Save your money for something good and enjoyable

People are voting emotionally.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

One of the worst ways to make a cult movie is to set out to make a cult movie.

A familiar title, as it was Gary Cooper's debut, I've always thought it was some sort of drama about settlers in which a fort or township called 'Barbara Worth' (as in 'Santa Barbara') gets saved at the end.However Barbara Worth turns out to be the name of the heroine, and the plot proves more of a soap opera than an action movie, as Ronald Colman and Gary Cooper vie for her affection. Who cares? Despite their combined star power, Colman has little to do, and Cooper even less. Vilma Banky is charming in the title role, but the personal drama proves remarkably uninteresting. What makes the film live is the superb photography by George Barnes and Gregg Toland - shown off to perfection in the beautiful tinted print available - and the flood created when the Colorado bursts its banks, engineered by special effects veteran Ned Mann, (best-known for his work in Britain for Korda during the 30's), who presumably also created the Dust Devil we see at the start.

The Winning of Barbara Worth as seen on a nicely restored DVD in MGM's Gary Cooper Collection, is a beautifully filmed, well acted, "modern" western with impressive special effects in a spectacular flood scene. Unfortunately the sappy, simplistic story -- more suitable for a Saturday matinée kiddie western than a top dollar movie -- undoes much of the good imparted by the high production values. It is hardly the classic many have over-rated it. It is still fairly entertaining and worth watching, if nothing else for the curio value of seeing a young Gary Cooper in his first big roll, playing second banana behind well-established star Ronald Coleman.The cinematography by Georges Barnes and Gregg Toland are really what save this movie from being an over-baked turkey. The shots of the desert especially in the opening sequence are breathtaking. The effects were greatly enhanced by the burnt sienna sepia tints used in this monochromatic color movie for all scenes, indoor and outdoor, except for the night scenes, which were the traditional blue. Director Henry King does an excellent job with the action sequences, especially the panicked crowd of townspeople fleeing from onrushing flood waters. On the other hand he handles his actors in the drama scenes in a very stilted and high histrionic manner already going out of style in this the late silent era. There were times when I feared Vilma Banky would wear the front of her beautiful blonde hair off from repeatedly throwing the back of her hand to her forehead. Ronald Coleman, nevertheless, managed to keep his understated (for the silent era) acting style in trim throughout. Cooper, no doubt being less sure of himself at this early point in his career, sometimes succumbs to deep silent histrionics. In a few scenes, however, we see flashes of his brilliantly understated style of the future.The story, based on a Harold Bell Wright novel, relies on two hackneyed plot devices -- 1) a syrupy love triangle with Coleman and Cooper both smitten by the lovely Banky (and what men wouldn't be!) 2) A robber baron speculator exploiting the poor folks. The robber baron being Coleman's father ties the two together. That wouldn't be so bad, since they ran out of new stories centuries ago, but neither of the two plot lines is very well developed, and plot holes abound. For instance, why was the rich robber Baron so set against spending the money to reinforce the dam, when it was his investment, the town, which would be washed away if the dam broke. And no less a trusted authority than his engineer son had advised him it was likely to burst. As to the lovey-dovey stuff, Vilma's relationships with neither of her two suitors was well developed enough to justify all the fuss.A good watch nevertheless. But a pretty crude movie in many ways for the late silent era. Compare with the Greta Garbo opus The Temptress, released the same year. Wouldn't be fair to compare sweet little Vilma Banky's E-for-effort acting with that of the Great Garbo! I won't. But the general style of the acting in The Temptress is much more sophisticated and so is the story line, though both are still plenty florid by the later talkie standard. The Temptress also features a dam burst, and it is every bit if not more spectacular than the one in Barbara Worth.A criticism has been made that there are too many cutaways for dialog placards in this picture, and I must agree. But this seems to have been a common ailment creeping into late silent movies, possibly in an effort to bring a deeper dramatic depth to the movies. Perhaps this was simply a sign that is was time for the movies to start talking. And that was right around the corner!------------------------- A Special Thanks to fellow reviewer simonton-4 for cluing us in on the source of the pipe organ music score of the current DVD (see his review). The fact that it was a live, improvised performance recorded at a showing of the movie explains why we occasionally hear laughing, coughing, scuffing of feet. It gives the viewer a sense of what it would have been like watching The Winning of Barbra Worth in a 1926 movie house with only a live performance of one or more musical instruments providing sound for the movie. Much more like the original silent movie viewer's experience than the tightly synchronized orchestral scores usually canned with the dvds, which in effect makes them technically sound movies (see my review of Old Wives For New for a further discussion of this issue).

