Sorry, this movie sucks

Simply A Masterpiece

One of my all time favorites.

A Major Disappointment

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.After their previous 1928 efforts saw a step in the right direction and the two were starting to hit their stride while still evolving, 'Their Purple Moment' sees a couple of steps backwards and something of a disappointment. Certainly far from terrible and it is a long way from a misfire of theirs (up to this point '45 Minutes from Hollywood' was the only one to fit this distinction), but 'Their Purple Moment' is far from a gem. It is a shame because their previous 1928 efforts were so promising and the concept here was not a bad one.Laurel and Hardy's work was never known to have particularly great stories, which tended to be the weakest element. 'Their Purple Moment' is no exception, on top of being flimsy it is also more predictable, hackneyed and repetitive than most with outcomes being easily foreseeable and some of the content being hit and miss as well as rather repetitive at times. The pace sometimes could have been tighter. 'Their Purple Moment's' weak link is the ending, a real fizzler that is rushed, uninspired and somewhat tasteless.On the other hand, Laurel and Hardy are more than very amusing, particularly Laurel, and they work well together. Three quarters of 'Their Purple Moment' does mostly amuse and has some fun and well timed moments and gags. It's not dull, is competently directed, has a nice supporting cast and holds up quite well visually.All in all, definitely worthwhile but not a Laurel and Hardy essential. 6/10 Bethany Cox

This silent Laurel & Hardy short falls short of the boy's usually high standards, due largely to a dearth of fresh ideas. They play the usual henpecked husbands, this time married to a couple of shrewish, tight-fisted battleaxes who commandeer the boy's wages the moment they walk through the door. Canny Stan has been hiding the occasional rolled up note under the collar of his shirt and squirreling it away. When Ollie gets wind of Stan's stash he decides they'll go out on the town and blow it all. Unknown to the boys, however, Mrs Stan has discovered her husband's hiding place and replaced the real money with fake cigar store notes.It would be nice to write that much hilarity ensues, but unfortunately that just isn't the case with this one. There's barely a smile raised in the first five minutes – although this fallow period is brought to an end by a great sight gag involving the boys abandoning a rapid pursuit of a couple of pretty young girls when they realise their wives are watching. Having escaped the wives the boys end up wining and dining a couple of slight psychotic gold-diggers in a swanky restaurant, which is when Stan discovers to his horror that his money has been switched.It's almost as if everyone was working to a looming deadline with this one and just threw anything at the screen that they thought might raise even a small laugh. There are very few fresh ideas and not a lot of laughs, and the camera spends far too much time studying Laurel's expressions as they alternate between fear, confusion and not-quite-with-it attempts to make sense of what has happened. The boys try to make their escape but keep inadvertently drawing attention to themselves as they do so, and the film ends weakly in the restaurant's kitchen with each character receiving a pie in the face or over the head in turn. Definitely not one of the boy's best.

Stan Laurel and Oliver Hardy are the most famous comedy duo in history, and deservedly so, so I am happy to see any of their films. Mr. Pincher (Laurel) is having to give his wife (Fay Holderness) some money, and he hides his money in what seems a very good secret hiding place for his money, a painting of a man wearing a coat, with the coat opening up. She sees this hiding place, and takes quite a lot of cash without him knowing, and then he and and Ollie decide to go and enjoy themselves, telling their wives they are going to the bowling alley. On their way, the boys stop outside a restaurant to look at some photos, watching some men chucked out for not paying. They see the two women (Kay Deslys and Anita Garvin) left by them, and they invite them to join them for a meal, and a local Gossip (Patsy O'Byrne) sees them and goes to tell Mrs. Pincher and Mrs. Hardy (Lyle Tayo) what their husbands are up to. The boys meanwhile are doing a couple of tricks for the women, and order some steaks, and when Pincher wants to treat some stage performers, that's when he notices the little he has in his wallet. He is whimpering as he watches Ollie and the women tuck in to their meals he knows he can't pay for, and when Ollie finally sees the wallet too, they both try to escape a couple of times. Eventually the Waiter ('Tiny' S.J. Sandford) wanting payment comes over, sees the wallet, and the boys are chased by him, and just after the wives arrive. Everyone is in the kitchen, Ollie blames Pincher for everything, and Pincher unintentionally starts a food fight with the chef and everyone else joins, with Ollie last to get a pie in the face. Filled with good slapstick and all classic comedy you want from a black and white film, it is an enjoyable silent film. Stan Laurel and Oliver Hardy were number 7 on The Comedians' Comedian. Worth watching!

For about three-fourths of the way, Their Purple Moment is a sharp, funny Laurel & Hardy comedy, albeit one with a distinctly sour take on married life. This is the first of the L&H domestic comedies, and sets the tone for much of what would follow: Stan and Ollie are each at the mercy of their domineering wives, a pair of hard-bitten shrews who treat them like children, promptly appropriate their paychecks, and deny them any pleasures. (Later on the wives would usually be more nuanced, sometimes even sympathetic, but in this early film they're quite mean.) In what would become a standard plot for the team, this film tells the sad story of what happens when the boys attempt to fool their spouses. Of course, the only question is just how disastrously the situation is going to backfire.Here, Stan and Ollie tell the wives they're going bowling, then defiantly set out on a spree, under the delusion they've got lots of cash on hand. So when they encounter two attractive young ladies in distress, stuck with a bill they can't pay, naturally, they step in and gallantly offer to treat them to dinner. And it's all downhill from there!The situation the boys blunder into is a well-constructed comic nightmare that steadily builds in intensity, and the sequence is genuinely suspenseful -- right up to the food-fight finale, which is such a fizzle it practically ruins the whole show. This is surprising, considering that, according to the various books on the team, a much more offbeat and imaginative ending was planned and filmed, but then jettisoned. The original finale utilized the midget troupe of entertainers who perform a floor show in the restaurant. In the earlier version, when the boys discover they have no money to pay their bill, they were to escape by disguising themselves as midgets -- midget women, at that -- and slip away with the troupe. The idea flirts with tastelessness, but it sure seems funnier and more memorable than the finale as it stands now.Oh well. There are good reasons to watch and enjoy Their Purple Moment nonetheless, among them the famous gag of the uncle's portrait with the hidden pocket, the spirited performance of Patsy O'Byrne as the town gossip, and the always welcome presence of Anita Garvin, here playing a good-time gal who packs a knife. There's also a priceless close-up of Stan, when it dawns on him that he has no money to cover the ever-growing tab: in an extended shot he displays a remarkable range of expressions, from horror to befuddlement, to hope and despair and back again. He was the greatest!