Wild Weed
Wild Weed
NR | 20 July 1949 (USA)
Wild Weed Trailers

A chorus girl's career is ruined and her brother is driven to suicide when she starts smoking marijuana.

Reviews
Mabel Munoz

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

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Sameer Callahan

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Mehdi Hoffman

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

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Wyatt

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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zardoz-13

"Wild Weed" is a polished but predictable potboiler about the consequences of marihuana abuse in America during the late 1940s. Prolific director Sam Newfield does a good job of making this pedestrian crime thriller palatable. The action concern a chorus girl who is putting her younger brother through college by working as a dancer. Actually, Richard H. Landau is based in part on the sensational event that occurred when actor Robert Mitchum was busted with starlet Lila Leeds in her apartment. Mitchum is neither shown nor depicted. This movie shows how our unfortunate heroine becomes addicted to pot. The filmmakers refer to marihuana as 'tea' and the pushers hide it in tomato cans. The first half of the action concerns Anne Lester's descent into the hell of pot. A thoroughly despicable pusher, Markey (Alan Baxter), gets Anne hooked. After she loses her job as a dancer, Anne winds up fronting for Markey. Sadly, when Anne's brother, Bob (David Holt), shows up at his older sister's house, he is surprised to find the house in ruins after a party. Later, he discovers that she is helping Markey sell cannabis and he commits suicide by hanging himself in the garage. The second part follows Anne on her downward spiral until she survives jail and leads the authorities to Markey.Lila Leeds does a credible job, but her arrest doomed her career. She wasn't a bad actress. She is surrounded by a number of solid Hollywood actors. Indeed, Jack Elam made his film debut. Meantime, "Wild Weed" was her last film before she disappeared from the big-screen. Of course, the filmmakers were trading on Lila's celebrity status to give the film a modicum of credibility. The filmmakers' depiction of pot as a so-called 'gateway drug' makes this film funny. The scenes of people having a good time as they party with their pot are goofy. "Wild Weed" isn't as hilarious as "Reefer Madness" or "Marihuana." The fate of the lead actress gives "Wild Weed" a measure of poignancy. She suffered a worse fate than her screen character and the effect of the arrest on her cinematic aspirations is the flip side of what actually happened to Robert Mitchum. The marihuana arrest for Mitchum bolstered his career and he suffered no fall-out from it.

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dougdoepke

Naïve show girl gets involved with hard cases in a marijuana drug ring.Seeing this pot-warning epic, you might confuse the devil weed with a shot of laughing gas. That's because after taking a puff, the smokers stand around and giggle for hours on end. I kept hoping for an orgy, but no luck, just a lot of pointless laughing. Looks like the director auditioned supporting players on how long and maniacally they could giggle.Sure, the movie's a grade Z production that probably showed in a few all-night grind houses. Still, a couple less-than- terrible aspects manage to emerge. The montages are generally well done, especially the white piano dream at the Hollywood Bowl. Plus, the principal acting is not that bad. Whatever else, bad girl Leeds manages a pretty good performance, along with veteran stone face Alan Baxter. Oddly, the narrative breaks into two parts—the first is the goofy drug part, while the second amounts to standard crime drama. Add 'em up and you've got a generally bad movie that doesn't rise to campy level, but still manages a few redeeming aspects.(In passing-- The guy playing the orchestral piano is a legitimate long-hair, Rudolf Friml Jr., whose dad composed such well-known operettas as Rose-Marie and The Vagabond King. I guess this was meant to add a touch of class to an otherwise seedy production.)

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MartinHafer

This film's structure, at least for the first half is very similar to the classic bad film, REEFER MADNESS. Both had preachy prologues and both showed wild pot parties where the guests behaved as if they were on LSD, not marijuana. While I think pot use is very stupid, I can't see how this film in any way could discourage it, as the way people act on this drug is so silly that any child would laugh at the ineptitude of the film and the central message would be lost.Oddly, at about the middle of the film, the movie became much less silly in its portrayal of drug use and became a somewhat standard (though very poorly made) cop film. While this improved the film a bit, it was a case of just too little too late. The bottom line is that the film suffers from a horrible script and production values. About the only interesting things about it were how silly it all became and to see both a down-and-out Lyle Talbot as well as Jack Elam in his first film. It's all just a very silly mess.

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sbibb1

This film was originally called "Wild Weed." The star of the film is Lila Leeds, a promising starlet who had very minor roles in earlier films, but achieved worldwide notoriety when she was arrested along with Robert Mitchum and other for smoking pot in 1948. She spent several months in jail, and when she was released this was one of the few film roles she was able to get. On the contrary, Robert Mitchum, who was also arrested, came back to resume a hotter then ever film career.Leeds is beautiful, a sort of young Marilyn Monroe lookalike. The film is not one of the better "exploitation" films, but is notable for its cast of authentic Hollywood actors, though they were at this point well past their prime. Perennial B-movie actor Lyle Talbot, Alan Baxter and Michael Whalen, among other round out the cast.

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