the leading man is my tpye

After playing with our expectations, this turns out to be a very different sort of film.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

I saw this film as a 13 year old when it was first released, seeing it through the eyes of a teenager living in London I thought it was great, the title song was catchy and it seemed a bright and breezy fun movie, however, watching it again on DVD recently for the first time in over 50 years I wasn't too impressed, I found that unlike some other films released from that period, time had not been kind to it. Although nostalgic in the sense that it showed London as I remember it being like as a kid growing up there, it didn't have much to hold my attention. This was a film to showcase Joe Brown, who was a big star back then, but he was overshadowed by Marty Wilde, who in my opinion stole the show. This film may appeal to people of my generation for reasons of nostalgia, but other than that it has little going for it and I can't see the younger generations wanting to sit through it.

Perfect for those who like to look back at a London in black & white and full of bomb sites. It's the usual working class scenario of bored kids hoping to make it rich with a pop song, and parents in mundane jobs. The film is a good period piece and shows pretty much what the 60s were really like for those who think it was 'swinging' for anyone other than a select few.

WHAT A CRAZY WORLD is a British musical comedy from 1963. Filmed in black and white it mixes together a bit of everything that was popular during the early 1960s, from kitchen sink social drama to musical numbers, dance scenes, and street gang culture. Watched today it feels very dated but also somehow completely endearing, providing a neat snapshot of what life was like a very long time ago.I found it all irresistibly fun. The film was written and directed by Hammer man Michael Carreras, who can't resist a scene involving the main characters watching THE CURSE OF FRANKENSTEIN at the cinema, as well as casting Hammer favourite Michael Ripper in numerous supporting roles. I've never seen Ripper get so much screen time but he's a real delight here with his droll humour.Main star Joe Brown is a better singer than he is an actor, but there are interesting players in support so it doesn't matter so much. For instance, Harry H. Corbett is a delight as his gruff, bad-tempered father. The depiction of working class life is as accurate as any kitchen sink drama from the period. The musical bits are great fun, particularly the highlight where the hilarious Freddie and the Dreamers turn up for a nightclub act. It's all very lively and effective, and I found absolutely nothing to dislike.

From the plot you would expect a potboiler of a film but its stars bring it to life. Harry H. Corbett (AKA Harold Steptoe) and Joe Brown are such likeable characters that you can't help enjoying the movie. Add a live performance from Freddie and the Dreamers and it just can't lose.I watched this black and white film thinking it must have been made in 1959 - 1960 and was somewhat surprised to find it was 1963!