Save your money for something good and enjoyable

People are voting emotionally.

Excellent, Without a doubt!!

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Thanks a lot to the other reviewers so far..I enjoyed most of them and the first three reviewers got it pretty well for me! Yes it's quirky and different but I agree with one reviewer that Ayn Rand's positive and life-affirming views animate the film. For me it says SO much about society trying to build up again after the War and so much about hope (and hope in the face of loss) The acting really leaps in quality when the two leads face their decision whether to marry or not. I think it particularly moving that a film about war is 100% spent on domestic soil, and deals with the emotions of people who still live, meet, love and plan for the future. I feel that in the film makers' minds were: what will the audience be thinking and feeling? They have just been through 4 years of loss and hope, fear, tears, turmoil. The stand-out scenes are in the chapel for Ivy's sister's wedding, the church after they are married and of course the departure. Also in the nightclub, when the audience watches the band and Helen Forrest singing. It is the audience we are invited to observe, and perhaps the main theme of all is - handkerchiefs at the ready - love conquers all. There were some truly great films about adjustment to life after the war; this is one of them.

Although this film introduces cinema audiences to Lizabeth Scott, it doesn't have anything going for it. You see Robert Cummings as a married man getting involved in domestic life washing up dishes, but this in and of itself is not advancing the plot. Cummings' acting is fine, but the individual performances do not lift the film. Scott is not easy on the eye even when she smiles. There is an arch at the side of her lip as if she has a bad taste in the mouth. It looks as though she is going to snarl at any minute, and you get the feeling that any happiness that she has will soon die in her face. Maybe if they had cast a better leading lady then her performance would have lifted the film.

Lizabeth Scott makes her film debut in this 1945 light comedy / romance / melodrama story set in World War II. Scott plays Ivy Hotchkiss, a stunning blonde from the treasury department who has been assigned to accompany three rambunctious, fun-loving war pilots on a Savings Bond tour across the US. She soon has her work cut out for her, trying to keep Major Bob Collins ( Robert Cummings ), Captain W. Anders ( Don DeFore ), Lt. R. Janoschek ( Charles Drake ) out of trouble. With all the mischievous merrymaking the three men come up with, Ivy finally gives in trying to keep them in line and comes to really enjoy and care for them. As the tour progresses, Ivy and Bob fall in love, but Collins is really dying of Leukemia and his secret is revealed accidentally by a medical officer to Ivy. The brave pilot has known all along that this Bond tour is his last hurrah. Ivy chooses to stay at his side, without revealing she knows of his condition, thus becoming a tragic heroine. The story sounds sappy on paper and a little dated, but actually the film is well scripted, and the fun-loving foursome are very engaging, and for the most part the film is enjoyable to watch. Lizabeth Scott is very impressive in a role far different from the characters she would play through-out the rest of her career. If you are lucky to have the chance to see this hard to find film, I suggest having a look, I wish I could see it again.

This film is a curious, very memorable and touching romance. The vast majority of the narrative line takes place during a bond-rally tour headed by Ivy Hotchkiss, played by Lizbeth Scott, and Robert Collins, played with intelligence by Bob Cummings. The bond-selling tour becomes a voyage of discovery as well as revelation as Cummings and his two partners, beautifully played by Don Defore and Charles Drake, try to keep Scott from finding out the secret Collins is hiding; at the same time, Scott falls in love with the mysterious fun-loving and irresponsible trio, especially their leader. The film is well-directed in B/W, with very good sets, lighting, costumes and lively camera-work; but the real star is Ayn Rand's scintillating and well-crafted script that keeps "sense-of-life as a positive" foremost even as we begin to wonder at Collin's reasons for keeping all light, uninvolved and gay. The supporting cast consists of old Hollywood professionals from Franklin Pangborn and Rhys Williams to Julie Bishop and Jim Bannon. This was a deservedly popular film, a TRop TRen grossing film during WWII, with its story about the need for hope made just at the end of the conflict.; Once again, Rand's uncanny ability to use honesty and clear definitions here others would use vague ideas turns a routine sort of comedy into an idea-level satire--a triumph of an indomitable man's spirit over adversity. This is a splendid piece of film-making, and one of the most atmospheric of homefront war films, with a lovely main theme and arresting dialogue. A love story for the ages.