Weasels Rip My Flesh
Weasels Rip My Flesh
| 30 December 1979 (USA)
Weasels Rip My Flesh Trailers

Returning from the planet Venus, an errant NASA spacecraft crashes into the ocean, spilling its radioactive cargo. Enveloped by a radioactive mass, a rabid weasel is transformed into a gigantic killer mutant. Prowling the countryside, the huge weasel kills and devours victims. The creature is captured by a disturbed scientist who plans to use its regenerative blood to amass an army of similar monsters, enabling him to conquer the Earth.

Reviews
Vashirdfel

Simply A Masterpiece

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InspireGato

Film Perfection

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Adeel Hail

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

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Billie Morin

This movie feels like it was made purely to piss off people who want good shows

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GL84

After returning to Earth, the radioactive contents of a spaceship fall into a small community in Long Island and turns the rodents into a breed of man-sized, vicious killing machines and forces a pair of scientists looking for the fallen spaceship into trying to stop the rampaging beasts.Considering its resources, this one didn't turn out that bad. Among the many enjoyable elements to consider here is the numerous technical limitations that don't seem to affect the actual on-screen content. This one really scores nicely with the idea of the radioactive contents of a crashed space-ship being spread throughout a small community and turning the creatures into ravenous killing machines. It's a fantastically cheesy type of setup that might actually get played out. This one generates some solid action scenes here due to that, from the boys' initial encounter out in the swamp where it takes them out one-by-one to the hit-and-run accident that severed its arm. The remnants of the severed arm itself lead to some rather fun searching of the house to find it as well as the antics afterward that are certainly far more exciting than expected throughout there. The later half, where it introduces the deranged scientist and his plan for world domination using the contained radioactive chemicals in his work manages to bring about some exceptionally cheesy work. The whole aspect of his character appearing out of nowhere and derailing the general fun of the creature attacks with the scenes down in his basement lab holding them hostage and explaining his plan the way all good mad scientists do which in turn leads to the real fun here with the final mutations to arrive. Consisting of the mutated assistant that appears to sprout a rodent-like face and claws in human form while coming together with some solid action featuring all the sides brawling with each other in the ruins of the facility and really generating some solid fun to be had in the grand confrontation. From the emergence of the giant creature to the battle with the mutation and the series of foot-chases with the final mad doctor in the swamplands outside, it ends this one on a rather nice note. These here manage to hold it up as there wasn't a whole lot to dislike about it. Frankly, those here really tend to revolve around the low-budget special effects and presentation here, which is the elephant in the room with this one. There's some laughable material here, from chunky meaty blood, doll parts for human remains and obvious food substituted for spilled innards which is all completely obvious about its usage. The rat costume at the end oddly looks like it's falling apart from the beginning and the giant rat costume used for the creature's appearance is clunky, stiff and barely mobile enough to pose enough of a threat to the lone victim that's attacked. It's somewhat embarrassing, yet again the circumstances surrounding it do manage to give this somewhat of a pass moreso than most others. There's also the main flaw here of the needless inclusion of the mad doctor that does nothing for the film as a whole. It comes out of nowhere and seems to halt the momentum of the film to introduce this segment that doesn't really belong there. This was working fine as a creature feature rather than introduce this rather off-kilter segment, so placing it here is somewhat jarring. Otherwise, this one isn't that bad.Rated R: Graphic Violence and Graphic Language.

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Woodyanders

A giant mutant weasel terrorizes a small town in Long Island. Mad scientist Dr. Sendam wants to use the weasel's regenerative blood in order to achieve immortality while an intrepid government agent tracks down the foul flesh-eating beast.Man, does this uproariously awful atrocity possess as the right wrong stuff to qualify as a real four-star stinkeroonie: We've got hopelessly ham-fisted (mis)direction by Nathan Schiff (who also wrote the nonsensical script), a slapdash narrative that plods along at a poky pace, lovably lousy (far from) special effects (the weasel puppet in particular looks uproariously fake), rank amateurish acting from a lame no-name cast sporting heavy upstate New York accents, oodles of cheesy over-the-top gore, ineptly staged monster attack set pieces, a cornball film library score, and ratty cinematography. Sure, this one is pure micro-budget schlock, but it nonetheless possesses a certain endearingly cruddy ramshackle charm that's impossible to either resist or dislike. An absolute hoot and a half!

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gavin6942

Returning from the planet Venus, an errant NASA spacecraft crashes into the ocean, spilling its radioactive cargo. Enveloped by a radioactive mass, a rabid weasel is transformed into a gigantic killer mutant.A film named for the Frank Zappa album "Weasels Ripped My Flesh", and directed, written, produced by a teenager with a Super-8 camera? With a budget of only $400? How can that be bad? Although that is some sarcasm, in all honesty, worse films have been made. Even Brian Ritchie of the Violent Femmes made a movie ("Red Eyes") that is of comparable quality, focused on blurry images at the Waupaca bowling alley. So, apparently, a 16-year old kid has as much talent as a world-famous musician.You might mock the effects, the beast, but in all fairness some of Roger Corman's early work looked worse. This kid has talent, whether we like it or not.

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Burntout

The debut film from underground horror film 'legend' Nathan Schiff. this is a crude little film...and that's putting it mildly. it isn't your typical B-movie. no, nowhere near. it's actually a Z-movie. as in, zero-budget. as in, no money was put into this and it shows and makes no bones about it. which is actually pretty cool with me. sometimes there's nothing better than wasting time watching total trash at 3 or 4 in the morning. except, i watched it at 10 pm tonight...but that's not the point. no, the point is that there is no point. to this movie. or review. if you really like ed wood movies, um...you still might not appreciate this. the only way you'll enjoy this is if you like z-movies. i mean this is horrid quality crap we're talking about.the music is bad. the dubbing is bad. the editing is bad. the acting is non-existent. the plot is barely there. the monsters are laughably pathetic.but there is some nice gore. very fake, but nice and gory nonetheless. they seem to really enjoy ripping off people's and things' arms. a lot. which became kind of tedious...but the final arm ripping scene in this movie is fantabulous. it made it all worthwhile and left me smiling and laughing. out loud. which doesn't happen often. unless i'm drunk.OK, i was kinda tipsy. but that's not the point. like i said, there is no point.it's only 67 minutes long so it didn't feel like an eternity like some z-movies. despite the low score, i still enjoyed this experience. i may even rewatch it one more time in the future. but not much more than that. it is after all a total and complete time waster.

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