Thanks for the memories!

Beautiful, moving film.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Exactly the movie you think it is, but not the movie you want it to be.

A gloomy old mansion on a stormy night, the murders of the patriarch and matriarch of an old Atlanta money family, a dumb detective, strangers peaking inside windows, fights on darkened stairs and scaredy cat black servants. About as believable as an episode of "Scooby Doo", yet well cast with dependable character players. It also laughs at the often repeated plot by having radio show writer Wendy Barrie criticized by the wisecracking John Hubbard for writing such dribble. Edgar Kennedy as the slow burning idiot investigator, Elizabeth Patterson as the matriarch who gathers the clan together, Mona Barrie as a bitchy member of the family and Willie Best as the nervous valet are among the clichéd characters who pop in and out of the messy screenplay. Scattered laughs here and there, but not much else.

Well I would have to give it a 10 because it frightened the life out of me when I saw it shortly after it came out at the Vogue Cinema, Stoke Newington, London and I had asked someone I didn't know to take me into the cinema because it was an 'A' (Adults only) film. Things were a lot safer in those days because all the men were in the services. It scared me so much I had to change seats and sit next to a couple of women for comfort but then I was only 9 at the time - it was wartime in London and were going through the bombing so my nerves were probably on edge and perhaps I would only rate it one today if I saw it again. But at 80 - what do I know? I'm no critic. Anyway perhaps children today, if they saw it, might see the film as being a bit spooky today.

Call me bewildered, this one gets a 8.9 out of 10 by the people rating the films here at IMDb. All I have to say is what version did they see? Its good but it's not that good.The plot of this film has a writer of radio show and the sponsor in love and fighting on the wedding day. He can't believe that anyone would buy into the old dark house radio show she's written. She bails on the wedding and heads home where strange things are going on much like her radio show. Her beau eventually arrives and thinks its all a joke, except its not.Good old dark house spoof ala haunted honeymoon or similar films suffers from way too much comedy (there is no tension) and a way too knowing attitude (there is no tension). Its not bad, but it isn't a 9 out of ten, think more like six, maybe seven out of ten.

I'm a fan of "Old House" movies and, when i heard about THIS one, i tried to get it for a long time.When i finally DID, i was very disappointed. It's easy to spot the murderer, but that's not what makes it so disappointing.This film has a top-notch cast - Eliz Paterson, Willie Best, Joyce Compton, Milton Parsons, Wendie Barrie, etc -- ALL veteran "Old House" actors. AND, a screenplay by the fantastic Stuart Palmer!But, the movie drags on & on, with the usual "cut phone wires", "cars put out of commission", etc.....it would've benefited from some real SCARES.It drags along, to an ending that doesn't make much sense. Don't waste your time on THIS one, unless you're a die-hard fan!