Zapruder Film
Zapruder Film
NR | 20 December 1991 (USA)
Zapruder Film Trailers

The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy’s motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963. Unexpectedly, it captured the President’s assassination.

Reviews
Jeanskynebu

the audience applauded

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BoardChiri

Bad Acting and worse Bad Screenplay

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Nessieldwi

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

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Nayan Gough

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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frannywentzel

While the historic significance of this film is beyond critique, one should also give Herr Zapruder credit for his brilliant cinematography.First off he picked one of the best spots to get his shot. Given that he suffered from vertigo one should also credit his willingness to sacrifice his own personal well-being in the service of Art. While he wasn't able to get fully above the Stemmoms Freeway sign, one can only do so much with the set one is given.Second of note is his directorial decision to cut when he realised he'd filmed the motorcade too soon. This meant that virtually all of the assassination would be covered in the 30 second allotment covered by the spring wound camera drive mechanism.The fact that he was able to keep rolling as all Hell broke loose in Dealey Plaza even has he himself was reacting to the events should've gotten him a press photography award.It should be noted that Oswald was almost 3x as far away from Zapruder than any proposed second gunman - he was practically right on top of the so-called Grassy Knoll area and within steps of any plausible sniper lair. One would expect that upon hearing an unsuppressed gunshot from right behind and under him, Zapruder would've whipped around to get a shot. That he didn't should say something about the veracity of 'second gunman' claims.At any rate you can tell that the fatal bullet came from behind by a slight forward head movement in the same moment JFK loses the piano lessons - and I was using footage available at a pro-conspiracy site.

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adam

A piece of history that prooves that most film of historic events is quite often recorded by the general public.Also, that previous comment is a prime example of a conspiracy nut (one who blindly believes in the conpsiracy, instead of forming it for themselves) as they seem to ignore the fact that there were many people filming on that in different locations, which perfectly match the spreader film. (also, many of the so called mistakes can be atributed to the fact that it is an old camera that used photographic film that was on a spring based mechanism, which could easily have a speed that is not constant)

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kitkat41810

This film would be a great piece of history if in fact it was a real film of the Kennedy assassination. The are far too many mistakes in this film for me to point out. It is a film of the Kennedy assassination, but many of the important facts have been altered. There are missing scenes, and many of the scenes, after the president's limo passes the sign, don't fit in. Both Kennedys move noticeably slower then the other four people in front of them. Next time you watch this film look for things that don't add up, such as the Texas Gov. and his, along with the SS men in the front, lunge forward but you can see that the limo is not stopping or slowing down, in fact is is accelerating. This film is clearly an attempt at a cover up.

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yenlo

I remember when various stills from this film were printed in LIFE magazine but the actual head shot images were apparently forbidden to be seen at the time. Now this historic piece of film is available to all. It only lasts a few seconds but the important roll it has played in history is legendary. So many theories, questions, debates etc. about the assassination of the 35th president of the United States have been raised over the years and they almost always center around this small strip of film.

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