I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Amazing worth wacthing. So good. Biased but well made with many good points.

If you liked Dad's Army then you will like this show. A superbly well written account of the difficulty of getting the show together. I was quite surprised how much I enjoyed watching the cast being assembled (John Sessions is brilliant as Cap Mainwaring). I'm not a fan of period dramas, but I thoroughly recommend this one.

It's hard to imagine that any programme about Dad's Army could be anything less than brilliant and thankfully this dramatisation of how Perry and Croft came together to write the classic sitcom is excellent.The first scenes where Jimmy tries (and fails) to get a part in a BBC programme but gives his Fighting Tigers script to David Croft in an effort to act for the BBC is a joy and full credit must go to the actors who do a splendid job. The assembly of the Dad's Army cast is equally good, with most of the actors giving believable and witty interpretations of the actors behind the characters we know and love (the only exceptions being Mark Heap as Clive Dunn and Julian Sands as John Le Mesurier which perhaps don't quite work). Shane Ritchie is almost unrecognisable as Bill Pertwee while newcomer Kieran Hodgson is a dead ringer for Ian Lavender.The eccentricities of Arthur Lowe (beautifully played by John Sessions) and the tensions between Perry and Croft and the stuffy BBC execs are well handled. The period costumes, transport and music are all spot-on. My only criticism is that there some factually incorrect details. Clive Dunn certainly wasn't offended by the classic line "they don't like it up 'em!" - he had previously recorded an equally risqué song called Isn't It A Beauty and would later publish a book of saucy jokes. Equally there is no evidence that John Laurie was offended by the original titles featuring footage of Nazi soldiers. The testing of the audience was done after one episode had been recorded, not all six. There would have been little point in doing testing after all six shows were made because they filmed in front of a live audience and the audience's reactions would already have given them the reassurance they needed that the show worked.Also regarding the theme song, I wrote an essay on the music for the Dad's Army magazine and discovered that while Jimmy was indeed thrilled that his hero Bud Flanagan was to sing the theme song, when it came to the actual recording poor Bud wasn't up to the job and the final piece had to be constructed from segments of the numerous takes he had done during the exhaustive recording session. It certainly wasn't recorded in one take as they imply.However despite these quibbles this is still a wonderful film made about a bunch of lovely people and is a fine way to spend an hour.

Well written and wonderfully acted. This could have been awful.....instead the cast was just about perfect and a much loved comedy series was warmly remembered and beautifully represented.John Sessions is nothing short of incredible as Arthur Lowe. The scene with Roy Hudd, as Bud Flanagan singing the Dad's Army theme tune, is enough to bring a tear to the eye of a grown man.The acting was, as Sgt Wilson might have said, was all rather lovely, the script was gentle and absolutely as it should be for such a wonderful subject matter.This was the best hour of TV for me in 2015.

Paul Fox as Controller of BBC1 commissioned Monty Python's Flying Circus. I mention this because according to this drama he is portrayed as a humourless burk.Then again We're Doomed: The Dad's Army Story needed drama and the best they could come up with that some BBC bigwigs were short-sighted, did not like it and might not broadcast it.As for the rest Paul Ritter plays it broad as Jimmy Perry, the frustrated actor who turns to writing and writes about his time in the Home Guard. He was very much the Private Pike, fresh faced type. However Jimmy Perry has appeared a lot on television over the years to talk about his successful writing career and seems little like the character portrayed here.John Sessions known both for acting and impressions does a good turn as Arthur Lowe. Julian Sands a perennial contender for the worst actor in the world award fails to convince as John Le Mesurier; a character that has popped up in other biopics such as Tony Hancock's and Hattie Jacques.However to me it was the story of Jimmy Perry and David Croft getting an idea for a sitcom off the ground which is still getting great ratings even today with its umpteenth repeat on BBC2.We have had several making of drama documentaries in the last few years. The best so far has been The Road to Coronation Street, which had a heart and grittiness of the launch of a seminal programme.This just was pleasant enough. There was some sweet moments such as Arnold Ridley talking with Perry about hitting hard times and had to sell off his rights to his plays. There was the joke about Jon Pertwee being interested in the part until being told how much he was going to be paid. John Laurie being irate that Private Fraser had no fully formed character but he never turned down a part.It was nice to see Roy Hudd as Bud Flanagan recording the theme song. It was meant to be Flanagan & Allen but Chesney stopped performing due to ill health. Ironically it was the final work done by Flanagan, Chesney lived until the early 1980s.