Most undeservingly overhyped movie of all time??

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

There's a delightful slyness to this British prison comedy that fools its audience from the start by having Peter sellers playing a character who looks like Peter Sellers! This is the first time where I see him looking and acting like he might on a daily basis, that is if he weren't well, Peter Sellers. He's a conman serving his sentence, visited by preacher Wilfred Hyde White on the pretense of saving his soul, and finding himself involved in a breakout attempt (only overnight you see...) to aide his old partner (White!) in completing a robbery, obviously establishing alibis, and foolproof. Everything is a o.k. until a notoriously tough guard (Lionel Jeffries) arrives, risking exposure and putting the caper at risk.A great series of sight gags are clever and hysterical. The cake made for a departing guard by one of the prisoner's mothers contains a file (habit the prisoner says), and Jeffries' attempts to lead the prisoners in rigorous exercise leads to him falling though the ground into an old escape tunnel. This moves very fast, features a great musical score, and makes some wise commentary about the pompousness of certain types of authority figures. I really longed to see this group of cons get away with their caper, and certainly not see Jeffries (comically cold) succeed in being successful in his style of rehabilitation.

The sole reason to see "Two-Way Stretch" -- and not a good one -- to watch Peter Sellers at work early in his career. He displays exactly none of the comic ability that later made him famous. Except for Wilfred Hyde White as an outside confederate of Sellers and his two prison companions who regularly visits them disguised as a vicar, the other members of the cast strive entirely too hard, without much success, to provoke laughter. The film has a preposterous premise and a large number of preposterous moments. That would be okay if the preposterous plot, the preposterous moments, and the preposterous characters were funny but they rarely are. The only thing one can say for them is that they get more laughs than Sellers. Based on this film alone, it's hard to understand why his career took off.

This 1960 M. Smedley Aston production has everything lovers of classic British comedy could hope for.Sellers plays Dodger Lane,a lag who is having such a cushy time in the clink he couldn't care less whether he gets out or not.'Rooming' with two old chums they plan an unlikely heist of priceless diamonds while still inside. This is probably my favourite Sellers comedy of all time with marvellous performances from all concerned.Star of the show, hands down,has to be Lionel Jeffries as the hard-boiled prison officer 'Crouty' who is hell-bent on making the lads last few days of incarceration as miserable as possible. If you haven't seen this movie you're in for a treat.Forget Inspector Clouseau,this is the definitive Peter Sellers.

An excellent film with well acted parts by all the actors, especially the supporting cast. Also an original ending to get around the UK Censor requirements of the day, that criminals can't be seen to profit from their crimes. Lionel Jeffries is excellent as the hard disciplined prison officer, who is eventually caught out by the criminals.