Very very predictable, including the post credit scene !!!

Too much of everything

A Masterpiece!

The film's masterful storytelling did its job. The message was clear. No need to overdo.

needed special permission of production code to talk about drug smuggling made during Powell's 'tough guy' years opium trade set 1935"To The Ends Of The Earth" was a film made during the period after Dick Powell transitioned from the pretty-boy crooner in light-weight films to a more world-weary and middle aged leading man. I generally loved these films, as Powell's characters were often incredibly cynical...and he pulled it off very well. This one, while showing SOME of this new sort of Powell character, sadly, isn't up to the quality of his best performances of the era...though it is a decent time-passer.The film begins in the mid-1930s with an insanely graphic and troubling scene. Treasury Department Commissioner, Mike Barrows (Powell), is on a boat in the San Francisco area that is trailing a boat full of smugglers. In a sick and desperate act, the captain of the boat being pursued decides to have his men toss their illegal cargo overboard instead of being caught with it...and you see dozens of Chinese migrant workers chained together being tossed into the sea to their deaths! Barrows witnesses this and is horrified...and vows to see this captain apprehended. But they are now in international waters and the boat escapes.Later, there is a lead that the captain MIGHT be in China and so Barrows travels there to hunt for the scum-bag. However, it soon begins clear that these Chinese workers were not what he originally thought. They were, in fact, slave laborers used by folks in the narcotics trade to plant and harvest poppies and soon he finds himself investigating the heroin trade. While all this sounds very exciting, the film's pacing wasn't great and the story went to too many locations and had too many characters. Normally I don't see this as a problem but I found that the pacing and story were not especially well done. I think a lot of this was made more obvious because too often instead of DOING anything, the characters talked and talked and talked. Overall, not a bad film but one that was surprisingly flat at times.

Fast-paced, tautly told tale of international opium smuggling in the pre-WWII period. Despite the docu-drama format (from the files of the US Treasury Dep't, etc.), police procedure manages not to get in the way. And a crackling good story it is, with a sneaky twist ending. Anti-Drug agent Barrows (Powell) has got to unravel an elaborate drug operation that takes him around the globe. On the way, he encounters all sorts of suspicious characters and risky situations. The studio (Columbia) does a good job mimicking exotic locales to create an appropriate atmosphere for the dedicated Barrows.So, who's the man behind the illegal operation? Well, for one thing, we know he's an agent of imperial Japan (circa,1935) since their army seeks to pacify a conquered Manchuria with loads of the deadening drug—(note: I wish the prologue stated whether this wicked scheme is actual historical fact or not). Anyhow, the premise provides employment opportunity for a host of Hollywood's shady characters, including Hoyt, Hasso, and two favorite Nazis, Triesault and Donath. So there's intrigue a-plenty.However, I'm not sure I buy the last leg of the smuggling operation since it seems so risky, depending as it does on exact timing in a big ocean. Nonetheless, the various ruses are cleverly conceived, although at times the various in's and out's may be a little hard to follow. And you may need a scorecard to keep up with the shifting cast of characters. But that early scene of jettisoning illegal cargo is one-of-a-kind and about as cold-blooded as any film of that era.(In passing-- a recurring theme is international cooperation in behalf of mankind, while the final shot is an optimistic one of the United Nations building. A year later, and I suspect the menace would have shifted to the Soviets with a much darker outlook.) Still and all, this is one of the best docu-dramas from a time when Hollywood appeared to be doing gratis pr work for the feds.

This film is great from start to finish as it outlines the ingenious methods used by the drug traders. Some harrowing scenes as the Chinese slaves (being smuggled to pick poppies) are disposed of. A freighter of doubtful origin is spotted off the U.S. coastline. The coastguard investigates and as it draws near, the captain of the coast guard cutter is witness to a most appalling scene. The slaves beingsmuggled are underneath a large tarp on the deck of the freighter. The captain of the ship, realising the consequences of his human cargo, decides to remove the evidence. The slaves are shackled to the anchor chain which is now released into the ocean. The fate of the slaves is sealed and the proof of the illegal cargo is removed. The matter is reported and from then until the end of the film, it is non stop action and intrigue. Dick Powell is the narcotics agent assigned to the task of tracking down the drug growers and dealers. It is a very involved film with lots of surprises (do not blink). A great twist at the end.

I have been looking for this picture since I first saw it when it was released in 1948. It impressed me then with the world wide scope of its story of opium smuggling and I had been anxious to see it again. I had thought about it many times over the years and knew that it was not on video and did not know where I would find it. By accident I found it listed in the movies on Movie Plex. It apparently had been show previously as there were 21 votes for it so at least 21 others had seen it. Seeing it the second time after all these years was just as enjoyable as the first time.