Simply Perfect

Great Film overall

Fresh and Exciting

By the time the dramatic fireworks start popping off, each one feels earned.

3/14/18. I have forgotten how suspenseful these old disaster movies were, even formulaic as they were. Why mess with what works? Irwin Allen was always good with that: A love triangle, a helicopter, a loss of one or two of the big stars and you got yourself a hit. While many of the big stars featured were mostly past their prime, that was okay when the disaster was actually THE STAR of the movie. Catch it for nostalgia's sake.

WHEN TIME RAN OUT… is a silly, superficial and often cheesy coda to the cycle of disaster movies produced by Irwin Allen in the 1970s. As a huge fan of disaster movies, I found myself enjoying this film a lot, even if everything that happens has been done before and better. This film sees an all-star cast menaced by a volcano on an Pacific island, and you can pretty much guess every plot point along the way if you've seen any of Allen's other, earlier, better disaster flicks.Still, you can't say that Allen doesn't try his best…it's just that the budget (or lack of it) lets him down this time around. The volcano itself is a silly little miniature, the rivers of lava are back-projected nonsense, and the final 'disaster' scene at the hotel is so poor as to beggar belief. Even ignoring the below-par special effects, this film takes the biscuit. Although it's notably shorter than the likes of THE TOWERING INFERNO, it takes half the running time for the volcano to actually blow, and until that point we have lots of cheesy dialogue scenes involving romance between uninteresting characters.Thankfully, things really get going once the disaster hits home as Allen throws tsunamis, explosions, cliffslides and whatnot into the mix. Twinkly-eyed Paul Newman is on hand, thankfully, to take charge and act all manfully, although he's up against a scheming James Franciscus as the island resort's owner who'll stop at nothing to protect his investments. Also caught up in the mix are the usual stereotypes: doting (or should that be dotty) old timers (step forward, Burgess Meredith); hard-timers (Ernest Borgnine in his umpteenth disaster outing), youthful beauties (Barbara Carrera and Jacqueline Bisset, the latter looking a bit off) and even a few ethnic types too (Pat Morita, going Chinese). Much of the resultant running time follows Newman's group as they scramble for safety, evading dangers along the way.It's no surprise as to who lives or dies, but the 'obstacle' scenes are great fun, especially the extended 'bridge crossing' which makes up the film's climax. And I'll never tire of those ultra-cheesy 'falling into lava' shots which are repeated at various intervals. It's just a shame that the volcano itself only has coming of a cameo appearance in the movie, and that the characters are never menaced by ash clouds or falling lumps of pumice…now that would have been something to see!

Time should have ran out on the making of this movie as it is yet another waste of good talent by Irwin Allen. The plot is predictable and formulaic, it is basically the Poseidon Adventure on a volcanic island. You have the intrepid group fleeing from the volcano, warning the rest to come with them but scoffed at. Sound familiar? Well that is exactly what happened in the Poseidon Adventure. You have your token victims picked off one by one but unlike the Poseidon Adventure where the danger was every present and it was claustrophobic, fleeing from lava flows, the danger was just not there. A real Paul Newman turkey, this one, not sure why he did it because it certainly did not enhance his reputation.

Cool explosive special effects, an okay Lalo Schifrin score, William Holden being pleasing as always and a well played sense of doom in the opening sections of the film. There are reasons to watch this for these things, but this is a film with problems and that is obvious right from the word go! Irwin Allen's other four 1970s disaster feature films began with some powerful theme music from John Williams, Jerry Goldsmith or Jerry Fielding but WTRO's Lalo Schifrin score is surprisingly low-key. This describes the film itself: it mostly lacks that Irwin Allen gusto seen in his past work! The theme music says it all! The gusto finally appears for a while when Paul Newman/James Franciscus go down in that craft to the very centre of the volcano. This scene alone makes the whole film worthwhile: very well done and full of suspense! All the scenes with William Holden and uncomfortable Franciscus together are well played.But this is sounding like a too positive review and I have to tell it like it is: What has happened to screen favourite Burgess Meredith? He looks and talks like he has just walked out of a retirement home! Just two years before this he appeared in Irwin Allen's The Return Of Captain Nemo looking and sounding a lot younger and more full of energy. I hate to say this: but I feel uncomfortable watching him in this film. I am guessing he had a contract with Irwin and he was required to do this film if he wanted to or not. Paul Newman ("that volcano movie was my worst movie") was in that situation I am told.If you viewed WTRO in 1980 or 1981, give it another chance in this century, it has actually improved over the years. In the 1990s we got two more volcano disaster movies - Dante's Peak and Volcano - both are good but perhaps a little too perfect with all that CGI all over the place. The less perfect effects work in WTRO is actually more pleasing to the eye as we all know some of it was done with REAL explosives...not computers! I wish Irwin ended with Beyond The Poseidon Adventure (1979) but When Time Ran Out is not too bad at all!