This Movie Can Only Be Described With One Word.

Did you people see the same film I saw?

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

WAKE OF THE RED WITCH is an unusual outing for John Wayne and a far cry from the typical western pictures that he's best known for. Here he plays a grizzled sea captain who hunts for a hidden fortune, fights with powerful rivals, and romances a girl in exotic climes. The story is slightly episodic and unusually downbeat, with harsh characterisation and an emphasis on conflict throughout, but it also feels quite fresh and engaging and the change of scenery for the star works well. It also has the inimitable scene of Wayne battling a giant octopus, which is worth the admission price alone.

Wake of the Red Witch (1948) is a pretty poor romantic drama and its plot is virtually the same as the Gothic novel, "Wuthering Heights" or at least the famous 1939 adaptation of it. Heck, there's even a scene which almost rips off Merle Oberon's death shot-for-shot! The acting is mostly uninspiring. And don't get me started on the laughable sea creature John Wayne battles! It was more memorable in Ed Wood's masterpiece of schlock, The Bride of the Monster (1955)! The script is equally cheesy. The ending is supposed to be poignant, but you're so unattached to these characters, so it's all moot.Skip it.

Half of a good movie. John Wayne plays a sea captain set adrift on the waters after a falling out with natives on an island in the East Indies; he's soon picked up by another ship but butts heads (in a gentlemanly fashion) with that captain, a well-respected shipping magnate, especially after they return to the native island and both men fall in love with a beautiful white girl. Mostly told (rather unnecessarily) in flashback, there are two treasure dives--the first for pearls and then for gold--yet by the time we get around to the second pillage, all the wind has gone out of this movie's sails. At a certain point passed the first hour, the narrative flashes seven years ahead into the future--and then proceeds for more time!--leaving viewers far behind. Gail Russell is indeed lovely as the woman who comes between the two ego-fed men, but her role turns the film from a sea-faring adventure story into a star-crossed, doomed-lovers romance, and the results are all wet. The Duke is fun wrestling with an octopus, saving a native boy from the piercing clamp of a giant clam, or mouthing off to whomever is in charge; he's at his most robust and handsome here, but his performance doesn't bolster the wayward plotting and his final scene is a real let-down. ** from ****

Wake of the Red Witch may be John Wayne in his most demanding role. He plays Captain Rawles who skuttles the Red Witch to later go back and rescue it's treasure in gold bullion. Wayne has never has so many colorful character elements in any film. And along side the beautiful Gail Russell, he manages his best performance. Ms. Russell as Anglelique is at her most beguiling and tragic. Her death scene in which Wayne carries her, dying, to look at the sea once more is as powerful as the death scene in "Wuthering Heights" which it is lifted from. The main advantage here is that Gail Russell is more vulnerable and beautiful than Merle Oberon was in "Heights" And the last scene with John and Gail at the wheel of the ghost ship, Red Witch is a never to be forgotten Hollywood film moment.Haunting!