Wild Riders
Wild Riders
R | 08 September 1971 (USA)
Wild Riders Trailers

Two juvenile delinquents break into a luxury house where they rape two women. They settle in the house, sell the valuables and kill a curious neighbour.

Reviews
Scanialara

You won't be disappointed!

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NekoHomey

Purely Joyful Movie!

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SunnyHello

Nice effects though.

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Solidrariol

Am I Missing Something?

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dafuror

Two young men who bear a physical resemblance to Peter Fonda and Dennis Hopper perform a slow-motion home invasion while on-the-lam from a crime so despicable as to get them ejected from an erstwhile biker gang. Somehow the writers discovered a way to start at the bottom and go downhill from there. The victims are as helpless, unsympathetic and cooperative as possible which is important as the perpetrators are as hapless as they could be. It begins as a "biker-gang" movie made just two years after "Easy Rider" hit the big screen and could have been named "Queasy Rider" as the bikes these "gangsters" use appeaar to be 75cc miniature ponies rather that the big ole Harley hogs used in similar productions. In terms of technical achievement continuity wasn't a big issue for the movie-makers so it better not be for those of us who are watching. If you are inerested in a derivative "B" movie from the very early 70s this is your cup of COORS (product placement).

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Michael Ledo

Pete (Arell Blanton) and Stick (Alex Rocco) are two bikers. They have that "Of Mice and Men" relationship with Stick not being all there. They are too bad for the biker gang and get kicked out and do the home invasion scene.The film was horrible on many levels.Guide: Sex. rape, nudity (Sherry Bain, Elizabeth Knowles, Linda Johanesen)

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Leofwine_draca

WILD RIDERS is a slick and sleazy 'home invasion' type movie masquerading as a biker flick. Despite the opening scene this isn't a biker movie at all, but more of a grubby thriller. Throwing in a couple of biking scenes and having the main characters be members of a motorbike gang doesn't make it a biker flick.Instead it's a bad taste film that seems to glorify violence and abuse against women. A couple of Neanderthal characters end up holding two women captive in their home and proceed to abuse them mercilessly in various scuzzy and unpleasant ways. There's gloating nudity and enough misogyny and rape that the BBFC banned it here in the UK, although amusingly enough I caught a showing on late night TV regardless.WILD RIDERS feels slow and pointless for the most part, and the only real thrills and action come in the last twenty minutes or so. The ending is particularly satisfying, but there's a whole lot of bad stuff to sit through before then. Main star Alex Rocco was well known for starring in THE GODFATHER the following year.

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catfish-er

I watched WILD RIDERS as part of BCI Eclipse' Drive-in Cult Classics (featuring Crown International Pictures releases) on DVD.The similarities between Arell Blanton's character (Pete) and Peter Fonda's cannot be an accident – it has to be the hair, sideburns, glasses; and, the times. No doubt, Crown International shot WILD RIDERS to ride the coattails of EASY RIDER, released two years earlier.However, this movie has more in common with Crown International's TRIP WITH THE TEACHER (also part of BCI Eclipse' Drive-in Cult Classics) than its better-known road trip movie.Both Crown International films share the same crude production values, sadistic motorcycle goons, and shocking ending. However, a better telling of the rape / torment / revenge story (without the motorcycles) is the excellent LAST HOUSE ON THE LEFT.While EASY RIDER is about the trip, we find none of that in WILD RIDERS, which takes us from a desolate Florida execution of Pete's girlfriend to the Hollywood Hills during the title sequence.Speaking of the opening sequence, Arell Blanton sings the opening folk song, "he's my family" (keep your day-job!) The song comes across as Pete's love-anthem for his best friend, Stick, unless you really listen to the words.If you do, you find that the song really sets the tone for the entire movie; "if you knew him, would you think he could kill?" Elizabeth Knowles did a credible job as the bored housewife / curvaceous, redhead Rona. She is a bit of a thrill-seeker, entertaining the neighborhood peeping tom, while her musician husband is away. No wonder she succumbs to Pete's offer to trade a dip in the pool for a ride on his motorcycle… ahem… among other things.Stick, his seemingly retarded buddy, played by Alex Rocco, quickly goes after the sexually-repressed Laure (played by Sherry Bain), while Mona and Pete begin getting it on in the pool (while Laure watches).According to Mona, the only kind of games Laure likes to play are spectator sports; but being this close to the action is just a little too real for her… I thought director Richard Kanter drew a stark contrast in the sequence of quick cuts between Pete and Mona's lovemaking and Stick's rape of Laure. The music during this sequence just builds the intensity of the violence.It seems that post-coital, both the lover and the rapist are quick to descend into a pit of violence, degradation, and humiliation. However, all the trips back and forth by Pete really slowed the pace of the movie. The bar scene, the bike chase, and attempted escape were just to fill time… Other reviews have described Pete and Stick as some crank-addicted George and Lennie in a white-trash version of "Of Mice and Men". I think this is an apt comparison.It is not a must-see movie; but I enjoyed it enough to recommend it to fans of low budget movies.

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