Wonderful character development!

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

History records the Unites States purchase of Alaska on March 30, 1867 . This was the realization of a dream that began many years before , when captain Jonathan Clark anchored his schooner , The Pilgrim of Salem , among a thousand abandoned ships that lay rotting in the harbor of San Francisco , 1850 . There captain Clark (Gregory Peck) romancing women and smuggling pelts from Islas Aleutinas and Alaska , Russia . Along the way he meets and woos a gorgeous Russian countess called Marina (Ann Blyth) in 1850 San Francisco . As it deals with a salty sea captain, a beautiful Russian countess, and the love that would span an ocean . Events separate them, but after a breathtaking sea race to the Pribilof Islands against Portugee (Anthony Quinn) they meet again ; now , both are in risk from the plans of villainous Prince Semyon (Carl Esmond) and General Ivan Vorashilov (Sig Ruman) .This exciting as well as entertaining tale packs thrills , noisy action , spectacular struggles and lots of gutsy adventure . The flick relies heavily on a prologue in a San Francisco hotel , its results to be overlong and tiring . Brawling , sprawling , almost primitive action, teeming across the screen and being based on Rex Beach novel . Impressive images when the ships sail across thunderous seas and thrilling final when protagonists and enemies square off in a breathtaking climax . Raoul Walsh demonstrates a special talent for making the densest action sequences seem uncomplicated and uncluttered and his characters , like the scenes distinguished , often have an unfettered , raw power . Nice acting by Greagory Peck as roistering sea captain Jonathan Clark, who poaches seal pelts . Sympathetic interpretation from Anthony Quinn as rude as well as illiterate skipper . and a beautiful Anne Blyth as a countess who hides her noble origin , she does an enjoyable acting though didn't have a notorious career . Good secondary cast with familiar hearted features as John McIntire , Andrea King , Hans Conried , Rhys Williams , Brian Forbes and Sig Ruman . Thrilling as well as emotive musical score by the classic composer Frank Skinner . Colorful cinematography by Russell Metty , a nice cameraman expert on superproductions such as Spartacus , Sign of the Pagan , The War Lord , Counterpoint and Omega man . The movie was splendidly photographed on natural outdoors , Islands Aleutianas and Alaska through the courtesy of the United States Department of Interior National Park Service. The motion picture lavishly produced by Aaron Resemberg was well directed by Raoul Walsh . From his starts in the silent cinema he achieved successful films until the 50s and forward , early 60s , when he was less dominant , but is still stayed lots of lusty adventure , stories of comradeship and friendship , and Raoul makes the most of plentiful action scenes . Walsh was an expert director of all kind genres but with penchant in Western as ¨Colorado territory¨ , ¨They died with their boots on¨, ¨Along the great divide¨, ¨Saskatchewan¨, ¨King and four queens¨ , ¨The sheriff of fractured jaw¨, ¨A distant trumpet¨ ; Adventure as ¨Thief of Bagdad¨, ¨Captain Horatio Hornblower¨, ¨World in his hands¨, ¨Blackbeard the pirate¨ , ¨Sea devils¨ ; Warlike as ¨Objetive Burma¨ , ¨Northern pursuit¨, ¨Marines let's go¨ ; and Noir film as ¨White heat¨, ¨High Sierra¨, ¨They drive by night¨, ¨The roaring twenties¨. Rating : Fairly straightforward movie and above average . This interesting adventure and action film makes it of the finest of Raoul Walsh genre entries.

