Sadly Over-hyped

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Playboy lawyer Preston Foster (as Jimmy Hughes) is reluctantly recruited to run against an incumbent mayor, while romancing his daughter, pretty blonde Joan Fontaine (as Trudy Olson). The campaign leads to the uncovering of a gang of racketeering gamblers in the city, with both mayoral candidates, and the city police chief, becoming suspects. "You Can't Beat Love" is a competent, but routine little piece of fluff, which looks to have benefited few of those involved. There are a few likable moments. Thankfully, it was as forgettable as it was routine.*** You Can't Beat Love (1937) Christy Cabanne ~ Preston Foster, Joan Fontaine, Herbert Mundin

The only reason for watching this film was the allure of watching Joan Fontaine in her third picture. RKO obviously had no clue what to do with this budding young talent. Pairing her with the dashing Preston Foster didn't get the intended results.In fact, the film, as directed by Christy Cabanne doesn't hold the viewer's attention. The plot doesn't make too much sense, as it appears to have been done as a B movie to fill a double bill, so popular at the time.The best thing in the movie are some of the supporting cast members. Herbert Mundin makes the best impression as the faithful valet. Alan Bruce, William Brisbane, and Paul Guilfoyle are seen in minor roles.As far as Joan Fontaine, one wouldn't have guessed how far she would go judging for her participation in the film.Watch it as a curiosity.

A man runs for mayor on a bet. The mayor's daughter meets him at a political campaign and it's hate at first sight. The chill only lasts until their next encounter, but by then we know this is a formula romantic comedy and they'll both be in love for the windup. After a few more misunderstandings, PRESTON FOSTER and JOAN FONTAINE walk off arm in arm and the simple plot is over in an hour.Strictly an RKO programmer that passed the time in '37, a time when JOAN FONTAINE was being promoted as a new RKO starlet but given material that would have defeated any other ingenue. There is nothing here that suggests she would go on to an Oscar-winning career. PRESTON FOSTER carries the main burden, as does Herbert Mundin as his timid valet, and the whole thing has the look of a B-film that nobody had much faith in.Interesting only to see the two leads in their prime but with very little chemistry between them.Trivia note: Whether it's because his make-up is too dark or not, even in B&W Foster's eyes come across as bluer than Paul Newman's.

Preston Foster is a good action man but put him in a suit with Joan Fontaine as his romantic lead and he is rather out of his depth.Unfortunately it is the case with films of this nature that firstly you need a good script and secondly you need some chemistry between the lead actors.Alas this film falls flat on both counts.It is a sad waste of the talents of all concerned.I am not saying this is boring but it really is not all that entertaining.I had looked at the films page before viewing and saw that it had a mark of 6.5.Having seen this film all i can say is that maybe i am missing something.Compare this for example with "Bringing Up Baby" made at RKO,the same studio that made this,just one year later.It is a bit like comparing "Hercules Unchained" with "Ben Hur".