Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

This movie feels like it was made purely to piss off people who want good shows

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Close shines in drama with strong language, adult themes.

I saw this drama a couple of years ago now on YouTube... alas it has disappeared. What a wonderful story of the growing friendship and later love between two gentleman in the later years of their life. With all the rubbish that is put out on DVD though the question has to be asked why this excellent drama has never been released on DVD.

It's never too late for love. That's the theme behind essentially every senior romance film. The same questions tend to come up in most of them. Will s/he be able to move on from the loss of the previous partner? Will the adult children accept dad/mom's new love? Will a grandchild do something adorable? All these questions are answered in the winning comedy When I'm 64. Though a formula film if there ever was one, it's formula terrifically executed.Opening with a soccer brawl we are introduced to Ray (Paul Freeman), a working class "geriatric hooligan." His semiretirement is spent whiling away the hours at the pub and driving his taxi. The routine is punctuated by the occasional very public soccer brawl, much to the chagrin of his adult children. At 64, his children think he might have better things to do with his time. Ray tends to agree but as a widower, he's reluctant to try to find a new love now that the love of his life is gone. Jim (Alun Armstrong) has spent his entire life at one school. First as a student, Jim stayed on at various faculty positions eventually becoming the headmaster. A lifetime bachelor he's now reached the UK's retirement age and is set to leave the school, essentially for the first time. After spending his entire life in a regimented institution, he's ready for a change. His plan is now "to not have a plan". Without a plan his two remaining goals in life might seem a little lofty but perhaps a plan is not needed to; 1. See the world and, 2. Fall in love. First things first though, Jim has to fix the reason he's been called "Beaky" for more than a half-century.Coincidences keep Jim and Ray bumping into each other. Jim's plans for travel are upset when his elderly father falls ill. Knowing that his son is 65, the hospitalized father suggest that perhaps, "we should ask for a double room." With Ray offering support for Jim their friendship grows and begins to test the boundaries of Ray's lifetime heterosexuality. Funny and touching events ensue leading to a somewhat corny, though totally satisfactory punch line.The path followed by Ray brings up some interesting family issues that often appear in gay cinema. The main one is, how great is the need for family support? Ray is faced with the fact that one of his children is abhorred by the idea of homosexuality. In many films there's a struggle of some sort that ends up with one of the parties hurt or both sides happily rid of previous prejudices. It's refreshing to see a film where the protagonist doesn't have to justify himself to others in order to justify himself to himself.

I watched 'When I'm 64' out of curiosity. I was attracted by the preview of this drama about the friendship of two older men. As I was not certain if I would be in that evening, I recorded it. I am so glad that I did!London taxi driver Ray (Paul Freeman) is in his middle sixties and a widower. He has two grown-up children and grandchildren but grieves deeply still for his wife. One day, he is called out to a private school to collect newly-retired bachelor school master Jim Bryant (Alun Armstrong). The two men's lives are destined to change for ever.At first sight, they seem to have little in common. Ray is a former football hooligan, tattooed, with a London accent who spends his free time down the pub with his mates. Jim is a well-spoken, well-educated public school teacher who collects stamps. Gradually, however, as their friendship grows, they find life opening up windows of opportunity for them in ways they never could have imagined. The story is structured well as it charts the development of Ray and Jim's relationship from professional to something closer. The rounded characterisations of the two leads, coupled with the appearance of their families and friends, reveal to the watcher what has made the two men how they are, who and what has brought them to this stage in their lives. Good use of settings helps convey the contrasting lifestyles of the characters.Paul Freeman and Alun Armstrong are excellent as the two leads. It is difficult not to think of Paul Freeman as the villainous French archaeologist in 'Raiders Of The Lost Ark' - but, it is credit to his skills as an actor that he is as believable (and much more likable) as the very different London cabbie Ray. Alun Armstrong, often in authoritative roles, is convincing and sympathetic as Jim, the somewhat stereotypical English public school master who is yet so desirous of breaking away from the life he has known after he retires. Thanks to the chance meeting with Ray, he is able to fulfil his ambitions to "see the world and fall in love".Strong performances are given also by the supporting actors and actresses. Special mention should be made of Ray's friend Billy (Karl Johnson) who adds a touch of black humour to the story. (Trivia point: Karl Johnson was one of the musicians on 'Rainbow' in its very early days).Perhaps I should mention that, although fairly conservative by nature, I did not think the scene upstairs was offensive; rather, I found it innocent and touching. Whatever may have happened, however, the most important aspect of the relationship is their friendship. Jim and Ray were two lonely men who would have probably remained so had they not found each other. At the end, I was on the edge of my seat, willing the story to end the way it did and I was so pleased with the outcome.'When I'm 64' is an unconventional but touching story with its theme of 'it's never too late'. All the threads of the story are brought together effectively and carefully whilst its potentially controversial scenes are handled with sensitivity. I find it hard not to like Jim and Ray nor to wish them the best of luck. It deserves to be called a classic.

Ageing footie thug and Cockney cabbie Ray (Paul Freeman), a widower with grasping kids, meets refined retired teacher Jim (Alun Armstrong) and strikes up an unusual friendship which forces him to reassess his priorities, his feelings and his prejudices. The BBC drama took what is still a thorny subject and treated it with class and sensitivity, helped enormously by the playing of Armstrong in particular. As Ray's kids, Jason Flemyng and Tamsin Outhwaite have little to do but do it well. As the terminally-ill friend and fellow ex-thug Billy, Karl Johnson is also very good. A well-written, well-directed piece of drama which only lets itself down by the enforced contrast between the backgrounds of the two lead characters, and with the (almost) cop-out ending.