A different way of telling a story

This movie feels like it was made purely to piss off people who want good shows

Great movie. Not sure what people expected but I found it highly entertaining.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Yeah, before when James Cameron made The Terminator, his first time of making a sort of film was none other than this one. Let's go to history. Cameron was a truck driver around the mid-late 70s (no kidding, it's true), but he was inspired by Star Wars so much that he wanted to make a short film, with his friends, to enter the movie business. He convinced several local dentists to invest of $20,000, wrote a screenplay with his friend, he make small robots (obviously for the stop motion animation) all by himself, studying how the effects work in Star Wars were and practiced the stop motion shots in his living room. It was that point when they were all finished. He tried to show the short to other studios that if he can make a feature film out of it, but it got backfired. However, he and his friend, Randall Frakes, did got a job to make miniature spaceships for Roger Corman's film Battle Beyond The Stars, and Cameron became one of Corman's visual effects specialists. Now...let's go to the short itself.There were some things that will later on be borrowed from Cameron's other films like a cyborg hero (T2: Judgement Day), a strong female protagonist (any movie he made), camera shot of what's the hero doing in a vehicle or a machine (The Abyss), and bio luminescence (The Abyss and Avatar). I'll say for a short that cost like so cheap to make, the effects were surprisingly good and the way they handled the live action bits and the stop motion bits, together, looked spot on. However, don't expect the quality or the acting to be amazing because the quality is VHS like and the actors aren't professionals, which does kinda show.But that doesn't ruined the short at all. For what it is, it's surprisingly good. You can easily find it on YouTube, so it's not hard to find it on the Internet. This is for the ones if they want to know more about the history of James Cameron and how he became to what he is today. For everyone else, it's at least worth a look.Score: 7/10

This film is a very odd example of a sci-fi short. It's hard to classify it, but best to say it's only experimental; which only means don't try to evaluate this work within cinema concepts. There's a very weak screenplay and a shallow plot. The story takes place in a machine-made starship coming from an uninhabitable planet which is being ruled by machines. In this environment our heroine Laurie, has been raised by one of those machines, which apparently have minds and lives just like human-beings. From my point of view the mood has been created as if it's the last episode of Terminator, where machines are in charge of our galaxy and humankind is stuck to live in spaceships.Through the opening narration we get to understand that the last hope of humankind is depending on Laurie and her cyborg boyfriend's journey of exploring the Xenogenesis, the galactic adventure of exploring the outer space "Xeno-" thus finding a way to the rebirth of human civilizations "-genesis". The co-writer Randall Frakes's comic book art work brings that galactic adventure to life.Laurie sends Raj into the starship to explore the nature of it. While he is walking over a bridge, a tank robot detects Raj's motions and attacks him. Raj tumbles down due to the laser fire of the robot, but holds onto the edge of the bridge. The digital celestial sphere of the starship appears to be very deep. Contacting each other via two-way radio signals, Laurie comes to rescue Raj with a giant spider robot. She begins to fight with the tank robot. But the tank defeats her. Starting to come towards Raj, it gives no chance to him to escape.The modelling of both the robots are utterly fascinating. Action simulations are also very futuristic. With such a low budget, there is nothing seems cheap at all. There are distracting issues on all sounds and especially on all sound effects, but visuals are highly accomplished. Background music is established appropriately and it saves the mood. The talent voice should have been revised; Raj appears very tiny inside the starship but his voice level is being heard same with a wide-angle shot and the close-up shots of him. Probably they didn't have a bigger studio to let the sound waves travel in air longer. If it has been filmed for a silent picture, no-sound, it would have been so much better and effective.James Cameron's beginner sci-fi work is fairly well in overall. For 12 minutes long, it's tolerable. Considering that all the inspirations of it are depleted in Terminator, Aliens, Abyss and even in Avatar; Xenogenesis doesn't have much to offer interesting. But looking at the year 1978, the beginner era of robotics and space adventures in cinema; Xenogenesis is used to be considered inspirational. If you're interested in the history of Sci-Fi; you should check this out.

It's always tragic when a giant cleaning robot mistakes you for a pile of dirt. What's a fellow to do?That was the plot... It's not a comedy at all, and it's pretty good.This short is fantastic for three reasons: 1) For a 1978 film, it's brilliant. 2) For a student film, it's brilliant. It looks like a clip from a real (altough cheap) movie. 3) For a low budget film it's brilliant. The stop-motion technique is great, and camera-work which makes small robot models look giant is perfect.Only one problem. Ending... Not to spoil anything, but the trip is definitely way better then it's destination. Maybe it was budget or lack of ideas but everything else works just fine.Here, you can see the origin of Repley and her lift fork (Aliens 2; battle with the alien mom) or few ideas (concepts really) from Terminator universe and I don't mean the time travel.The short also has a great comic-book style intro that (somewhat unnecessarily) sets up the actual plot and is never referred to again.The budget is on the short side, but it does add some fine camp value and a slight resemblance to (different) J.C.'s Darkstar (btw, which would've been much better if it had a-n-y action to go along with it's snark).For fans of Mr. J.C. this is a necessary viewing.

This was James Cameron's first entry into the world of directing, it's a short sci-fi film that is set up as if it is part of a long running series, as if you are just watching one episode without having seen any of the others. The story covers a search across the universe to find a place where man can begin the cycle of creation again. The most amazing thing about this short film is how many ideas and images it contains that are present in Cameron's other work, as if he has always had theses images in his head and was determined to use them on a bigger canvas. Starting off with white credits on a black background, the film then has a minute long introduction that fills you in on the back-story via narration, which plays out over a series of paintings depicting the story. It's here that the first reference to his later work appears, one of the paintings depicts a man holding a woman, the flesh on his arm is missing, and showing that the arm is mechanical. Looking exactly like the shot in Terminator 2 when Arnold takes the flesh of his arm to reveal he's a robot. Then the film itself begins with Raj walking in part of a massive abandoned space ship; here he finds a gigantic care-taking robot. Similarity two occurs here, as the robot is an exact match for the gigantic war machines on tracks in the future battle sequences in T2, right down to having the same style of tracks. The robot then proceeds to attack Raj, this is where the most amazing similarity occurs as his fellow explorer, Laurie, comes to his rescue. She breaks down a door in a long legged walking robot, that she controls from inside by using joysticks, looking exactly like Ripley at the finale of Aliens taking on the Queen alien. The actor even looks like Ripley, there are shots of her inside the machine that also look exactly like the shots of Mary Elizabeth Masterantonio in her sub in the ‘The Abyss'. The two machines then have a spectacular battle, which literally ends on a cliffhanger. Cameron manages to get an awful lot into his short 12 minutes and the film is exciting and interesting. His effects work is fantastic for what must have been a limited budget, which brings up another theme that was already emerging in his work, that of always going for the big movie with plenty of effects work, though with strong characters to root the action around. A theme that is also obvious is that of the very strong female role, as it's Laurie who comes to rescue Raj from the robot. This short is a must see for anyone interested in Cameron and will blow you away with how many ideas are in here that would later turn up in his other films, I couldn't believe it when I first saw it.