Too many fans seem to be blown away

Just so...so bad

Horrible, fascist and poorly acted

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

What strikes me is that despite the age and experience difference, the problems encountered during filmmaking are all the same ones you find on small indie sets on up the line to the big boy pictures. issues with actors schedules, budgets, loosing light, prop mishaps, sound issues, the wear and tear a director, 1st AD, or producer feels etc. Heck, even the relationship between the mother and daughter is like relationships i've been witness to between producers and directors. Despite the love that they have for each other there is of course tension and sometimes that tension comes to a head which is captured in this documentary.Having help from local film critics and of course Harry Knowles, it's also interesting to see the local community help out and show their support for someone who has no experience but only the want and drive to finish a movie. Many people may not realize or just choose to ignore the fact that making a film (short or feature) is hard work. The amount of planning is staggering sometimes even to seasoned professionals. To see them come and help a 12 year old who simply has a love for the craft is something special. I'm not going to say this is the most inspirational piece in the world and it's not like the final product was Citizen Kane but this still merits a watch in my book. I can't really put my thumb on who this documentary may appeal to but i'll venture a guess. If you're interested in the film making process (in a general sense) and like a film about passion and conviction then I think this may be something worth watching. I'm giving this a 7 for showing me that age has no bearing on passion and that doing what you set out to do can be it's own reward.

Unlike the often self-indulgent documentaries about Big Time professionals like Francis Coppola (HEARTS OF DARKNESS) or Terry Gilliam (LOST IN LA MANCHA), or even the behind-the-scenes blunders of a pair of stoners trying to get a horror movie off the ground (AMERICAN MOVIE), ZOMBIE GIRL offers us a glimpse into the creative process of a budding movie maker pretty much unhampered by her lack of money; in fact, her greatest obstacles are a lack of willing actors and the Time to get the scenes she needs with them when they DO show. Been there, done that. (By my reckoning, I've started half a hundred shorts over the years; only a dozen have been finished- and many of them were cobbled together from bits and pieces of unrelated efforts. More often than not, actors bailing out on me proved my undoing.) (I had the entire underage cast of one epic walk away when I refused to buy them a case of beer.) THIS is why I fought so long and hard for a Public Access channel on the local cable system when I hit town: budding, would-be movie makers DESERVE a forum. (As stated elsewhere, the local cable system has just recently kicked the Public Access channel to the curb. They made room for yet another Commercial channel, which they need, now, because they've set up in a nearby mall in an outlet that boasts no less than a HUNDRED TV screens.)

"Zombie Girl" is not really a movie about zombies, but about a young girl who is directing a zombie film. The focus is a little bit on how the film was made, but the underlying theme seems to be about family bonding. Parents who want to encourage their child's dreams, this is a film for you.I came into the film with moderate expectations. I love horror and the film-making process, but was not sure if this would really be up my alley. I must say, I was pleasantly surprised. The directors took what is more or less an average family and really made them interesting, and made a fine case that Emily Hagins isn't just a girl with too much free time -- she cares about her craft and knows her stuff.The film also gives a glimpse into the Austin film community, though this is not the focus. We meet an area critic, a film society, Harry Knowles (of Ain't It Cool News) and the Butt-Numb-a-Thon. If you live in or around Austin, this film isn't just about the Hagins family, but about your community and its promotion of independent film. I wish my community had a similar flavor, but I have to drive three hours for that.The DVD makes a great documentary even better. There are extra interviews and outtakes, but most importantly the Emily Hagins film "Pathogen", so you get two for one (rather than buying it from her website separately). Sure, "Pathogen" is not great, but coupled with "Zombie Girl", you can see why it's not great, where mistakes were made, and use this as a teaching tool for yourself or others when you try to make your own film.I endorse "Zombie Girl" for both horror fans, and families in general. I think even those who have no interest in horror or film could take something from this: a precocious young girl following her passion, and a family helping her to do just that. Emily Hagins is certainly a young visionary, but she would not be able to realize it without parents to drive her to set.

This is a great documentary. It's complete, from the beginning of Emily's project until its premiere. The final product, the "Pathogen" movie, is very poorly produced, clearly an amateur work. This documentary, on the other hand, makes is pretty clear why that is so. It displays Emily's will to turn her idea into something real. But as a 12 years old girl, she lacks planning, knowledge and looking ahead. She acts much like any average adolescent: that "let's just do it now" attitude, that takes her into troubled times.The documentary also shows the driving force behind the cameras, Emily's mother, always pushing the idea forward. Her adult vision on organization and planning brings mother and daughter into many conflicts, as the girl believes her mother is trying to make things "her way", but she can't afford losing her support.Zombie Girl's directors themselves also show their share of persistence, as they keep making the documentary even with the risk of the "Pathogen" project's death, being put aside indefinitely, untouched for some months.This is a must-see for all paranoid parents who think their children may become disturbed citizens when they grow up if they watch horror movies when they're young. The important thing to keep in mind is not the subject of the child's attention, but the parent's attitude towards it. In this movie, Megan treats a Zombie movie as just what it is: a movie, a project to be executed, a career opportunity, and above all, a learning opportunity. Even if you don't like zombie movies, and don't want to watch "Pathogen", you should see this movie. It's not about zombies, it's about making your ideas happen, through perseverance and support.