Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

While acknowledging that Bill Wilson was not perfect (um ... who is?), his contribution to alcoholic mankind was out of this world. I am speaking from someone who appreciates the history of Alcoholics Anonymous. It is quite fascinating. I've been to Dr. Bob and Anne's house in Akron, Ohio; A.A. World Services in New York several times; and Lois and Bill's Bedford Hills home - Stepping Stones. I enjoyed seeing the Bible where Bill wrote his pledges ~ at one of these places (been awhile; can't recall where.)The movie touched my heart. I appreciated the brilliance in its creation. Winona Ryder and Barry Pepper were outstanding as well. I highly recommend it to anyone.

"When Love Is Not Enough" is a film of a very specific style. That sort of style most commonly seen in films which consider the most effective way to depict a period drama is in mimicking the film-making style of said period. If you can swallow all the tear-jerking music and glossy cinematography, you will certainly appreciate the story better. But I found myself aching for a little bit more grittiness. Even much older alcoholic dramas such as "The Lost Weekend" or "Days of Wine and Roses" had a degree of emotional intensity not quite present here. Then again, this is a TV movie, and similar expectations are not necessarily in play.Winona Ryder and Barry Pepper are two of my favorite actors. They don't disappoint here. Pepper (as Bill Wilson) is appropriately pathetic for the better half of the film, believably drunk and unhinged. Ryder (as Bill's wife, Lois) is given somewhat less to work with. Some of her dialogue during the more intense arguments is so wordy and roundabout that she seems tied between losing her breath and keeping a straight face. Both of which tend to get in the way of projecting emotion.It's a good enough film. The story takes you through the events of Bill and Lois' married life, always without making you feel like it's arbitrary or scripted out. The unfortunate side is how John Kent Harrison doesn't offer anything at all outstanding with his direction. The look is flat, clean, ordinary. He sometimes uses off-kilter angles in the composition, which is always distracting and immediately makes one think of 1960s television shows. Harrison prevents the actors from pushing further than expected, and gives nothing but limitations to the production.In the end, this is probably worth watching. The actors give enough guts and passion to make it worth your time. It's nothing to subvert even the lowest of expectations, but you get the sense that everyone tried their best. And that's commendable, even when their best is not enough.

At the beginning of this fact-based Hallmark Hall of Fame presentation about the couple who helped start Alcoholics Anonymous, Lois and Bill Wilson get married in 1918 before he goes off to serve in World War I.After the war, Bill returns home and works on Wall Street. Lois, whose father is a doctor, works as a nurse with the mentally ill.Bill realizes that it would be helpful for investors to know about the companies they invest in, so he starts analyzing the companies, something not done much in the past. This involves lots of travel, including a motorcycle trip with Lois that involves comic misadventures.The work is stressful but eventually rewarding. Bill copes with the stress by drinking. He and his friends often get together and drink. Never mind Prohibition. Everyone in this movie finds a way.Bill gets abusive when he drinks, but he keeps promising he will stop. And then he eventually starts again and the problems continue.Lois gets pregnant but can never carry a baby to term. Perhaps this is all for the best since it wouldn't be a good idea to bring up a child in a home where the father behaves the way Bill sometimes does. One of the couple's friends admits this when the couple tries to adopt.The Depression eventually puts an end to the prosperity the Wilsons and so many others have experienced. Bill finds this a reason to drink, but sooner or later he will have to stop one way or another.This movie does a good job of showing how hard it is to stop drinking and to keep from starting again, and shows how it is possible for people with a common problem to support each other.Winona Ryder and Barry Pepper both do a very good job. I expect Ryder to be nominated for some award.I enjoyed the music. During the 1920s, there is a lot of music which one could dance the Charleston to, but there are also other enjoyable styles of music from that era. One song included a fiddle and several other instruments. I wouldn't recommend this to young children because the subject matter is quite adult, but this is still a family movie in a sense and doesn't really include offensive content. So much of the movie is depressing and hard to watch, but there is plenty of positive content too.It's a worthy effort.

Like the last reviewer, I was also expecting at least a hint at Bill W's notorious womanizing, and it was disappointing that Lois W's experience wasn't fully represented. But I think the movie was successful in capturing the ongoing destructiveness of the disease and eventual dissolution of hope, as well as the expectation that love can fix everything. The acting was real. Winona Ryder's beauty is toned down but she is still beautiful and also believable, and--like most alcoholics I know--Barry Pepper's Bill W was mesmerizing and charismatic. When he's on screen, you can't take your eyes off him. It's a beautiful movie to watch, with lush sets and costumes. The pacing is good, as well.