Traveller
Traveller
R | 18 April 1997 (USA)
Traveller Trailers

A young man, Pat, visits the clan of gypsy-like grifters (Irish Travellers) in rural North Carolina from whom he is descended. He is at first rejected, but cousin Bokky takes him on as an apprentice. Pat learns the game while Bokky falls in love and desires a different life. Written by Jeff Hole

Reviews
2hotFeature

one of my absolute favorites!

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Brendon Jones

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Rio Hayward

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Marva-nova

Amazing worth wacthing. So good. Biased but well made with many good points.

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NateWatchesCoolMovies

Films about con men can go a lot of ways. They can be intelligent with a worthwhile and earned payoff (2004's Criminal), they can be hollow, nonsensical, all flourish and no gravity (2003's Confidence) or deviate any which way from these examples. Traveller takes the quaint indie route, meaning I'm probably the sole person on the planet who has even heard of it, despite Marky Mark Whalberg appearing on one of the starring roles. It's a shame because this is a bona fide gem, a low key little charmer with a roguish lead performance from Bill Paxton, a plot that gets cleverer the more you ruminate on it afterwards, and an easygoing style to it. Marky Mark plays Pat, a young man descended from Irish 'travellers', who are essentially gypsy hustlers and live as such in a sleepy North Carolina community. Pat wants to reconnect with his roots, but his kinfolk are a tribal bunch who don't really fancy outsiders, however distantly related they may be. Cousin Bokky (Paxton) is the only one to take him under his wing, showing the ropes of a very specific, time honoured idiosyncratic lifestyle. Pat is young, cocky and sticks out like a sore thumb in Bokky's world, who himself is weathered and moves about with ease and experience, slowed down by the dynamic which his young prodigy presents, and also looking for a way out of this life, and even romance with gorgeous Julianna Margulies. As light as these proceedings are, the film doesn't fail to show the give dangers that being a con man puts them face to face with. It's all fun and games until... well until it isn't, and we get to see some of that ugliness rear it's head, for without it there would be no stakes. Joining them is grizzled and now deceased character actor James Gammon, playing a salty veteran grifter who crosses their paths more than a few times, causing as much trouble in the process. I've not a clue how close to real life fact and tradition this film gets, but I imagine fairly on the nose, as it just has that notion that it knows what it's doing, it's researched, capable, and does it all with ease and enjoyment.

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Scott LeBrun

Longtime Clint Eastwood cinematographer Jack N. Green made his directorial debut with this combination of character study and drama. It tells the story of modern day gypsy types (of Irish descent) such as "Bokky" (Bill Paxton). Guys like Bokky basically make their living by scamming people; in the films' opening minutes, Bokky is pretending to fix a homeowners' driveway. Into their lives comes Pat (Mark Wahlberg), whose father had left the clan to get married. Therefore, Pat's not exactly welcomed by these people, but Bokky decides to take Pat under his wing. Trouble brews for our unlikely hero when, after taking pity on and falling in love with a "mark" (Julianna Margulies), he starts developing a set of scruples.Some people might find the ugliness of the climax a little hard to take, but it doesn't exactly come out of left field. Bokky and company had to know that there would be repercussions for their actions. Still, this is a reasonably well made and reasonably well told story, written with heart by Jim McGlynn and directed with efficiency by Green. The filmmakers do keep you watching as things develop, even if, overall, there's a sense of predictability to the scenario. The soundtrack - both the score by Andy Paley and the selection of tunes - is pleasing to listen to. The pacing is generally adequate, with a fairly straightforward narrative.The acting is the most effective component. Paxton delivers a typically engaging performance, while Margulies is appealing as his love interest. Wahlberg is fine as the neophyte who takes a bit of time to ease into the art of scamming. Veterans like Rance Howard, Luke Askew, and Jo Ann Pflug are all solid in supporting roles. It's particularly amusing to see Rance and his late wife Jean, the parents of Ron H., both making appearances. But the person who walks away with the film is a very funny and lively James Gammon as "outlaw Gypsy" Double D, constantly popping up in Bokky's life and urging him to join in on a con job.Other than Gammons' performance, there's nothing really exceptional here, but "Traveller" does entertain for 100 minutes.Seven out of 10.

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Frank Wong

The only thing that stood out for me after watching the movie was the name Vincent Chase. I found it interesting that Mark Walhberg the producer of Entourage worked with Vincent Chase the actor. Of course there is no photograph of Vincent Case anywhere The name was subsequently used by Adrian Grenier as Vincent Chase the lead role in Entourage.The movie was not bad and could have had a different female lead besides Julianna Margulies. Margulies was good but would have been better if she would have shed some of her clothes during the sex scenes with Bill Paxton to spice up the chemistry.

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Ed-17

Traveller doesn't really know what it wants to do. It ends up as a strange mix of road drama and romance, but whatever it's doing, it works. Paxton provides a creditable performance as the experienced Traveller, and Margulies shines in her role as Jean; their relationship is nicely understated, and well played. However, it's Wahlberg who provides the uncertainty in this movie - he doesn't really know how he is playing his character. As for the much criticised turn to violence in the finale, it is indeed unexpected, but not altogether unwelcome and it makes for an interesting climax. The film is very good, but it could so easily have been excellent.

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