It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

Exactly the movie you think it is, but not the movie you want it to be.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Richard Wong's "Yes, We're Open" starring Parry Shen & Lynn Chen as a couple contemplating the adventure of having an open relationship, tackles the subject in a very funny way and yet manages to come full circle in the end to address the issue of an open relationship in a very serious manner without ruining all the humor that came before. Tackling the subject with two Asian-American lead actors in and of itself would make the subject matter fresh and original, but H.P. Mendoza's script is smartly written and doesn't attempt to go overboard trying to force the laughs. Parry Shen's comedic timing is spot-on and he understands that often less is more in a good comedy, like when he is greeted by a quick peck on the lips by Ronald (Kerry McCrohan) and tries to act "free spirited" by suppressing his shock with a simple "OH!." The kiss isn't necessarily funny, but Parry's face and his reaction are a laugh out loud moment. Parry also has the ability to constantly stick his foot in his mouth while smiling cluelessly throughout the film, constantly creating great, funny moments (the opening wedding scene speech is classic). Lynne Chen's wonderful performance is a great balance to Parry's abundant laugh moments and Sheetal Sheth and Kerry McCrohan are the perfect predatory, hot swinging couple out to seduce them. When a comedy can mix drama along with the laughs you end up with a film that is satisfying beginning to end and that's what you'll find with "Yes, We're Open." It should also be noted that Director Richard Wong didn't forget that he is a great cinematographer when making this film. There are many visually beautiful moments. If there is a drawback to the film, it's that it plays like a long scene from a bigger film. More time could have been spend developing the characters and their backgrounds so that the audience actually understands each better and perhaps connects and/or relates to the characters, but that still doesn't diminish the laughs.