Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

This movie feels like it was made purely to piss off people who want good shows

Unfortunately in our time of mass consumerism and where everything is widely available, the feeling of getting to see something rare or hard to find is gone. There was a time when it existed and that time was the early 1970's in southern California. The only way to see rare and forgotten films was Z channel.Where I think this doc shines is the mentioning of so many rare films. You'll need a pen and piece of paper to write em all down cause there are so many worth seeing. You'll be searching the net to find the uncut version of "1900" or the uncut version of "Heavens Gate". There are so many foreign films mentioned you barely have time to take it all in.On the flip side of this fascinating story we get the Zen Master of films lovers in Jerry Harvey. The basic story of his life comes down to a guy who loves film to a degree that he makes it his life. The problem is that he has an underlying mental/psychological issue that pretty much makes him a little off kilter to everyone he met/knew. Most just threw it aside and said..that's just who he is. You get to get deeper into his past and find out that he and his family have had a troubled history. The end of his life shouldn't have been a surprise because his family history foresaw what his life was gonna end up like. He just happened to be a guy who loved rare/foreign art films like some of us do but without that...he was pretty much mental hospital bound if he didn't. Right up until the end, he held it together but when Z Channel started to change, it was too much to deal with.Only see this doc if you are a serious "film" lover. If you just like "movies', pass this one by...you just won't understand it.

A young movie theater manager near Los Angeles, a lover of obscure titles and cult films, writes an angry letter regarding programming to a pay-TV outlet and arouses enough curiosity about his knowledge of cinema to land himself a job; soon, Jerry Harvey is on the move from Select-TV to Z Channel as programming director. Z Channel, an L.A.-area based station showing both old and newer movies uncut and commercial-free, creates a buzz in the Hollywood community, turning its bearded, manic programmer into an underground celebrity. In the years prior to the burgeoning cable conglomerates Home Box Office and Showtime, Z Channel provided the heart of show business with diverse and stimulating programming, a virtual olive branch to overlooked movies, their directors and stars. This documentary by Xan Cassavetes includes clips of many of the pictures aided financially or otherwise by Harvey, as well as interviews with filmmakers, co-workers, friends and exes involved with Harvey prior to and during his most successful years. The story ends on a sad, puzzling note--with lives unraveled and business affairs in disarray--but for awhile there, Harvey seemed to have it pretty good. Unfortunately however, Jerry Harvey was never able to enjoy his own success, being the product of a very mixed-up family with mental illness the dominant gene--and apparently, there isn't anyone left who can fully explain his devastating ups and downs. Cassavetes doesn't recognize or underline the fact that Z Channel appears to have been a rowdy boys' club for film-geeks, with she herself contributing to the misogyny (lots of naked women and/or overt feminine sexuality in nearly every picture spotlighted). I found myself at the finish-line with a litany of unanswered questions, and there's very little attempt to get into the backgrounds of the cast of characters presented here. Still, "Z Channel" whets the appetite for a film-festival of hidden gems and unrealized genius, and it showcases a pointed yearning many of us have for personal redemption through movies.

Back in 1974 a pay TV station was started in Los Angeles. It was the Z channel--it showed movies uncut with no commercials. It was a pioneer--years before Showtime, HBO and Cinemax. But Z channel showed films no one else would air--foreign films, independent features. A lot of important film were discovered (or rediscovered) on this channel. It ran the uncut "Heaven's Gate" after the disastrous cut version was released; the same with "Once Upon A Time In America"; it introduced "Bad Timing" to an audience after it's minor theatrical release; "McCabe and Mrs. Miller" found its audience here; the complete 9 hour version of "1900" was shown here and on and on. Also, some of these films had X ratings--but Z didn't cut them. MANY clips of the various films are shown here.It's also about it's owner and programming director--Jerry Harvey. It explains what drove him and how he singlehandedly found these films and showed them. Unfortunately he was also suffering from personal demons which ended up killing him.I didn't know anything about this station--and I'm upset that I grew up on the East Coast and not the West Coast. The programming this station had was fascinating and is inter cut with people who worked there and directors it helped. This is an absolutely fascinating look at the kind of pay TV station we'll never see again and the men and women who ran it. Just great--a definite must-see! A 10 all the way.

This fascinating documentary portrays the work and life of early cable-TV programming genius, Gerry Harvey, whose Z Channel had attracted a substantial 'cult' following in metro LA at the dawn of the cable TV era into the late '80s. It is also a re-view/revue of many of the finest films of Z Channel's generation and earlier. The finest, often augmented by the weirdest too (e.g., Russ Meyer festivals and the 'soft porn' of those earlier times).The biographical portions of the documentary -- Harvey's rise from ultra geek to film aficionado, then exhibitor/promoter, all amidst emotional chaos -- are all very interesting, and also tragic. Even more interesting is the history of how The Z Channel was launched, built, ... and eventually lost.This documentary presents fascinating stories about movies and filmmakers. Michael Cimino's story is a good example. A good friend of Harvey's, Cimino had earned financial support and a free hand by making the incomparable Best Picture, "The Deer Hunter", and then destroyed his credibility & career by his excesses in filming the underrated Heaven's Gate. Through that time, his life was intertwined with Harvey's, presenting unique perspective on the unfolding events.Harvey not only knew films, and had exceptional taste; he also had the courage and ingenuity to discover and present films (often 'director's cuts) in relentlessly creative, compelling programming. Excellent and important films that have otherwise been overlooked -- like Bertolucci's '1900' and Cimino's Heaven's Gate -- were shown with success by Harvey. One weekend there might be a Truffaut festival, the next perhaps Spaghetti Westerns or the Marx Brothers. Seemingly no genre was ignored; Harvey trusted his audience to watch with open minds and receptive hearts, to respond to great and quirky films, ...and to spread the word and keep the fledgling channel alive and growing. After his death (portrayed compellingly in interviews within the documentary), the station went into decline -- including the desperate step of incongruently showing sporting events (!) in alongside the great film programming. After all, wasn't that part of HBO's success?! Yikes. So sad.Yet, the greatest joy of this documentary is neither the biography nor the story of Z -- it is the extraordinary range of film clips from the huge range of programming that the Z Channel broadcast.The visual quality of the documentary is variable, from great to low-grade. But for me, at least, this technical 'weakness' could not undercut a fascinating tour of movies and a devotee who made his taste count. (Indeed, sometimes the "degraded" video imagery was itself a point of interest and beauty.) With apologies to the pretty good Independent Film Channel and the sometimes delightful Turner Classic Movies, the Z Channel appears far better than any station I have seen. I was oblivious to it at the time, so this film was a revelation to me.