Expected more

Boring, over-political, tech fuzed mess

Absolutely brilliant

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Marine buddies James Cagney (as Captain Flagg) and Dan Dailey (as Sergeant Quirt) carouse through World War I, and eventually become rivals for the affections of beautifully-proportioned Frenchwoman Corinne Calvet (as Charmaine). Newly arriving from Philadelphia, handsome 22-year-old Robert Wagner (as Private Lewisohn) is attracted to local 17-year-old Marisa Pavan (as Nicole Bouchard). The pretty, dark-haired girl's father is upset. Rivaling Mr. Wagner for handsomeness, Craig Hill (as Aldrich) asks the titular question, "What price glory?" Future TV stars William Demarest and Harry Morgan support the troops... This successful stage comedy-drama became a huge "silent" film hit for Fox in 1926, winning Quigley Publications "Best Picture" award and rising high in everyone's "Ten Best" list for the year. This 1952 re-make did not score as well with audiences... One of the original film's "all-talking" comedy sequels was the semi-musical "The Cock-Eyed World" (1929), which is how this project was initially envisioned. We have colorful cinematic sets, a few remaining musical performances and stage-lighting techniques. Director John Ford and the Fox personnel assembled were much more aware of the earlier films, helping to explain this misfire. The story began as an anti-war statement; while present, the point gets lost in the inebriated interplay between Mr. Cagney and Mr. Dailey. The actors are forced to alternate between broad "F Troop"-style antics and the accumulation of dead bodies. ***** What Price Glory (7/25/52) John Ford ~ James Cagney, Dan Dailey, Corinne Calvet, Robert Wagner

In the mid-1920s, when What Price Glory? debuted as a play and was filmed for the first time, there was a popular anti-war mood, and cultural works attacking the First World War proliferated. In the early-1950s, with World War Two a recent memory and the Korean war still going on, war movies of every kind were at the height of their popularity, but there was no way they could be openly anti-militaristic. Hence, when Fox Studios decided to resurrect the classic story in 1952 it was largely a comical and de-politicised affair.With a screenplay by Henry and Phoebe Ephron, this version of What Price Glory? uses virtually none of Maxwell Anderson's original dialogue. The job of direction was handed to John Ford, who was known for staging extended improvisations, creating little vignettes of military life with comical drunkenness and good-natured fistfights. In What Price Glory? this is done to the extent that it actually overshadows any semblance of plot. And not just the anti-war business; the romantic subplots seem weak and disjointed as well.That's not to say there aren't some good things about this picture. The Technicolor cinematography by Joe MacDonald is often breathtaking, giving a haunting quality to the mist-shrouded battlegrounds. Ford was as always a good visual director, often using stark contrasts in depth to bring different ideas to our attention in the one shot. For example, as the troops march off to the front, a mass of drab browns and greys, we see Corinne Calvet in a bold red, white and blue dress – a human flag and a reminder of what the men are leaving behind them. And James Cagney is good fun in one of his purely comic roles.But there is little else to recommend about this What Price Glory? Various scenes look to have been filmed with an emphasis on pathos, but they don't work within the structure of the whole thing. When a young Robert Wagner makes the central speech in which the words of the title are spoken, it seems barely to relate to the rest of the picture. And it's not the mixing of comedy with the realities of war per se that makes it fall apart – after all this is the basis of such classics as The Big Parade and MASH – it's just that the balance is wrong. It simply fails to take the war seriously enough, and the "serious" moments seem like flimsy little inserts. Of course, if it had been a tight and hard-hitting anti-war drama, it would most likely have fallen foul of the censors and/or stifled the careers of its creative team. As it was, this vague mish-mash of bar songs and army jokes was conveniently inoffensive.

I was surprised to see John Ford's name listed as the director for this film, and even more surprised when it was over. With Oscar wins for greats like "The Grapes of Wrath" (1940) and "How Green Was My Valley (1941), I can't imagine what Ford might have thought after completing this picture, which doesn't quite work as either a war adventure or a military comedy. Which is saying something considering the cast that was assembled to put this effort together.It all starts reasonably enough as Jimmy Cagney swaggers into a World War I French town leading his troops, awaiting the arrival of his new 'Top Soldier'. I wondered about that characterization for quite a while since the term was used a number of times. When 1st Sergeant Quirt (Dan Dailey) finally reports to his commanding officer, the official greeting boils down to a chalk line fist fight that gets repeated each time the men come up with a reason to challenge each other, and there's no shortage of those.Corinne Calvet portrays the romantic interest for both men in the film, but the way her attention see saws back and forth between them, the set up becomes little more than contrived for the sake of a story. Her character Charmaine doesn't seem to spark with either Captain Flagg (Cagney) or Quirt, and considering the way she was treated by both, I'm surprised she didn't tell either one to take a hike, military or otherwise.The film descends into 'Hogan's Heroes' territory later in the movie when Flagg's assignment to capture a German officer sets the friendly rivals off into enemy territory. For me, the film lost a lot of credibility when Flagg and Quirt wind up glad handing the German Colonel after knocking off a trio of higher ranking soldiers. It somehow seemed beneath Cagney's screen persona to make sport of a war time situation like that. Also, the film's attempt to convey some symbolic meaning to it's title generally falls flat when a wounded Marine challenges Flagg, shouting 'What price glory?' during a scene that wasn't very stirring or emotional, another device in the film that really doesn't work.Company L's colorful cast includes William Demarest, Harry Morgan, Wally Vernon and an unrecognizably young Robert Wagner who doesn't make it home. Each has generally limited screen time in support of Flagg's blustery demeanor, except Wagner who's off and running in a romance of his own with a French school girl. It might have been a tearjerker, but it wasn't.Interestingly, James Cagney appeared in another World War I film, "The Fighting 69th" about a regiment of mostly New York Irish soldiers. Again, the story is fairly simplistic, though fans of the actor can count on his solid performance in each. It's only too bad that he wasn't given more to work with.

One of the great anti-war plays of the 1920s was Maxwell Anderson's What Price Glory. The play expressed popular American feeling that we were never going to war again like that and endure the slaughter in those trenches in France that occurred in the short time we were there. Remember we only declared war in 1917 and the thing had been going on in Europe for three years by the time we got there.One of the things Woodrow Wilson as President and the American Expeditionary Force commander John Pershing insisted on was that the American army when fully trained would fight as a unit and not just be replacement troops for the French and British already there. They deviated only once from that policy when the American First Marine Division became the first American troops in battle in World War I at Belleau Wood. These Marines depicted here are part of those troops.John Ford is one of our great American directors and when he does his own work on material never before used he's produced some remarkable cinema. But here he takes a serious anti-war play and turns it into one of his service comedies. There certainly are comedic elements in What Price Glory, but it's a serious picture.The original silent film version done by Raoul Walsh was faithful to Maxwell Anderson's spirit and introduced those two Marines Edmund Lowe and Victor McLaglen who were so popular as Captain Flagg and Sergeant Quirt that they went and starred in a slew of buddy films. In fact they and James Cagney and Pat O'Brien introduced and popularized the buddy film genre.Cagney steps into McLaglen shoes here and Dan Dailey plays Sergeant Quirt. They played two belligerent oafs in this and play them well, but no one ever thought of re-teaming them.John Ford should have let this classic alone.