Venom
Venom
R | 29 January 1982 (USA)
Venom Trailers

International terrorists attempt to kidnap a wealthy couple's child. Their plan comes unstuck when a deadly Black Mamba, sent by mistake instead of a harmless snake, escapes and the terrorists and several hostages are trapped in the boy's London home.

Reviews
Hellen

I like the storyline of this show,it attract me so much

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SnoReptilePlenty

Memorable, crazy movie

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Humbersi

The first must-see film of the year.

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Philippa

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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BA_Harrison

Not to be confused with Spasms, another early-'80s Oliver Reed snake-themed horror movie, Venom sees a kidnapping go awry when a deadly black mamba escapes into the house where the villains are holding ten-year-old Philip (Lance Holcomb) and his grandfather Howard (Sterling Hayden) hostage.Reed is chauffeur Dave, who, along with sexy maid Louise (Susan George) and German terrorist Jacmel (Klaus Kinski), find themselves cornered by police Commander William Bulloch (Nicol Williamson) and his men (after a shotgun toting Dave gets trigger happy with a cop) and menaced by the highly venomous and very aggressive reptile, the result of a mix-up of orders at a pet shop.Despite a top-notch cast (which includes Sarah Miles as toxicologist Dr. Marion Stowe, and Michael Gough as a snake expert), director Piers Haggard (The Blood on Satan's Claw) is unable to elevate his film from mediocrity thanks to a pedestrian script that is a little light on the snake action and a touch too heavy on police procedure, delivering not nearly enough suspense or horror. Kinski is as slimy and menacing as always, Ollie turns to the booze when the pressure is on (no surprises there), and George strips to her underwear (no surprises there either!).5.5 out of 6, rounded up to 6 for IMDb.

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videorama-759-859391

Here's a movie that's surprisingly good, if judged solely by it's Roadshow video cover, which really misrepresents the quality of it. It's a finely told horror/thriller, with a deadly nemesis, addition, and it isn't the three terrorists holding a boy and his uncle hostage. It's a black Mamba, known to be the deadliest snake in the world, so the real scene is set. The great Klaus Kinski, leads the trio, with lower IQ sidekick, Reed, who really manifests his character well. Completing the trio is the sexy, Susan George who's been a maid for this family. Most of the film is a Desperate Hours sort of flick, where police soon arrive and a negotiation is under the way. We go about the story realistically, not hurried. The young son goes to pick up his harmless pet snake, and you guessed it, he gets the wrong one. Venom is quite tense in parts, it's baddies, given real characters, Klaus, no dummy. His demise after he gets it by the snake, while shooting at the cops, is such a memorable and ugly image, when I think back to this 81 film. We are blessed with real good actors for this type of fare, and, I'm talking everyone, especially the uncle.

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merklekranz

Menacing, but not in an over the top psychotic way, Klaus Kinski delivers a very believable performance. He is more calculating than usual, and has no problem outsmarting the British police, who seem more interested in drinking coffee than anything else. What ever happened to tea? Klaus easily steals this movie from the remaining likable cast. The snake has it's own point of view, which works quite effectively. The story plays out with a couple tense moments,and at least one major surprise, that is unfortunately revealed in the trailer, so I recommend skipping watching the extra's until after the feature. Overall, one of Kinski's best, and he has ample screen time, for you to enjoy this wonderful actor. - MERK

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wierzbowskisteedman

In the same year he managed to haul a steamboat over a mountain ridge, Klaus Kinski also had a bit of bother in a posh area of London with a snake, which gave him infinitely more trouble. His evil plan to kidnap the son of a rich owner of a string of hotels is doomed to failure when his accomplice Susan George utters the fatal words "Nothing will go wrong".As Kinski and his cohort Oliver Reed become besieged by the police, it becomes apparent something unpleasant is slithering through the ventilation ducts. This calls for much snake-POV camera work, however when the snake is actually seen the footage is rather convincing for such a low key film - only at the end does Kinski appear to be battling a treacherous hosepipe. In fact, the snake is very much a sideline for much of the film - a lot of the time it is just a bog standard hostage thriller, however the surprisingly A-list cast does a terrific job. Sterling Hayden gives a likable "grandpa knows best" performance, in what turned out to be his final film role, and Reed is gritty as always as the paranoid accomplice. Kinski on the other hand is clearly sleepwalking - however his sleepwalking acting is better than most peoples best.The idea is a reasonably unique one although it is hardly pushed to its limits - if Tobe Hooper hadn't cleared off it would certainly have been much, much better. The snake's appearances may be few and far between but when it does rear its slithery head there are a few jumps to be had - although the majority of the "thrills" come from the hostage set-up and not the snake. The cast is probably the primary reason to watch "Venom", however on the whole it is surprisingly enjoyable given its reputation of "the rubbish horror film Kinski did instead of Raiders."

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