if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

One of the most extraordinary films you will see this year. Take that as you want.

I really do not care about 2.8 score or whatsoever. This is a good movie I lived in Berlin and the movie can make you feel as if you were there. Bushido is no actor that is true still the message comes through: stay firm in your believes and let nobody tell you how to behave.. One of my favorite movies. I think the low score is a result of audience not coping w/ the fact that a father indeed can ruin a family's life because feeling as an outcast in a foreign country. This German viewers could not take. More to that Arafat and Bushido's relationship w/ crime families whatsoever made him a very bad press also. I do not care about that neither. The movies mood and the German reality in real life comes through and that's enough for me to give it 8 stars. Performances are solid, dialogues are sometimes weak but please take into consideration that this is a movie about a singer who rocked German media and basically changed the rules Germans are looking to immigrants.

People who are interested in French movies might recall the 1995 movie „La Haine", about the everyday life of a group of „social misfits" in the seedier part of Paris Don't let the word "gangsta" fool you. "Gangsta" stands for social ghettos in the big cities, where the immigrant youth lives in relative (financial- and social-security-wise) comfort and have nothing better to do than to imagine the run-down neighborhoods to be real ghettos like they have them in the States. This includes mimicking (if not to say "aping") American Rap- and Hip-Hop-culture, which to them implies loitering in the streets, trying to look tough (the "crime-scenes" are generally limited to stealing bikes and selling marijuana) and producing an embarrassing imitation of Hip Hop music. In other words: these kids wouldn't last 24 hours in a real ghetto, be it in Britain or the slums surrounding Paris, let alone the "real deal" in the US.As to the music: I'm not the biggest fan of Hip Hop but understand the appeal it has to the audience and find myself intrigued by the often poetic lyrical content. What is megalomaniacal labelled "Deutsch-Rap" is an embarrassing stutter, accompanied by loose wiggling of fingers in an attempt to ape gang-signs and the "provocation" of the lyrics is limited to adding as many profanities as you can.Anis Ferchichi (whose "street-name" Bushido would normally put a chuckle on your face, if it wouldn't continue to appear in the tabloids und so-called "Unterschichten-TV" now and again) tries to come across as some kind of Enimem-Rapper, but fails at all levels, be it acting, rapping or conveying any sense of charisma. It's a performance that can only defined by the word "embarrassing", whether you like his music or not.The real tragedy is the participation of people like Hannelore Elsner, Uwe Ochsenknecht, Ulli Edel (hard to believe that this is the same director who gave us "Christiane F: Wir Kinder vom Bahnhof Zoo) and Bernd Eichinger (this being one of his final productions), who are otherwise accomplished players in the German film-industry and should have known better than to associate themselves with tripe like this. But I guess it's kind of telling where the money ranks in the overall scheme. In other words: it's right "up there" with films like the Justin Bieber vehicle "Never Say Never" or Ulli Lommels "Daniel der Zauberer" (which, if memory serves, are all rightfully united in the IMDb Bottom-100-List).1/10

I guess most of the people who reviewed the movie, didn't like Bushido. I can only guess that most of them thought he was full of himself. Maybe that comes down to the fact, that his acting isn't really up to the task. And it's most unfortunate, though I'm not sure why the director would want to cast him in the movie, if he saw any sort of test screening/performance of Bushido.Bushido on the other hand is best, when he is singing. You can feel his energy and power when he performs. Unlucky us, we don't get to see him that often in that "mode". When he is talking about his life or things happening, it sounds like he was forced to read something of a paper and trying to get back at the people who forced them, by not putting any emotion into the reading at all.Not everything will have happened as told here (I'm assuming, especially the very "dramatic" ending) and this will mostly appeal to fans ... I don't think he will gain new fans, with the movie ... But decide for yourself if you're brave enough

... train wreck. Dunno where to start, really. Avoid at all costs.I have to add ten lines of text, so I'll say that producer Bernd Eichinger and director Uli Edel probably wanted to print money quickly on the relative popularity of vulgar talk singer Anis Ferchichi, aka "Bushido". However, "Bushido's" star seems to be sinking, maybe because it's hard to keep streetcred with mostly immigrant youth when the cultural and political elite is kissing your behind. And the ruling party, the "Christian-Democratic-Union" invites you to join its ranks. Add to that 13 cases of proved (and costly) plagiarism and maybe the film came out a few moths late for making money. Despite its seeming to have been hastily produced. Meh, this time stealer will soon be forgotten like its subject.