TOKYO EYES
TOKYO EYES
| 27 July 2001 (USA)
TOKYO EYES Trailers

The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.

Reviews
Matrixston

Wow! Such a good movie.

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Phonearl

Good start, but then it gets ruined

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BoardChiri

Bad Acting and worse Bad Screenplay

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Juana

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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Uriah43

"Hinano"(Tetta Sugimoto) is a 17-year old girl living in Tokyo with her brother "Roy" (Tetta Sugimoto). As it happens, her brother is a policeman investigating a series of incidents involving a young man, "K" (Shinji Takeda) known in the press as "Four Eyes" who shoots at certain people but always seems to miss. The press gives him the nickname of "Four Eyes" because of the thick bifocals he wears and the fact that he can't seem to shoot his targets. What they don't realize is that he deliberately wears the glasses to disguise himself and isn't trying to shoot people. He just wants to scare them. Anyway, Hinano falls in love with K and is concerned that he is playing a dangerous game that is eventually going to catch up to him. Now, rather than detailing the entire story I will just say that this is a cute romantic comedy which should appeal to young adults. And even though the ending was a bit confusing, I enjoyed the chemistry between Hinano Yoshikawa and Shinji Takeda.

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son_of_minya

This film, more than any other, has me convinced the critics are completely clueless. It is a perfect blend of everything great about French, Hong Kong, and Japanese storytelling.Hinano Yoshikawa is vulnerable--and beautiful--throughout. Saying her acting was bad is like saying Juliette Lewis was bad in Cape Fear. If she really is so clueless in real life, well that was just genius casting. Shinji Takeda also gives a great, naturalistic performance.The last 15 minutes is often criticized or misunderstood. This is really a case of French "who cares what it means, it's beautiful" meets Japanese "you should know what it means, we don't have to explain it." From an American screenwriting craft POV, one may say that it diverges too much from the preceding story, but...I was rapt to the screen and deeply satisfied when the credits rolled.Critics of this film--and you should watch for this in the future--use phrases such as "something like" and "more or less." In criticizing Kitano's cameo, in particular, it is clear they have no idea what they're talking about. Anyone who is a big enough fan to have actually seen Kitano hit someone on the head with a giant hammer--purposely--will know that this is a classic Kitano performance.

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Harpo 2046

I have seen this film on TV, and I think I was right not to have bought a ticket to see this film in a cinema, because the actors, especially H.Yoshikawa, made me laugh, though they were not supposed to. I honestly think that this is not a bad film. I guess you will spend some nice time seeing his film, but you should not be too serious.

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andreas.voigt

I always thought there were no good love movies in this world. Films like "Thorn Birds", "Gone with the wind", "Titanic" and "Love Story" with all that crying-suffering&dying stuff full of exaggeration never really touched me. Another reason I don't like these movies is that they completely lack in style.However: The 90s have been extremely generous to us, giving us three excellent love movies full of style & magic: "Los Amantes del Círculo Polar", "Der Krieger und die Kaiserin" and this gem."Tokyo Eyes" is full of cool music, excellent camera work, cute scenes, and good storytelling, creating a mood that absorbed me right from the beginning. It's not pretentious in any way and it didn't annoy or bore me for a single second (As most other love movies do). The last five minutes are fantastic and contain one scene that in my opinion is one of the best in movie history (at least in terms of camera work). Shinji Takeda does a great job as "K" and Hinano Yoshikawa covers her missing acting skills by cuteness beyond good or evil. The cameo by Takeshi Kitano is nice as well.P.S: Though I wouldn't consider this movie to be utterly weird or totally different from standard Hollywood movies, some people may find it too slow-paced, lacking in action or even pointless.10 points out of 10.

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