Good concept, poorly executed.

Good , But It Is Overrated By Some

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

6 friends who move into a flat and love to play truth or dare are dared to do something with their lives within a year or they have to eat an elderly woman's fecal matter. An earlier poster said that it's the Hong Kong "St. Elmo's Fire" and I guess I can see that sort of. But whereas the aforementioned movie grated on my nerves to no end, this one wasn't that bad. It just wasn't especially good either. I recognized a few actors (Kar yan Lam from Heroic Duo and Inner senses, as well as Candy Lo from The Eye) but the rest of the cast was new to me, which is part of the reason the film worked for me. I guess i just grew to loathe 'the Brat Pack'My Grade: CTai Sang DVD Extras: 'Making of'(9 and a 1/2 minutes); Deleted scenes (34 minutes); bloopers (13 minutes); theatrical TrailerPS: This is a 2-dvd set and whomever pressed my copy of the DVDs for this film, mislabled them confusing and then angering me.

SpoilersTalented Karena Lam shines again in 2003, demonstrating her versatility in two movies directed, coincidentally, each by a 'new new-wave' (I coined) Hong Kong woman director. Floating Landscape (see my separate comments on which) I think very highly of. Not reaching quite the same height, Truth or Dare - 6th Floor Rear Flat nevertheless has its own charm. Following the footsteps of the mid-eighties genre of Big Chill, Breakfast Club and St. Elmo's fire, this movie paints a vivid sketch of Hong Kong's twentysomethings, their ups and downs, their hopes and fears, their innocence and experience (in William Blake's context).The story revolves around 6 flat mates daring each other to accomplish within one year something they write down on a piece of paper, unknown to each other, and put in a sealed bottle. Although there are six of them, the story focuses largely on the two girls, a yet-to-prove-herself writer played by Karena Lam and a nothing-to-prove tarot-reader Candy Lo. Taking this to another layer, Lam has proved herself again and again, in the last couple of years. Acting comes so naturally to her that the word 'talented' doesn't have much meaning any longer. Candy Lo, on the other hand, tries quite hard in this role of a rather smart-Alex tomboy, a very different role from the faithful, hugely pregnant wife of a gangster in Seunlau Ngaklau (literal translation 'downstream, upstream'). Apparently, her effort hasn't gone unnoticed as she has been nominated for an award in an upcoming Taiwan film festival. American educated director Barbara Wong brings to this movie a breath of freshness not often seen in typical Hong Kong movies. Highly recommended.

Truth Or Dare. Well, I'll give you the truth to start. This isn't a film that fulfills its potential as a script, although it is a good try. TOD tells of six twenty-something flatmates whose lives thrive on the party they hold almost every night, and every time, the game Truth Or Dare is played. However, their real lives are far from thriving, each with their own failings. In a game, they are dared to write down what they want to achieve, and to achieve it in a year. Each wishes for anything from love, money or success, and we follow them in their paths to avoid the perils of failing their dares. The script is witty and satirical in places, and all the actors, especially Candy Lo and Karena Lam, immerse themselves into their characters, generating some great on-screen chemistry. It is amazing that the plethora of stars do work well together. I'd even dare to say that since not all of them are your typical 'A'-list, it works even better. There are also plenty of scenes to laugh about, from the ridicule of the hysteria of mask-wearing in the SARS outbreak to a parody of Zhang Yimou's Hero, which all adds to the quirkiness of some of the characters. However, the film does generally break down on the poor direction and editing of the film. I'm not saying that Barbara Wong is a bad director, mind you, and I can't claim that not having seen much of her work. But from my understanding after seeing the film that she is a documentary director, I can now understand where it goes wrong. TOD should have been filmed in a humorous, stylised way that should have reflected some of the unrealism of it given the comedy element. However, there is often too much grittiness with the ways scenes were shot, making them dramatic rather than comedic. The lack of flow from the almost non-existent score made me feel distinctly uneasy and bored at times. It was that feeling of telling a joke in the middle of a really serious moment. However, for all the bad direction, the acting more than compensates for it. I'm already a believer that Karena Lam is one of HK's biggest talents, and Candy Lo probably gave the best performance as well. And I'll also add the blokes to the list as well. Ultimately this ends up being only an average film because of the direction, which is a real shame because if you recut the scenes, I'm sure you could have ended up with a masterpiece. But it has done well, and it's not much of a dare to say, one to look out for if you've run out of ideas for a film to watch.