Simply Perfect

Although it has its amusing moments, in eneral the plot does not convince.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

What better film to mark my one thousandth IMDb review than Velvet Smooth? If you enjoy badly shot and badly acted films, look no further. If you admire horrendous poly-knit suits, hideously ugly furniture, and sets apparently designed to duplicate the worst of suburban sprawl in the midst of the inner city, this is your film. If you're looking for a worse theme song than that featured in Darktown Strutters, Velvet Smooth has you covered there, too. And let's not overlook the film's unconvincing and badly choreographed (by co-star Owen Watson) martial arts scenes--there are times when characters appear to be playing hacky-sack rather than beating up on each other. In fact, the film's sole (soul?) redeeming quality is lead actress Johnnie Hill as the titular tough gal, a private investigator hired by local thug King Lathrop to unmask some goons who have moved in on his territory. She's not much of an actress, but she's easy on the eyes, which is more than can be said for virtually everything and everybody else in Velvet Smooth.

OK, I believe an in-depth analysis is not exactly necessary for this one. Its only value is in the unintentional laughs it has to offer. The martial-arts choreography is a disgrace to the words "martial" and "arts". The girls may be sexy and smooth, but I'm sorry, a weekend's training in combat is just not enough. The stuntmen are a joke. The fights are slow, clunky, and graceless. "T.N.T Jackson" has better fight scenes than "Velvet Smooth". Peter Sellers and Burt Kwouk have better fight scenes in the "Pink Panther" films. "Benny Hill" has better fight scenes - wait, "Benny Hill" has no fight scenes, I just got carried away by all the sped-up action. Well, you get the idea anyway. I think 0.5 out of 4 stars is a fair enough grade.

For a low-budget 70's martial arts film, I thought it was pretty entertaining. The soundtrack is really a hoot, as are the sets and costumes. I especially enjoyed the scene where King and Velvet are on the sofa and you can actually see the audio boom shifting back and forth at the bottom of the screen! When Velvet speaks her line the boom points at her and when King says something, the boom races back toward him--hilarious! I noticed that the casino bouncer is one of the "family" from "Super Fly". There are some amusing parallels: Velvet takes off her bracelet at home, cut to bracelets being stolen at the casino robbery. Also, during the fight scene on the top of the MTA building, the costumes match the colors and shapes of the hele-pad. I thought the Kojak lookalike was a really strange touch and whatever they were using for stage blood looked like marinara! Fantastic!

This is one of the weaker Blaxploitation films made in the 70's. Production value? Well, I have seen student films with better attention to detail. The acting is not any better. The music isn't too bad and unfortunately one of the only good things about this film.If you are dedicated to the Genre, then you have to see it. Otherwise you aren't going to miss anything. They took the formula approach and it shows. You can't take any of these movies too seriously, but you can pass on this one.See: Three the Hardway, Blackula, Superfly, Shaft or Detroit 9000.