Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Close shines in drama with strong language, adult themes.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

I was attracted to this garbage by the information button on sky tv which said "Uncle Junior and Big Pussy of the sopranos star in this film." Absolute tripe their roles are small and non essential, both play easily dispensable characters and i have the feeling these two very fine actors were simply added to promote a film which has no real originality and nothing to teach us. This film has alot of dialogue which could have made the film more mental that physical but the speeches are unsatisfying and repetitive.Poorly made, made me poorly

Ten minutes worth of story stretched out into the better part of two hours. When nothing of any significance had happened at the halfway point I should have left. But, ever hopeful, I stayed. And left with a feeling of guilt for having wasted the time. Acting was OK, but the story line is so transparent and weak. The script is about as lame as it could get, but again, stretching out the ten minute plot doesn't leave a whole lot of room for good dialogue.

This is an excellent film, a must see. Michael Sergio's direction is the best and the cast is topnotch! Michael Rodrick does a fantastic portrayal as Ryan, former bad boy turned hero. Jonathan LaPaglia is the perfect villain and the gorgeous Jordan Bayne was wonderful as Ryan's love interest. The rest of the cast, Dominic Chianese, Vincent Pastore, Frank Vincent, Brian Vincent, Careena Melia, and Kristen Lee Kelly rounded out the film with their great performances.

The actor Brian Vincent is left out of the Biography, I don't know why: In a blistering performance, he plays a lead role along with the brilliant Jonathen Lapaglia and an emotionly raw and fantastic Michael Rodrick. I just saw the film at the Montreal Film Festival. It is an amazing ensemble piece reminesant of Scorse's "Mean Streets". It's dynamic, gains real power and leads powerfully to a thrilling conclusion. The cinematography is amazing and the directing top notch. This film moved me and the people I saw it with. I hope it can be seen by a large au