Such a frustrating disappointment

Simply A Masterpiece

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

There seems to be a good bit of confusion from some viewers of this film, confusion probably because the screenwriter, in order to demonstrate that our actions, both simple and complex, not only affect our own futures, but the futures of our friends and relations, sometimes for decades, has not headlined his message. This film is worth watching simply because of an outstanding cast, legends before they were legends--Vanessa Redgrave, Ian Holm, Judi Dench and Tom Wilkinson for starters. And there is a scene early on in the film both graphic and shocking; many reviewers of this film seem to think it has nothing to do with rest of the story except as a plot device which fails to work. I would differ: this intertwined tale bears careful watching, a viewer's ability to link two main stories told nearly simultaneously, seemingly unrelated. There is a good deal that is not said, and one must be like a teacher or a parent to read between the lines: several simple actions combined with expected outcomes provide some guidance. So this reviewer is not going to lay out a spoiler except to say that this complex, well-thought out film makes complete sense once the actions of the characters are made clear; notice particularly the strange young woman who comes to stay with Redgrave after her first unasked-for guest shocks us. See what that young woman sees. Observe what she touches and how she reacts. Understand why she might be a little more unhinged than Redgrave expects. The answers are there; they may not be cut and dried and as easy to solve as a Charlie Chan mystery--but they link us to our own amazing capacity to survive with truth over time. This film, if you have the patience, can be fascinating.

"Wetherby" is an intriguing wake up call to each one of us to pay more attention to life and the events surrounding it, before it gets too late and we're forced to face the facts, to see the importance people have in our lives in its quietest and small moments even though we think they're not important or they can't affect us. Because they can and life has its ways of showing how. What David Hare is saying here is that the things that matter and will change you will happen when you're distracted or least expecting it. With luck, you'll know how to react.In the suburb of Wetherby a casual dinner took place having as participants some upper class members, an enjoyable evening in the house of teacher Jean Travers (Vanessa Redgrave). The following day one of the guests, the mysterious John Morgan (Tim McInnerny) returns there, exposes that he wasn't known of any of the attendees - to Jean's surprise who thinks this was impossible - and then he kills himself in front of her. Such fact triggers down alternate ways: a police detective (Stuart Wilson) becomes obsessed with this strange case and decides to get some clues on why Morgan acted this way; Karen, a colleague of Morgan (Suzanne Hamilton) visits Jean informing her about the very few she knew about the young man, but she's just mysterious as he was, doesn't reveal much about herself; a minor impact on the lives of Mrs. Travers friends (Ian Holm, Judi Dench and Tom Wilkinson); and Jean remembrances of her past with her involvement with a soldier, a life changing experience. The latter, although it doesn't seem and strangely played out to confuse audiences, is related with the suicide despite decades apart. But this in a psychological way and this movie is perfect when it comes to those terms.The good points: pay attention to the details and you'll love how most of it was carefully constructed but be warned, there's no easy answers and sometimes there's no answers at all, we're left to take our own conclusions about the character's actions. Redgrave and Wilson were excellent, very insightful and very believable when it comes to present a genuine state of shock, his trying to find reasonable explanations and her after seeing the tragedy (although the movie downplayed and hid her reaction after the fact, awkwardly cutting to her past without further notice). The veteran actors in the supporting roles are outstanding, creating memorable moments. The young McInnerny was an on/off kind of acting. I believed him in almost everything he did, he sure causes an impression on you with this intelligent, disturbed, apparently peaceful guy but in some scenes he was too weird, almost in a laughable way. It's a puzzling and provocative study on the human perceptions and why they're more important to some (John Morgan) than to others (almost all the other characters).The bad points: this was close in being a great work but so close that is a little saddening to present the following upsetting remarks. I can't complain about the story and the deep connections between different characters, times and space we have to form to understand the whole, however I felt Hare shouldn't be the one to direct this or at least he should tone down a little easier on the technical aspects. A more technical director would benefit substantially from a script like this. The fore-mentioned transition between events is an example on how to not present a story. The time leap between the two events was really odd to see, it looked like seeing another film strangely cut to later get back where it stopped, and even experienced viewers will find this problematic. Of course, not as much as the loud and melodramatic soundtrack which is completely misplaced and creates feelings and sensations that aren't there. For both cases, it was all a matter of editing problem, the way things are put together doesn't work for too long. The girl who played Karen was awful, shouting and overreacting at all times. The screenplay doesn't make of her a sympathetic character, often making her an enigma that doesn't add much to the mystery to be solved. Those with patience, time and eyes to see will enjoy it to the maximum and even forgive its problems. This isn't hollow, this isn't pretentious, it's just hides its points very deep like a treasure to be sought. The reward will come for those who work and think a little harder. 9/10

Besides qualms with the musical score, Wetherby has a killer script, intriguing editing, fantastic acting (Vanessa Redgrave is incredible), and a compelling idea driving the film. The echoes of film noir in the intense, high-contrast lighting and the starkness of the violence was perfect, especially when combined with naked silence. It is more than a story about a disturbed young man who shoots himself in front of an aging school teacher, Jean Travers (Redgrave). That comes early in the film. It is about the psychological consequences for Jean in her life and past, violently revealed through that shocking act. Life can never be normal again. Beneath even the most pleasant veneer lurks sadness, secrets, and dark sexuality.

This is a great film. I just saw it for the first time. The comment above is completely wrong, however. I must set the record straight. The military scenes are not US soldiers, but rather a flashback for Vanessa Redgrave to a love lost. Royal Air Force, sir, in Malay. I whole-heartedly recommend the film. It has a great dramatic score. It also has tackles some real dark ideas about love and life. And it has a pace that doesn't exist anymore in many films, especially those with stars. Great performances from Ian Holm and Tom Wilkinson. Also a fine performance from a very young Joely Richardson (Vanessa Redgrave's daughter), who now stars on FX's Nip Tuck.