During the silent screen years Ronald Colman and Vilma Banky were a popular screen team and The Winning Of Barbara Worth was their first film together. Neither Colman or Banky was particularly happy with doing a western and certainly neither are players you would think of for a western. But in the days of the silent screen you could not hear Colman's cultured English tones or Banky's thick Hungarian accent which killed her career in sound films.The Winning Of Barbara Worth is a modern western set in 1926 Arizona where Banky's father is the local head honcho in a small town. Father Charles Lane has a dream of building a dam and irrigating the desert and turning it into an agricultural paradise. But he puts his trust and the hard earned cash of his people into the hands of the unscrupulous E.J. Ratcliffe who cut many corners and built one inferior dam. His chief engineer Ronald Colman points that out to him and his fired for his trouble.Undaunted, Colman gets new backing from millionaire Fred Esmelton and goes to work on a new dam. Which does not fit in Ratcliffe's plans and he tries to stop Colman by fair means or foul. Colman also has eyes for Banky, but she's already got Gary Cooper courting her. And Coop's the jealous type and does not think Colman is on the up and up.Henry King whose career in films spanned over 40 years and was the top contract director at 20th Century Fox during sound did a great job both with his live players and the cinematography. The overflowing dam and subsequent flood was of DeMille like quality.Maybe Ronald Colman and Vilma Banky aren't what many would consider western names, but that sure can't be said about Gary Cooper for whom this was his first featured role. Coop had done many bit roles in silents up to this time, but he was a complete unknown at this time and The Winning Of Barbara Worth was his first part with billing. You probably could not have made this film during sound with the voices of Colman and Banky, but when Cooper uttered his first screen words in Wolf Song, this man's voice perfectly suited the characters he had been playing on the screen already. In fact both Colman and Cooper went on to far bigger careers because of sound unlike poor Vilma Banky who barely spoke any English.In the scenes he's in Gary Cooper steals the film and there was no doubt this man was going to be a major star. The Winning Of Barbara Worth holds up very well as drama and with Gary Cooper a star was born.

When sound films came in Vilma Banky's career was over. She hadn't learned to speak English that well and had a very thick accent, but besides she didn't really care. She had married Rod La Roque a couple of years before and their marriage proved to be one of the happiest in Hollywood. So she was quite happy to retire. Samuel Goldwyn had discovered her on a talent hunt through Europe and bought her to Hollywood where she was frequently co-starred with Ronald Colman. She also co-starred with Rudolph Valentino in "The Eagle" and "Son of the Sheik", and then it was back to Ronald Colman for "The Winning of Barbara Worth". This was one of the great epic Westerns of the 20s, along with "The Covered Wagon" (1923) and "The Iron Horse" (1924). Neither Colman nor Banky where keen about going to Nevada for location shooting and Gary Cooper was only signed for his role a few days before filming began.Set around the turn of last century in Kingston, a south western desert town, when civilization was fast encroaching on the old west and it's ways. Automobiles were owned and trains could make traveling to the big cities easier. The story is about bringing irrigation to the dry West.The first thing I noticed was the beautiful tints and the stylized images, certainly in the opening sequences. While a woman (Vilma Banky) has just buried her husband in the unforgiving desert, Jefferson Worth has come West with the dream of bringing irrigation to make the barren land into a paradise. During a terrible dust storm (a really stunning sequence) Jefferson finds the little girl "Barba", kneeling by her dead mother.Fifteen years later Jefferson realises his dream to bring water to the parched desert and has pride in his adopted daughter Barbara Worth (Vilma Banky). Abe Lee (Gary Cooper) son of Jefferson's old friend is in love with Barbara, but after she has a riding accident, Holmes (Ronald Colman), partner of a newly arrived land developer, offers his assistance. Gary Cooper looks so gorgeously young, it is unbelievable that Barbara would choose the rather stuffy Ronald Colman.Mr. Greenfield, his partner has been hired to build a dam for the town of Kingston. The vast panorama of the desert, complete with the burnished amber tints make this film, to me, a "vision splendid". The scene where the dam is filled is wonderful. Greenfield is a charlatan and has skipped town rather than spend money re-enforcing the dam. He also sacks all of Worth's people for spreading malicious "lies" about a flood that will destroy the town. So most of the townsfolk go in search of safer ground. Jefferson founds a new town - Barba, built high on a mesa but because of Greenfield's blockade, he finds he cannot meet his payroll. Holmes, who is completely innocent of Greenfield's plans, is secretly appealing to the bankers on Worth's behalf. When the people realize they cannot be paid, they want to burn down the town. Barbara is left alone but some of the men are in Little Rosebud's gang and she is attacked. Abe has been entrusted with the payroll but on the way he is shot by one of Rosebud's gang and realises that Holmes is decent and on the level when he saves Abe's life and delivers the payroll himself.The flooding of the Colorado River is spectacularly done. As the residents of Kingston flee to the high country of Barba, there are some amazing images of people escaping the flood ravaged town. Little bedraggled children, a man sleeping on the roof, a man running out of his bath, a man trying to escape on his wheelchair and a donkey going wild and upending a load, while the relentless river engulfs the town.It is a spectacular film, worthy of a re-look. An interesting scene showed a cushion embroided with a swastika - originally a native American symbol of good will. I also thought I saw Clarence Wilson in a bit as a barber and Clyde Cooke, a silent film comedian, played Tex, a comic sidekick. On my copy Gaylord Carter provided the organ accompaniment.Highly Recommended.