Plot so thin, it passes unnoticed.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

I don't know if some of you are aware of this facts, but Pinki and Svaba are real-life criminals, in fact guy who played Pinki( Dusan Pekic ) was killed shortly after making this film, and I know Milan Maric is also in same thing...I live about a kilometer from place where this movie was shot, just before this movie was released I heard a story about two teens shooting themselves in the same fashion as it is show in film.I must mention that when this movie came out in Serbia, things were really like that, I was then 17, in high school, and I can tell you that then were many such stories, this kind of life was common, and that's the significance of TV show, to show that this was reality for many...

This is one of the best films ever made. But it is underrated, how come "No mans land" was so successful in the world (it even got an Oscar), and this one is not? It is very realistic and tragic film, with a little dose of humor. But this humor is not funny if you know how it was and still is there.The last lines of Pinki, when there is no more picture, only darkness left, and he dies when he said: "A sve mi se nesto cini, da sam prosao bolje od vas" or in translation: "I still have a weird feeling, that I came through better then you." - one of the best movie endings ever. Except maybe Fight club.

One of those in UR face, intense, violent pieces that U won't soon forget...tells the story of three youths and how their lives are shaped by their war-torn surroundings...never had any idea that this movie was going to be so RAW...whoa...a cross between "Natural Born Killers" and "Scarface"...

Dark, bleak, hopeless, harsh, uncompromising, periodically injected with black humor, but overall quite powerful - Srdjan Dragojevic's follow-up to "Pretty Village, Pretty Flame," weaves a tragic coming of age story in Yugoslav capital Belgrade during the turbulent 90's with all the sharp cultural, social, political references and critique one could ask for. This film actually fits more along the lines of "Cabaret Balkan," except that "Rane" has this gangster twist to it. Among the supporting actors I noticed a lot of familiar faces such as Miki Manojlovic, Dragan Bjelogrlic, Branca Katic, Nikola Kojo, who you may be familiar with from films like "Underground," "Black Cat, White Cat," above mentioned "Pretty Village, Pretty Flame" and "Cabaret Balkan" and such. Definitely recommended if you are interested in Serbia/Yugoslavia or Serbian film making.