the audience applauded

Sorry, this movie sucks

Expected more

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

What strange thing is the attraction between two human beings. It is a mystery hard to explain. In the case of Carola Lehmann, a successful shop owner from Switzerland, on a holiday in Kenya with her boyfriend, it is the chance encounter with Lemalian, a handsome Massai youth that catches her eye. Carola, who is about to go back home, has second thoughts about returning to a normal life in what is considered a civilized country, and decides to stay behind for an uncertain life with a somewhat primitive African man.Carola, who has no other friends in Kenya, except Elisabeth, the wife of a black man, makes the trek to a remote part of the country to the Massai enclave where Lemalian hails from. The shock she receives when she sees the primitive society where she has decide to settle with her man, is somehow ameliorated by the love in her heart. Their lovemaking is not exactly the way she expects it; to make matters worse, she witnesses a young woman subjected to a ritual that involves the cutting of a part of her sexual organ.Trying to get out of the poverty she experiences, Carola decides to go back home to sell her shop. With the proceedings, she sets up a store that she sees as a service to the community. The only thing is that everyone wants credit. Her life changes dramatically when she delivers a baby girl. Eventually she becomes disillusioned with the ways Lemalian has changed. She asks for his permission to take the girl back home. Lemalian, reluctantly, gives her the permit and both mother and daughter depart for a new life.Director Hermine Huntgeburth did a marvelous job in recreating a story that is based on the real Carola's experiences in Africa. The film never fails to surprise because of the candid account it has for the viewer. It shows a courageous woman who gets beaten by the customs and the environment. In trying to make a family life, she is overwhelmed by the primitive ways of the people she wanted to help.Nina Hoss, who plays Carola is marvelous. She exudes intelligence in her approach to the character she is playing. Jackie Ido, on the other hand, is somewhat stiff. Never having seen anyone of the actors before, we approached the film with an open mind knowing full well the limitations Ms. Huntgeburth must have encountered while filming in such a primitive setting."The White Massai" will stay in our memory for quite some time.

Corinne Hofmann's absorbing filmed autobiography is an extremely confronting film and, at least to this viewer, therefore became an uncomfortable couple of hours to watch. It's a tough story that lies before the viewer full of cultural confrontation, personal confrontation and the burial of some individual long-held believes and values. All of this drama is carried out with bare-knuckle subtlety in many cases and also with just as much beauty and softness in often back to back scenes. Anyone watching this wonderfully engaging film will be batted from one extreme to another-hence my use of the words "difficult" and "confronting".It's a fabulous film to mentally play with after leaving the theater; there are so many aspects that must be filed away, in comfort-hopefully, after the total confrontation of values and ideas that will bombard anyone who watches The White Masai. I hope that i am not being nor will be branded as sexist when I write that I thought Lemalian, the Masai, had the harder row to hoe of the two of them-his traditions were continually being assaulted while Hofmann's, although similarly assaulted, were at least those of a visitor rather than as a resident of an extremely isolated and traditional society. Both paths were exceptionally hard and I left the theater feeling privileged that Huntgeburth made the film so that I could peek into events that would tax anybody. Go out of your way to see this film because it is rare and insightful; you will not be disappointed.

The White Masai (Swiss Title- Die Weisse Massai) Truly one of the best films I have seen in a long time. Based on the autobiography of Corinne Hofmann, a white Swedish woman who met, and coincidently fell in love, with a Masai tribe warrior, whilst on holiday in Africa, this film offers a beautiful insight into the diversity of African life.The film follows Carola's (Hofman's) life as a white European woman, immersed into a black African tribe. As an audience, we are able to depict the love that blossoms between Carola and Lemalian (a tribal warrior for the Masai), played by Jacky Ido, and the difficulties, fears and terrors that a contemporary Caucasian woman is forced to endure when exposed to such a diverse culture and way of life. The story follows her marriage, path of cultural understanding and the birth of her child.As the viewer we are introduced into the story through Carola's eyes, played by German actress, Nina Hoss, this allows the confusion that she undergoes to be translated to the audience. The sweeping cinematography used in The White Masai helps to develop the mood of the situations presented. At times of angst the audience is able to accurately develop an understanding for the circumstance. The film, also, allows an authentic insight into the lifestyle of an African tribe, one is able to distinguish and witness the diversities between western and traditional African tribal culture. Baring witness to such horrors as female circumcision, breach birth, hunting and malaria, Carola finds herself continually surprised by the life and rituals of the tribe. The contrast drawn between western society and the tribal communities is intense and is accurately portrayed through the film. Whilst I have not read Corinne Hofmann's autobiography, the high quality of acting and the constant reminder of the African landscape and society, leads one to assume that the portrayal is quite true to reality.Whilst we are exposed to the Masai lifestyle, the film fails to thoroughly communicate the difficulty and inner turmoil Carola is faced with when converting from white society to the Masai tribe, it instead, tends to romanticize the conversion. The film is also unsuccessful in realistically depicting the internal thoughts and emotions of Carola's character, when introduced to such a foreign lifestyle. This prevents the audience from truly entrapping themselves within the mind of the Carola and the situations she is faced with, thus forbidding us from experiencing the film to its full potential.The White Masai, is a deep and intriguing film, I strongly recommend it to anyone who is interested in sociology and diversity between cultures.

I saw the film and I just want to say,at first step ': Better read the book, I was nearly shocked how bad the film is.Sorry for this absolutely unlucky statement, but i hoped, i would see the film and could say, it would be just a little difference between the book and it.But the only thing i can say is, that all scenes,all dialogues,are not just a few little bit like the book.I only can say to people who want to watch this film: Better read the book for more information and more story. During the whole film the scenes jumped just into another,many times I had the problem to find out,at which scene the film plays,what just had happened,because the most important scenes looked to me extremely cut. For me it meant about 2 h of boring dialogues and I was tired watching it. Sorry ;-)