all, the ONLY reason to get this movie would be for the exceedingly small satisfaction of completing the Zeiram series. Otherwise, stick to the first two installments (Zeiram & Iria: Zeiram the Animation) and you'll be a lot better off.

At first, when I heard there was a Zeiram 2, I was a bit doubtful about it and was fearing that it would not be as good as the first movie and anime series, but boy, was I surprised at the results.Zeiram 2 follows Iria and her smart alecky sidekick Fujikuro, Teppei and Kamiya and a mad group of warriors. As these warriors try to rid of Iria, Zeiram strangely shows up and kills everyone, but spares her. It is revealed that the unit was covered up and sealed. But that would not last long, since the evil priest destroys and bleeds all over the unit, unmasking Zeiram's killer persona, and even eats a dog in one gulp.Man, a lot happens in this movie. It is even a little more intense than the first one. Just too bad Amemiya did not make a Zeiram 3. That would be cool.

As young as I was when I saw this movie, it still felt claustrophobicly cheap. I don't recall if I had seen Dark Hero Guyver before or after this one, but in terms of concept, pace, choreography, and effects, I was much more impressed by the latter. I do remember feeling there was something memorable about the way Irya fought the Zeiram in their first combat, but as rich as the costumes and characters were, they were wasted. Robert Rodriguez' Desperado is less random in killing away potentially interesting characters. Zeiram 2 does not waste time in reducing the principal characters involved to Irya and the Zeiram. The movie is all about Irya's character. Ironically, she was all I was interested in when I saw her on the cover of the videotape--in the end, the movie basically delivered all that I wanted, and I was sad I didn't wish for more.

This sequel to the 1991 hit Japanese movie is just as entertaining as the first movie. The plot contains a lot of elements from the first movie (i.e. being trapped in the Zone, etc.). With that said, the film covers a lot of familiar territory, although there are some significant differences. Zeiram's design is a lot different; he's a lot slicker, he has more weapons, and he's one heck of a fighter. There are also some new characters that appear in this film. Yuko Moriyama, reprising her role as Iria, is still beautiful and a joy to watch onscreen. Once again, this movie treats us to lots of gunplay, hi-tech kickboxing, interesting gadgets, and some cool looking monsters. The action scenes were a lot more exciting this time around. My only complaints are two graphically violent scenes (they're short though) and the fact that Zeiram doesn't evolve into some cool stop-motion monstrosity at the end. However, the end duel was quite fun. Overall, a solid entry in the series.