Strictly average movie

Slow pace in the most part of the movie.

This film is so real. It treats its characters with so much care and sensitivity.

Exactly the movie you think it is, but not the movie you want it to be.

I was lucky enough to see this film at the Chicago Film Festival in the early 90s, and also to participate in a discussion after the screening with the director. I had not seen it again until today, broken up in 9 parts on YouTube. I remembered it vividly, though some 25 years have passed. A very clever philosophical comedy, beautifully shot with wonderful acting. It's a tragedy that this movie is so hard to find (especially considering Colin Firth's current popularity) and shocking that the director hasn't directed more than just one other feature and a short. I remember him telling us that most of the shots were improvised, not the acting of them, but the set ups and lighting, which is amazing considering how beautiful the movie is. It's really one of those "every shot looks like a painting" type films. The YouTube print actually does it justice, but I would love to get a DVD somehow. Anyway, however you can, see this movie. And someone hire this director again.

What makes this movie a very pleasant experience is, of course, Peter O'Toole. He performs with great gusto in the role of a narcissistic, typically selfish and spoiled movie star. The press conference scene alone is the reason why we watch movies. Unforgettable, brilliant, timeless O'Toole. There are flaws, however, such as the uninspired choice of C. Firth to play the writer and a not-so-good script to develop the story. The basic idea is very good and has great potential, but the script goes on a single note and the actor-writer relationship remains somehow undeveloped. There is a brief naked scene thrown in, not fitting the rest and completely unnecessary - just an example of confused direction, a "what the hell was that for" moment. And, well, when the movie ended, I felt that it could have been more. The movie does have a certain surreal quality, plus a great performance from O'Toole. And it's still a relevant commentary on the ephemeral nature of fame, a look into our fascination for movie magic and movie stars, but also a bitter-sweet reminder of our mortality. "Wings of Fame" definitely deserves more credit... and a better DVD treatment, by the way.

*SPOILERS!!! SPOILERS!!! SPOILERS!!!*What a brilliant idea for a plot! An afterlife-resort just for famous people? No matter how the fame was gained? Fascinating!!It really reminds me in many ways on Jean Paul Sartre's "Huis clos". You cannot quite decide whether it's Heaven or Hell. It all depends on the celebrities and what they do to each other. The worst thing for those famous souls isn't death but to vanish into oblivion.Peter O'Toole plays Cesar Valentin, an actor on the height of his fame. He is frantic that his stardom will soon be over but he manages to gain new attention as he writes a bestselling book.Colin Firth is Brian Smith, a nobody, who seems to stalk the famous actor. He is constantly on Valentin's toes and tries to get his attention. At a filmfestival where the actor continues to ignore him, Brian spontaneously grabs a pistol from a security officer and shoots Valentin. Directly after that he himself is killed by accident. And here the real story starts......Both end up on this island for dead celebrities. Brian's fame results from his murdering the famous actor. So both fates are intertwined in the afterlife and the quality of their accommodation and the service of the Hotel rises and falls with their fame.It's amazing how the famous actor and the nobody cope with that.Valentin tries to figure out why he was shot. The dialogues between him and Brian are most fun to watch! Brian is playing games with him, enjoying every moment. He couldn't care less that eventually he will fall into oblivion since he never was famous by own accomplishments.This story is about vanity, self-knowledge, evolving above yourself or selling yourself for something as transient as fame. The conclusion is unexpected and as fascinating as the story throughout! O'Toole and Firth are both uniquely brilliant in their performance. But Colin Firth is the one who made my day! Desperate, mad, curious, cunning, caring, loving and forgiving. He does all that so convincingly and endearingly, it really took my breath away!This is a real treat! 10 of 10 by all means!

Wings of Fame is a discussion of the fleeting nature of fame and how little it actually means in terms of happiness or fulfillment.Peter O'Toole is a great actor. Colin Firth is the author of a book titled Wings of Fame that the actor claimed as his own work.The actor is at the height of his fame. The book would have given the writer the fame he deserved.In a moment of anger and opportunity, the writer shoots the actor at a film festival in front of his adoring fans. Then the film begins in earnest.The two are linked together by the act of murder. The journey they take to discover themselves and each other is fascinating.Many philosophical questions are asked, but no conclusions are drawn. The one thing that is pointed out graphically is that all famous people fade in the memory of the living once they are no longer producing anything new.The film is slow paced but loaded with acid wit that Dorothy Parker would admire. It also contains brilliant acting by O'Toole and Firth.The cinematography is wonderful and full of references to modern art.This is not a film for everyone. But those who love films with depth and challenge and those who love great acting will find a great deal in Wings of Fame to applaud and think about for a long time after it ends. I was grateful for the privilege of watching two great actors explore the nature of fame and its consequences.