True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

This movie feels like it was made purely to piss off people who want good shows

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

A brilliant 1932 Paramount offering is available from several public domain labels. My copy from Scooter rates at least 8/10. This is a movie for which there is no middle ground. I looked up the reviews. Half the reviewers thought This Is the Night the worst movie ever made. The other half held that it was the best movie of the year! Guess which half I agree with? I thought it one of the most beautiful movies I've ever seen in my life. I was crying at the finish, it was so wonderful. This outstandingly attractive girl, played by the utterly entrancing and super-lovely Lily Damita, was being pursued all over Europe by an Olympic athlete played by Cary Grant. Most moviegoers consider Cary to be the handsomest and most desirable man in movies. Trailing along behind this romantic twosome was an old guy played by Charlie Ruggles, a comedian who is always cast as an ardent but perennially rejected old fool of a suitor. He's the comedy relief, you see. We always laugh at his earnest but tongue-tied efforts to impress the girl and his ridiculous bleatings about how much he loves her. Charlie has this part down pat. He plays it in dozens of films. He's been turned down, ridiculed and laughed at by many of the great sirens of the screen. Well, would you believe, at the end of this movie, the most beautiful Lily deals with stumbling, falling-off-ladders Ruggles in an entirely unique way? I couldn't believe my eyes and ears. I cried tears of joy. Who would ever think such a thing was possible? It seems the most beautiful girl is as intelligent as she is lovely. But there's no doubt about it, many movie fans are happier with the routine and conventional. They don't like being challenged by originality. And This Is the Night not only has an ingeniously constructed and highly original script to commend it, but marvelously adroit, sophisticated direction by Frank Tuttle (of all people!) who has evidently sought to out-Lubitsch Lubitsch - and has succeeded beyond all measure!

This is a Pre-Code sex comedy that is very good--but in hindsight, the casting was insane. If I explain the basic plot, you will understand. Beautiful Thelma Todd plays a bored wife who wants to have an affair. So, she picks out Roland Young--a very mousy man with absolutely nothing to offer her. And who is the husband of this lady? Yup, it's played by Cary Grant!! And, Grant plays an Olympic javelin thrower. Yet, oddly, she makes the moves on Young--who has the sex appeal of Edward Everett Horton! So, if you can ignore the dumb casting is the film worth seeing? Absolutely--it's a great farce with a really well-written plot. What happens is that Grant catches his wife with the other man. And, trying to help, Young's friend (Charlie Ruggles) tells Grant that Young is already very happily married--and makes up a story about a fictional wife. So, Grant asks Young to bring his wife with him on a trip--so they can all become good friends. So, Young scrambles to find a woman willing to pretend to be his wife and finds down in your luck Lili Damita (one of Errol Flynn's wives in real life). He thinks she's a prostitute, so he has no problem offering her money. But, she is a nice girl--and one that Young finds himself increasingly attracted to through the course of their trip to romantic Venice.The casting can be blamed on the producer. But even a dumb producer can be overcome by a witty script--and this one is witty and filled with excellent dialog. In addition, it's a chance to see Grant in his debut film. Now that I think about it, if Grant and Young had switched roles, this would have been an even better movie.

Although This Is The Night which is the feature film debut of Cary Grant is an enjoyable enough bedroom farce it probably has more significance as the possible inspiration of one of Paramount's best feature films of the Thirties, Love Me Tonight. This film directed by one of Paramount's more competent contract directors Frank Tuttle plays a whole lot like Rouben Mamoulian's classic. Possibly if Tuttle had better material to work with, this film would be better known.This Is The Night has Cary Grant as a French Olympic athlete whose sport is the javelin. But apparently he's not spearing Thelma Todd enough and she's casting a roving eye. The eye of Roland Young meets her's and the two plan a holiday in Venice.To which Mr. Grant arrives and rudely interrupts. Thinking fast on his feet as American Express agent Charlie Ruggles arrives with tickets at Todd's apartment, Young says that he'll be traveling with his wife and once outside frantically looks for a wife. He finds Lily Damita and hires her for a railroad holiday from Paris to Venice. Ruggles goes along as a fifth wheel on this carriage, presumably to catch whoever comes flying off the rebound. As he's soused most of the time, I can't see what appeal he would have. Of course I can't see what appeal he would have sober.Cary Grant was billed fifth in this film, but in 1932 he gradually went up the billing ladder and by the time of She Done Him Wrong, he's co-starring with Mae West. His debonair charm could barely be concealed in a role which required him to be a bit of a fathead.Ralph Rainger and Sam Coslow wrote a couple of forgettable songs and it's in the musical numbers that this film bares the closest resemblance to Love Me Tonight. Note the Italian gondolier in the Venice scenes. He gets no billing in the film, but it is Donald Novis one of the most popular singers of the day on radio. In three years he would move to Broadway and play the romantic lead in Rodgers&Hart's Jumbo where he would introduce The Most Beautiful Girl In The World and My Romance. Novis had a wonderful tenor voice as you'll agree if you see this film.Speaking of Rodgers&Hart maybe if they wrote a score as good as the one they did for Love Me Tonight, This Is The Night would be more remembered than as footnote as Cary Grant's feature film debut.

Claire (Thelma Todd) and Gerald (Roland Young) are carrying on a rather heated affair, but just as they are about to go away together to Venice, Claire's javelin-throwing husband Stephen (Cary Grant) returns home. In order to dispel his distrust, Gerald hires a woman to pose as his wife. Germaine (Lili Damita) is a hungry young French actress who poses as a more experienced woman named Chou Chou. She vamps Gerald incessantly while Stephen is around, and she is so successful that she makes Claire insanely jealous.This sing-songy film is a delight to watch. It is fast-paced, comedic, and filled with a stellar cast, but it is not well known today. Film collectors find it interesting because it marks Cary Grant's first screen appearance and because it is one of the few films of Lili Damita, a popular but heavily-accented French star. Her career fizzled quite quickly, but not before she appeared with stars like Gary Cooper and Laurence Olivier.Fans of the pre-code era will enjoy this one quite a lot, as it is peppered with naughty jokes ("I was living in Cin--, I was Naughty.") and a running gag about Todd losing her clothes.