Start with history, add adventure and scenery, toss in a romance, sprinkle it with humor, and top it off with action. That's the recipe for a very entertaining and outstanding movie. It describes "The World in His Arms." Others have discussed the plot of the film, so I'll skip to some of the highlights. First, it has historical value. Few films have been made about that time and place in history, and it gives a good picture of life and politics in the early years of Alaska settlement. The locale shooting in the Pacific Northwest adds to the authenticity, as well as the spectacular scenery. Second, the scenery and cinematography are outstanding. Even fewer movies have included Alaska seal hunting, and again the location and scenery are most impressive here. The Americans and others who go in search of seal furs in Alaska are poachers in Russian territory. But, one scene describes how Gregory Peck's ship practices conservation of the seal population, whereas the Russians tend to slaughter whole populations without such regard. Third, the big cast of top drawer actors is perfect for this film. That includes all of them. I don't agree with a couple reviewers, including one whom I enjoy and watch for often. They think that Gregory Peck was miscast. I can see that if someone has a particular image or demeanor or character about an actor burned into his or her imagination, it may be difficult to appreciate that person in roles that don't seem to conform. But, greater enjoyment of movies is in store for those of us who don't typecast actors. And, when an actor plays a role that is rare or unusual for him, it can be an even bigger treat for the audience. Such is the case with Peck in this film, I think. Instead of Charlton Heston, John Wayne, or Kirk Douglas for this role, I think Peck gives it an air of freshness. Fourth, the sailing scenes and action are outstanding. Although these aren't the man-o-war type of large ships in this film, they are of the fast schooner type of vessels. The cinematography of the sea race is some of the best filming of sailing that I have seen in movies. Other aspects of the movie add immensely to its quality and enjoyment -- the romance, the humor, and the action. Production aspects are all first-rate – costumes, script, and directing. "The World in His Arms" is a great addition to any film library.

This was only one of two films that Gregory Peck and Raoul Walsh made together, the other being Captain Horatio Hornblower the year before. Gregory Peck plays a sea captain in San Franisco who is basically the top man in town and Anthony Quinn is a sort of friend and rival. In the first scene, Peck goes to rescue his men after being stolen by Quinn. The real villain turns out to be some Russians, whom Peck can't stand. Peck meets Ann Blyth, who is also a Russian, but Peck doesn't know that at first and agrees to marry her. She wants to get to Alaska for some reason and Peck wants to buy Alaska for ten million. Gregory Peck is sort of miscast in this part and you don't buy it when Peck knocks out Quinn with one punch. A pretty good film if you don't expect much.

This insufficient movie was made in the fifties when a flamboyant pretty boy famous for tough, staunch, dramatic parts and deep performances decides to go the matinée idol/swashbuckler route. This movie followed Peck's earlier and similar Captain Horatio Hornblower and the Fox big budget muck, David and Bathsheba. Captain Horatio was a big hit in the United States but the fate of this movie domestically was not as good. But as many big budget productions that struggle at home, they make a killing or reduce the losses overseas as this movie was number six at the UK box office and top 10 in 1952 in many other countries. Peck is actually good in the role of the gregarious pirate - way better than in Captain Horatio where I felt he was miscast - he seems to sink his teeth into the role of a lovable scalawag with a gritty mien. He walks the part, lashes the part, and punches the part. One could only wonder why he did not bring this kind of intensity to his role of the "bad seed" in Duel in the sun. The movie sorely needed it. While this kind of movies are supposed to light and flimsy, I must say that I think this movie is way too light. Fights happen for no apparent reason than to fight. Portugee brilliantly played by the great actor Anthony Quinn is loud and lascivious and is a great counterpart to Peck's ravenous appetite for calamity. The plot so to speak involves a Russian girl who does not want to leave the haven of San Francisco to return to the obviously evil and vile fiancée. So she needs to get on a boat to get her out. Enter Peck, romance and love. But alas, Mr. Vile and Evil shows up, twirling mustache in hand and kidnaps her. The rest of this movie is as follows................... You get the point. Raoul Walsh who was one of Hollywood's most successful directors at the box office with very few flops throughout his career directs the action scenes with unusual zest even for him. The score is rousing and gives the sailing sequences a palpating calumny. Blyth is terrible in this role and I don't even think she is very pretty. She does not even try to do a Russian accent but speaks with a clear mid-western undertone. And last of all, the final line in this movie is surely a contender for one of the corniest lines ever delivered on screen. You have hear it and see the shot that follows and try not to laugh out loud.