The first must-see film of the year.

It is both painfully honest and laugh-out-loud funny at the same time.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The film may be flawed, but its message is not.

This film is about family, about humanity, and about life. It's about everything. The little girl's death threw a bomb to the world around her. Her parents blamed each other for what had happened and grew cold towards each other. The family nearly collapsed.The little girl's death gave his imagery big brother a chance to live as a truly human being. He came out of the walls and stepped into the real world for the first time in his maybe early twenties. As a twenty something grown-up, he is not what people expected him to be; not an experienced, learned or sophisticated adult. On the contrary, he is quite simple, unworldly, and naïve; he's a baby trapped in a young man's body. Even though he still had to take a living adventure on his own. What he went through provided us an opportunity to see and think how one takes and learns to be a capable, suitable and adaptive living person in a society. His endurance showed us how presumption, prejudice, misunderstanding and misconception relate to how we treat one another. What he undertook granted us a possibility to see how people use one another in the wrong way; how people take advantage of others when they feel they are more superior. His odyssey really reveals every aspect of humanity. After seeing this film, we can begin to agree the negative denotation in the phrase "We're Only Human".

Walter and Charlotte live with their 7 years old daughter Lisa in a Danish town. There is nothing unique about them. They are two small time Yupies in their 30's, leading lives which resemble the lives of many people of their social class, and probably the lives of many of the spectators. Both of them are hard working people, they have a few good, loyal friends, they own a small apartment and they are not happy. At the same time Lisa, their daughter, imagines to have an older brother, living behind the wall paper. The question raised at this point by director Ake Sandgren is, what would happen if this imaginary figure, made up by the innocent fantasy of a child, would become a real human being. When this happens one day, the imaginary brother begins a long and painful learning process. He will find out, that the gap between the expectations of a child (the one that made him up, in this case) and the realities of the adults is huge. He'll find out that the values preached by adults are there to mislead him and cover up their own true intentions. And he will have to find out, that people don't refer to what he really is, but rather use him for their purposes and perceive him as what they want him to be. With an excellent script that reminds of Lars von Trier (whose production company, Zentropa, produced the movie) and a great piece of acting by Nicolaj Lie Kaas (the imaginary figure), Peter Mygind (Walter) and Susan Olsen (Charlotte), Ake Sandgren challenges the spectator with the question, weather or not it is possible to live in modern society and remain a human being. A masterpiece of film art, which pulls the best out of the Dogme 95 principles.

There are a few movies today that make you think about society when you leave the darkness of the cinema. Et Rigtigt Menneske does. Åke Sandgren has created a magic story that entertains, puzzles and stays in your mind for a long time. It's a beauty.

This is a story of a hero.It is the story of the child-like "P" or Achmed, as his name quite surprisingly gets to be. It is a tale of how his refreshing wiev on life today touches - yes, that is the real Oprah word - the lives of various people. May it be the struggling career couple of Valther and Charlotte, the poor and alone and somehow deranged mr. Stromboli, the young-at-heart Tanja who has a crush on him etc. With his naïvety and stubborn believing in man's good side, he has a tremendous impact on his surroundings. It is as the crystal clear voices of a boy choir leads him wherever he goes. And in the end we are all better people, now when true love and trust has touched us deeply and moved us.In the beginning and in the end this Dogme film is rather annoying. But in between there are some quite nice scenes, who with humour, wit and poetry describes the amusing struggles for "P" to become a real human being. Especially his escapades at the refugee center or the initial scenes with Valther and mr. Stromboli has a great blend of sadness and fun. In the end, however, as the lesson comes to an end, the film underlines the importance of the values "P" brought us. And that is perhaps a bit over the top.Nikolaj Lie Kaas portraits "P" like his character in the second Dogme film "Idioterne". If you still aren't fed up with looking at him, you'll probably be it after this one. He has a limited acting ability, and he is putting it to the limits. Peter Mygind struggles with his image as the fun boy and actually get's away with it. But Susan Olsen's Charlotte is probably the most authentic character that must grant her a breakthrough in Danish movies.Åke Sandgren has made a 'humanistic fable'. Sometimes it is too humanistic, sometimes it is too fable, but it has it's moments - still it is one of the weaker Dogme films.6/10