Such a frustrating disappointment

One of my all time favorites.

Great movie. Not sure what people expected but I found it highly entertaining.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

You could see how much Captain Kirk enjoyed swapping his phaser for a six-shooter to face the Clantons and McLaurys in "Spectre of the Gun". Well, dang my dingies if he didn't get a chance here to swap "for real". Also gave him a chance to show off his horsemanship skills (which not all "genuine" western actors have)."White Comanche" is one of those flicks I call a 360-degree-er. So incredibly, outrageously terrible that it comes all the way around full circle and turns into something worth a look just for the novelty.One enjoyable irony -- as one of Welles' Mercury Players in 1941, Cotton had to work hard to play an older man. By 1968 it was a little easier to step into character. He did a darn good job with what they gave him to work with.Knowing Shatner's wit, I'll bet if you asked him now about "White Comanche" he'd roll his eyes, grin, and say, "Well, hell, I got a free Spanish vacation." Then he'd wink.

Being a Spanish rather than Italian production, I don't think this rates as an official Spaghetti Western – yet, it's been included with a clutch of such efforts in a budget-release Box Set (which I've rented and am currently going through); the treatment itself, in fact, isn't even really evocative of that distinctly baroque style! The film-makers managed to acquire two American stars for this one: veteran Joseph Cotten and William Shatner (a fashionable commodity at the time thanks to the STAR TREK phenomenon on TV); they actually complement each other quite well, the reliable Cotten being a laid-back yet plain-speaking marshal and Shatner brooding albeit given occasionally to his trademark histrionics – especially since he plays twins, i.e. cowboy hero and the troublesome half-breed of the title! The narrative also incorporates a subplot involving rival factions fighting for control of the town of Rio Hondo; female interest is provided by lovely blonde Rosanna Yanni (co-star of the two "Red Lips" films by Jess Franco made the previous year), who's assaulted by one Shatner and loved by the other. Eventually, the two siblings face-off in a duel on horseback – which both undertake bare-chested and wearing a bandana (presumably, to confuse the audience as to the identity of the victor)! At the end of the day, the film proves a tolerable diversion if nothing more – unless one counts Shatner's almost campy intensity (particularly in his caricatured Indian portrayal) as an added source of gratification! I should also mention here that the terribly inappropriate jazzy score is a pain to listen to and, besides, the pan-and-scan version I watched had an irritating tendency to jump-cutting within the same shot in search of the current speaker's face!!

The motion picture industry has trained viewers to expect certain types of music for certain types of movies and individual scenes. Occasionally a film score breaks with tradition and is recognized for its brilliance. The opening music of White Comanche should be judged with an open mind because it is within reason to allow experimentation at times. It did not turn into a classic western theme, but it is not too far out of place. As the movie continues there are some musical passages that definitely should not have been used. One sequence uses music that invokes the image of a chase scene in an old comedy, and another would have been appropriate for late 60's crime drama set in a big city. The music itself was good, but its placement does not enhance the movie. Instead it is noticeable and distracting.William Shatner gives two acting performances that are totally opposite. As Johnny Moon, Shatner really does give a good performance. The sophistication of Johnny's character comes through, and if this were Shatner's only role in White Comanche it would be regarded more highly. As Notah Moon, Shatner cannot be taken seriously. When acting as the domineering Notah, he does not convey an image of a leader. Instead, he looks like he is rehearsing his lines for the first time. In addition, Notah is the only "comanche" with short, perfectly combed hair at all times while the rest of the Indians all have long hair.Joseph Cotten is flawless in his performance as Sheriff Logan, but it is sad to see him in a movie that did not capitalize on his talent. Cotten must have been hired to add a "name" to the cast, but there was little for him to work with in his role.The remainder of the cast varied in their acting qualities. Kelly, The General, and the Mayor appear to give good performances, but the dubbed voices in the soundtrack are lifeless. All of the fight scenes look like the weekend performances from a cowboy theme park-- fun in the moment but not good on film.The greatest problem that plagued White Comanche was probably the cheapest to fix, the script. Only one scene gives some history between Johnny and Notah, and it has little depth. There is no account of how the rift between Grimes and General Garcia began or escalated. Neither Sheriff Logan or the saloon girl, Kelly, have any history. A little more explanatory dialog could have made the characters more dynamic.White Comanche is not well made, but do not avoid it if you have the time and desire to view it.

It's a good thing that Star Trek prime became such a cult item. I would hate to think that William Shatner would have his career judged by this monstrosity of a western.It's probably well that critics remember that at the time this film was done, Star Trek was not the big cult item it became. It was an ambitious science fiction show in its first run that drew a loyal steady audience that NBC decided to cancel after three years. It's fan base grew in syndication and THEN Star Trek became an industry unto itself.So William Shatner in accepting this part had no idea what his future had in store for him. I think if he had he wouldn't have done this film.It's just plain terrible. It's poorly dubbed, it's music score is the worst I've heard for a western since The Outlaw, the acting is terrible and the plot line ridiculous.Shatner plays twin brothers who are from an anglo father and a comanche mother. One of them identifies with the whites and the other the Indians. Come to think of it there was an episode in Star Trek prime where the transporter divided Captain Kirk into a good and evil self. That one was far better done than this film.I'm sure Shatner might have thought he would go the way of Clint Eastwood and Charles Bronson in spaghetti westerns. But I think he knew early on what a dog this film was and he overacts outrageously. Especially as his Indian self. Joseph Cotten is around for this also and he looks like he misses those good old days with Orson Welles.Just think when Bill Shatner did Comanche blanco he had no idea that his immortality was already sealed.