Overrated

just watch it!

One of the worst ways to make a cult movie is to set out to make a cult movie.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Someone here said that this movie was one of the worst films of all time. Well, I don't thing it's really the worst, although for sure there is a lot of crap in Italian cinema, I mean in every genre: I thing it is very difficult to decide which is the worst. It's a fight to the death, there at the bottom! In my opinion, Tulpa is quite good in creating some "giallo" atmosphere, even if the narration shows plot holes. But what's important is the feeling that audience gets. The actors act very bad in real life situation (it seems they are reading their lines, not acting), but are better in the horror/giallo one, probably because of the script, absolutely trite, boring, not plausible and trivial in the office part. The director follows the footsteps of Dario Argento in a very specific genre and quite succeeds. The musical score is good, too.The main character Claudia Gerini is an extremely beautiful woman, even in her 40s and after 2 sons - just (a little) extra weight on her hips, to be honest. But she cannot resist; has to be naked, at all costs, even if many people do appreciate her even totally dressed. You know, the call of the wild for nowadays actresses: breasts are displayed like you show a new haircut. The (very, very) weird thing – for me - is that she was directed by her real partner in life (they have a child), the (good) musician/director Zampaglione. Putting your (wonderful) wife naked, in an orgy scene! It is simulated, obviously (BTW, the scene is not vulgar and well filmed), but her body is touched by other people, kissed by another woman (maybe friend?) or another man (maybe unknown). Can you imagine? I cannot. I'm very open minded, but I find this very awkward. Perhaps I'm too old.

Claudia Gerini plays Lisa Boeri,a successful business woman who is also a member of an exclusive club in which people are having sex with multiple partners in order to reach a higher level of consciousness.But people with whom Lisa had sexual encounters begin to die viciously murdered by a killer dressed in black.It's up for Lisa to track the killer down.Federico Zampaglione's "Tulpa - Perdizioni Mortali" is a pretty vicious and bloody Italian neo-giallo scripted by Dardano Sacchetti.The film has some obvious references to Dario Argento's "Tenebre" or "Inferno" and Sergio Martino's early 70's gialli.The killings are stylish and brutal and there is plenty of sex and nudity.Unfortunately there are some dull scenes and the dialogue is horrible at times.7 hungry rats out of 10.

I finally got time to watch this movie. I ordered a German special edition blu-ray a way back but was too busy to see it until now. A negative feedback that this movie got from various sources seemed to affect my mood for watching it a little bit too much which really was a shame.The movie itself was a little bit of a mixed bag. First 1/3 was actually quite good in terms of story and killings. In fact the actual murders were quite innovative throughout the movie. I got flashbacks from various Argento and Fulci movies throughout the film with both the style and methodology aspects included.After a one third to first half of the film the direction and the script seemed to fall apart a little bit. The naive Argento inspired escape from the club was fascinating and boring at the same time and the plot seemed to degenerate after the movie went along. However: The latter part of the movie got me flashbacks from Argentos Tenebrae so it basically went from tribute to tribute within the movie in decades (I loved Tenebrae btw).I really appreciate the directors effort to tribute some earlier giallo directors and movies. In my opinion some reviewers have focused too much bashing the protagonist skill of English using it to take the movie down (It really didn't mind me very much).If you like horror and giallo in general this is a movie worth watching. IMDb users seem to be harsh with horror in particular so don't let the overall score fool you.BTW: The "blue/red pill joke" at the end made me grin :)

TULPA (2012) No giallo, or few, have ever really featured stunning dialogue and wonderful scripts.This was no exception. But the scenes in the s&m club, the odd occult barman, doorman (or door hermaphrodite) and general sense of unease were rewarding. Set in the world of big corporate business, someone is bumping off the boardroom at unnerving frequency. The manner of the deaths of the sharp-suited girls and boys, is dreadful - strung up on a merry-go ride with barbed wire hanging at the edges or locked in a box cut and bruised with a few hungry rats to gnaw away the hours with (in a lovely touch, the unseen man in the box is forgotten about until the end credits, when we go back to him as if we have just remembered there's someone left to save). The film has a witty edge that could be mistaken for being entirely serious - hence some laughs in the audience at FrightFest. Giallo, as a genre, is often at its best when playful and painful in equal measure. This film clearly riffs on classic Italian horror director Dario Argento's work. Interestingly, Argento himself at the start of the festival in an onstage Q&A mentioned that many directors copy his style, sometimes good (as in Black Swan), sometimes really bad. Tulpa I think does reference classic Italian giallo with reverence and good effect, although few crime films are ever much good set in a corporate environment. When Tulpa breaks free from this environment, there's a lot more fun to be had, especially in the warren-like red light-bathed sex club or just escaping up trees in the Italian countryside in the dark. I liked the way the killer grew more and more unhinged like their world was crumbling, about to be found out. I never would have guessed who the killer was. But then, I was having too much fun with the killer's nice (if a little weird) side to suspect.Giallos have featured the occult before, but this one was still a refreshing homage to Hitchcock and Argento and everyone else inbetween -and the cheer when you know who (the odd chap) saved you know who (the pretty one) from you know who (the killer) - wow! That strange bloke needs his own show..mark gordon palmer