I have absolutely never seen anything like this movie before. You have to see this movie.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Immediately following the "Treaty of Guadalupe Hidalgo" in 1848 the territory known as California passed from Mexico to the United States of America. Since almost all of the people living there had been citizens of Mexico there was some apprehension among them concerning how they would now be treated. So when an American gunslinger named "Hatfield Carnes" (Dennis Hopper) kills a Hispanic man the residents of a sleepy village are extremely anxious about whether justice is served. To complicate matters this village has a very rowdy group of American outlaws who feel threatened at the thought of one of their own being tried in a court of law. On the flip side there are also vaqueros riding in from various parts of California to make sure that Hatfield pays for his crime. As a result the unofficial sheriff "Jim Ellison" (Patrick Wayne) is thrown into the middle of something that is rapidly becoming very ugly. At any rate, rather than reveal the rest of the story and risk spoiling the movie for those who haven't seen it I will just say that this film turned out to be a pleasant surprise. The acting was pretty good and I especially liked the performances of Yvonne Craig (as "Elena de la Madrid") along with the aforementioned Patrick Wayne. All in all, this movie wasn't too bad and I rate it as slightly above average.

An American gunslinger kills a Mexican man in California immediately after the Mexican-American war. The killer is arrested and put on trial for murder with the Hispanic population waiting to learn of American justice.Sounds like Miami today.Heavy handed directing. No so good acting, even though Dennis Hopper is the main character.I never thought he was such a great actor. He prove it here.If anything, this movie serves to prove even in 1959 the left was churning out propaganda.

Usually a film held up in release is a sign that nothing good will come of it eventually being inflicted on the movie-going public. But in the case of The Young Land this is not a bad little western about an incident from the early days of California after we acquired it from Mexico. As it was a forcible acquisition the native Mexican population was anxious to see how they would do under American law and jurisprudence.The issue comes to a head when a murderous young punk played by Dennis Hopper uses his fast draw to gun down a Mexican vaquero who works for Roberto DeLa Madrid. Sheriff Patrick Wayne whose job usually is to jail drunks disarms Hopper and arrests him. Now the job is to try him and for that Wayne sends for a federal judge played by Dan O'Herlihy who is a model of judicial decorum.O'Herlihy is not terribly impressed with Wayne as a sheriff, but gradually they develop a certain respect for each other. And Wayne also grows some in the estimation of Yvonne Lime, daughter of Robert DeLa Madrid.The Young Land is a simple straightforward tale told thusly for the audience. It's got some thoughtful and sincere performances by its cast. Hopper stands out in his role. And it even got an Oscar nomination for the song Strange Are The Ways Of Love which lost to the far better known High Hopes.The story has worn well and The Young Land is as fresh as it was when it was sadly held up in release.

Patrick Wayne had his first starring role in this handsomely produced film - a B western with many A western trappings, including a remarkable sound track - and, though only about eighteen years old when he did the movie, comports himself well. What's most impressive is the willingness of everyone involved to tackle a then controversial theme, for this is one of those mid to late 1950s westerns that dealt with racial prejudice during an era that saw the birth of the modern civil rights movement. Of course, civil rights dates back in our history, and so the incident in the film serves as an effective metaphor for what was going on at the time when this movie was made. A wild-eyed Billy the Kid type (Dennis Hopper, doing his umpteenth version of James Dean by way of Nick Adams, the rebel without a cause as a whining weakling) shoots down a Mexican citizen in the newly formed state of California. It's up to a very young lawman (Wayne) to hold him for trial. The Mexicans in town want proof that they are equal to Anglos now that California is American, and so want to see the prisoner hung - legally. Anglos, on the other hand, want the killer to go free. Though he's dating a beautiful Spanish girl (Yvonne Craig, with delightfully revealing décolletage), he's fair-minded and refuses to take sides - holding the prisoner for the judge who will decide. That character is played by the great Dan O'Herlihy, who brings this eccentric (and ultimately pivotal) character to vivid life. The result is something exceptional, and it's a shame this film is not better known.