Very Cool!!!

Terrible acting, screenplay and direction.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

While it doesn't offer any answers, it both thrills and makes you think.

This is an underrated Alfred Hitchcock movie. True he churned out tons of movies and not all of them were good, for every classic like North By Northwest there were maybe a dozen of his early films that were just OK. But this is one of the good ones. It's not the type of thriller movie he is famous for from later in his career like Psycho, this is about a guy who travels to Australia in 1831 hoping for a better life. He meets his old sweetheart who is now married and an alcoholic and learns she has some dark secrets. Don't want to spoil anything but it's a great story with very good acting.

Difficult to understand how a star of Casablanca (Bergman), a star of Citizen Kane (Cotton) and the director of Psycho could all be involved in this turkey! It's a lost chance for a great Australian historical drama. Music score is interminable but doesn't distract unfortunately from what's happening on screen! (Didn't finish viewing)

It describes the aristocratic Irish lass Lady Henrietta Flusky (Ingrid Bergman miscasting as Irish girl)'s disastrous marriage to rakish stable-hand , an ex-inmate called Flusky (Joseph Cotten) banished Australia . When it takes place a tragic event , she follows her convict hubby out to 1830s Australia . Then , she turns to drink , becoming alcoholic , perhaps because of his neglect husband . When the governor's (Cecil Parker) nephew Hon. Charles Adare (Michael Wilding) visits them , he meets her on a bad situation , but he suspects she is being poisoned .This is an ineffably romantic picture adapted from the Helen Simpson novel with echoes of ¨Rebecca¨ and ¨Suspicion¨ ; it packs tension , thrills , suspense , plot twists involving family skeleton and intense drama . This is an unexciting Hitch film in which Alfred even had the star of those two big Forties successes , ¨Spellbound¨ and ¨Notorious¨ , the great actress Ingrid Bergman playing with him again . The poignant romanticism that includes the suspenseful screenplay contains such surefire Alfred elements as the dominant housekeeper similarly to ¨Judith Anderson's Rebecca¨ , the skeleton in the cupboard and the confession of guilt towards the final . Here Alfred cast around in vain for another major success ; however , it was a real flop at box office . The movie , nevertheless , maintains a certain brightness , brilliance and elegance thanks to sweeping and overlong takes . Passable interpretation from the protagonist trio , such as Ingrid Bergman as the unsettling lady , Joseph Cotten as a lower-class man convicted of murder who is deported Australia where he makes fortune and Michael Wilding as an impulsive young becomes involved with the strange marriage . But Margaret Leighton took the acting honor to play the astute housekeeper . The film also displays expensive gowns , nice production design and glimmer cinematography in Technicolor by Jack Cardiff . It was remade in 1982 ¨Under Capricorn¨ an Autralian remake by Rod Hardy with Lisa Harrow , Julia Blake , Catherine Lynch .After ¨39 steps¨ and ¨Jamaica Inn¨ Hitchcock was encouraged to go to America and promptly shot his first work in Hollywood hired by the great producer David O'Selznick , as he won Oscar to best picture for his first film there , titled ¨Rebeca¨ , being Hitchcock's first great American success in a classic story with a love story and suspense . Later , R.K.O , Radio Pictures Inc offered him the direction of ¨Suspicion¨ with Gary Grant and Joan Fontaine . Subsequently , he made ¨Notorious¨ and this slow-moving ¨Under Capricorn¨ , but , as he even admitted himself , basic mistakes were made in the preparation of the film . The motion picture is indispensable watching for Hithcock lovers , though it is definitely a lesser Alfred film as well as mite predictable , and rather verbose ; achieving a mediocre impact on his audience .

I think it's a shame that this Alfred Hitchcock film was such a bomb at the box office, and with critics, if only for the reason that few may have seen Margaret Leighton's performance as Milly, the Flusky family's maid. She gives the character an evilness with even more depth that Judith Anderson's "Mrs. Danvers" (recognized as #31 villain by the American Film Institute) in Rebecca (1940). I say this because, as much as I love Anderson's character, the dialogue given Leighton's character is more complex, meaning the actress cannot rely as much on brooding scowls as Anderson did, which may not have been as sinister if that film, like this one, was in color.By the way, the Technicolor in this one (Hitchcock's second) makes the men's lipstick a bit too apparent. In any case, overall, the film is not a complete disappointment either, even though a costume drama is one of the last genres one would expect the "Master of Suspense" to direct.Adapted for the screen by actor Hume Cronyn, James Bridie wrote the screenplay from the novel by Helen Simpson, the film contains little intrigue, relative to the director's other more famous films. The central issue seems to be Mrs. Flusky's behavior, and the reasons for it; she's played by Ingrid Bergman (overacting, just a bit). Joseph Cotten (solid, as usual) plays her brooding husband Sam, a successful businessman who was once a convict, sentenced to serve seven years in prison in Australia, where the film is set.The film takes place many years later, and begins when Charles Adare (Michael Wilding, who seems perfect for the role) follows his uncle (Cecil Parker) to the continent; his uncle has just been appointed the Governor of the British Colony. So, Adare hopes to make his fortune in the "new" land, something virtually every young man with ambition, and a willingness to work hard, has been able to achieve. Unfortunately, Adare doesn't intend to employ the latter method, hence he makes an easy acquaintance of Sam Flusky, who wants to use the penniless Adare to purchase some land, legally if not ethically for his own purposes.Adare is not quite sure at first where he's heard Flusky's name before, but once he's invited to dinner, and meets his wife, he realizes why. She used to be Lady Henrietta, a woman who left home in scandal, having married her father's groom, Sam, who was convicted for murdering her brother. Henrietta followed him to Australia where she endured a squalid existence waiting for him to serve out his term.When Adare first meets Henrietta, she's a drunk, kept that way by another convict, now a maid who runs the household, named Milly (Leighton). Evidently, Henrietta suffered quite a bit while Sam was in prison such that Milly, with designs on the head of the household herself, has been able to comfort the Lady with drink such that Henrietta thinks of Milly as her friend. Ignorant of Milly's motivations, Sam believes this to be true as well, as does Adare, at least initially.Shocked by what he sees of the former Lady, and young enough to remember the beautiful woman that she once was, Adare leaps at the opportunity, provided by Sam, to help Henrietta, in hopes that she can return to her old self. And she does, with Adare's help, make a comeback such that she feels confident enough to run the household and even return to society and social engagements.It's at this point, however, that Milly, who'd been let go, returns coincidentally to work her magic on her former employer Sam. Using Adare's name and insinuating a relationship which doesn't exist between Henrietta and he, she manipulates Sam into a jealousy that ruins his wife's, and his, relationship with the Governor at a social event. Adare had forged an invitation for them (his uncle had "disowned" him per his relationship with the ex-con Sam) and had just succeeded in a Cinderella-like reception for the "restored" Lady Henrietta when Sam arrives in somewhat of a rage.Subsequently, the truth of Sam's relationship with Henrietta comes out, and the drama's final third feels a bit "trumped up" to lengthen the story (even though it's during this that we learn the full extent of Milly's evil deeds).