Lack of good storyline.

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

This movie feels like it was made purely to piss off people who want good shows

At the close of this movie I half expected the name Roman Polanski might appear. Many of the under-explored themes and situations bring to mind vague occult aspects from several of his works. First and foremost is the promise of a ghostly re-appearance by the dead son of two French movie actors. They've received letters from their son following his suicide - instructing both to meet in Death Valley USA at specific times - where he will mysteriously reveal himself to them one last time (If not yet seen and you don't want to know anything about it there may be some minor spoilers following...) On the way to this event there are some bizarre happenings. The disturbing vision of a deformed girl in the middle of the night talking about death. A Wolf's (or Dog's) mutilated head in a bag, left in a toilet block. None of these situations are further explored - they just seem to happen for the sake of it. Cultists and film study groups will have a field day 'making-up' theories on the hidden deep and 'meaningful' messages.Gerard Depardieu and Isabelle Huppert give strong performances playing their own 'names sake's' and Cinematographer Christophe Offenstein bathes it in glossy images. The haunting minimalist music by Charles Avers is effective and it's disappointing to find the composer's name not included on this IMDb listing (trust this may be remedied). Director/Writer Guillaume Nicloux seems bent on being the replacement for Polanski and nearly bores the viewer to death with endlessly-long walking shots of his stars going somewhere or nowhere. Sometimes it's mildly compelling but ultimately empty.If you're into talkie supernatural themes or questions without answers you may find comfort here, otherwise be warned...

Former couple Isabelle (Isabelle Huppert) and Gérard (Gérard Depardieu) reunites for a mysterious mission. They are semi-famous actors. They're married to others with kids dealing with personal issues. They were estranged from their son Michael who committed suicide. Then they got letters after his death promising to see them in Death Valley on a specific day after a schedule of places and times.These are legendary French actors and it's fascinating to see them together as somewhat themselves out in the real world. It starts out as a compelling mystery as to what's going on. As the characters reveal the secret, the actors are free to become a real couple. That's what most compelling about this movie. These two actors project a real history. The ending is somewhat muddled. I'm not sure what's happening but maybe that's the movie.

Let's be clear from the start; the Academic-Pseud axis will be creaming in their pants once this hits their local art house because for every last one of them out there they can find a different 'meaning' and 'teach' and 'discuss' it for years which is of course what every one of them worth their 'trope' and/or 'spatial relationship' will do. Okay, it's a free country and if we'd all be better off if these people took up employment on sewage farms and spent their days shovelling real effluent instead of the paper kind live and let live right. Personally all I cared about was watching two of the finest actors on the planet, not just in France but in the world doing their thing which, over a lifetime they have honed to within an inch of its life. It's not really necessary to put these two in Death Valley, you can put them on Main Street, Moose Droppings, Iowa and get them to read an ad for hemorrhoid cream and they'd still turn in Oscar-winning performances.

This is a strange movieA divorced couple gets letters from their son who committed suicide. When the son was 7 the mother left the family, never to see the son again and the father then put him in a boarding school, to see him rarely.They both get instructions to go to death valley and do some sight seeing together, then the son will appear to them once more he writes. This is however only a side element of the movie, the real thing is the interaction between the couple: The very huge Gerard Depardieu and the fragile Isabelle Huppert who came together on the screen 35 years ago, when they were still attractive, in the movie Loulou.The movie has some very memorable quotes that may or may not refer to the lives of the actorsGD: I have become fat IH: Well as long as you feel good GD: (irritated) do you think I feel good about itandGD: do you still love me IH: When you do not still love someone you were married to you never loved him anywayThe dull Americans with their fake smiles probably gives an idea how they think about Americans. The dead dog head in the toilet makes you wonder what the reference is.Al these moments make the movie very worthwhile, the reappearance of the son is only an excuse for the film. I found I wasn't so much wondering about if the son would really appear or not. I was much more fascinated by the odd moments, dialogs and the confrontation of the couple and how they have difficulty to talk about their personal problems.It is not a shockingly good movie but very fascinating