good film but with many flaws

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Lawyer Edmond O'Brien (Regan) bursts into the office of business magnate Vincent Price (Colby) to serve him with a notice to pay his client for damages incurred in a road incident. Price is impressed by the determination and loyalty that O'Brien shows and hires him as a bodyguard. In his new role, O'Brien shoots and kills someone but begins to suspect that he has been manipulated into this killing. The story unfolds and Price ain't no good guy.The cast are all good in this offering and we watch as it dawns on O'Brien that things aren't what they seem. Credit to Police Lieutenant William Bendix (Damico) – he's on the right track and yet sort of wrong. The plot works out fine and it is easy to follow. We have two strong character actors in Price and Bendix. They own their characters just by speaking. That's their key identifier in any role that they play. The film is no great shakes but it's on the better side of OK.

What could have been an intriguing film noir of a set-up for murder gone wring becomes an overly complex and problematic plot that wraps up faster than it took to set it up. Bodyguard Edmund O'Brien is set up to supposedly kill someone, but it's very apparent that there's more going on than even the audience can see. Ella Raines who works for the calculating Vincent Price (whom O'Brien has been hired to protect), falls in love with O'Brien but there's a plot thickening behind the scenes that makes this confusing and frustrating. Some great symbolic moments add to the noir feeling of the plot line, but it's just all a messy set-up both plot wise and scam wise. William Bendix is a tough detective, with John Abbott as Price's right hand man. There's a sub genre of film noir which tried to be artistic and draw the audience into its own web, but what happens here is that the spider who builds the web ends up tangled as well, making what is caught pointless prey. As usual, Price is riveting, and everybody does their best, aided by a few interesting twists and turns. However, a messy script is the real problem, going too far out of its own way to get properly to its final destination.

Michael Gordon's 'The Web (1947)' is an obscure crime thriller, but you wouldn't have guessed it from the cast list. Edmond O'Brien can always play an unconventional noir hero – not the sort who is continually in control, but one with a accidental tendency to get into more trouble than he can handle. Vincent Price originally made his name with a string of devious supporting roles in 1940s dramas, including 'Laura (1944)' and 'Dragonwyck (1946).' William Bendix is, of course, a staple of the film noir movement, and here he proves that his range extends beyond playing sadistic brutes and weak-willed buffoons. Femme fatale Ella Raines is less well-known than her co-stars, but, based on this film and her comedic turn in 'The Senator Was Indiscreet (1947),' she had quite a bit of talent. It's not just the cast that is excellent, though. The screenplay by William Bowers and Bertram Millhauser (the latter of whom penned a number of Basil Rathbone's "Sherlock Holmes" mysteries) has plenty of unexpected surprises around the corner.Bob Regan (O'Brien) is a two-bit lawyer with the bluster of a high-price attorney. In his first scene, Regan sidles through a busy reception office, offends a secretary (Raines) with some surprisingly-forward sexual banter, before busting in on millionaire businessman Andrew Colby (Price) and demanding the sum of exactly $68.72. Impressed with Regan's passion for the job, Colby hires him for a high-paying, two-week stint as a personal bodyguard. However, when Regan guns down Leopold Kroner (Fritz Leiber), a former associate of Colby's who was recently released from prison, he finds himself in hot water with detective Damico (Bendix), who scents murder. Desperate to clear his name, Regan begins to investigate Colby's shady dealings, reluctantly exploiting the affections of secretary Noel Faraday for information. Meanwhile, Vincent Price's articulate, calculating Colby plots the coup de grâce of his high-stakes crime spree, culminating in a murder frame-up that initially seems so airtight that I couldn't imagine any way for our hero to get out of it.Though it doesn't necessarily offer any new material for the film noir lexicon, nor does 'The Web' feel contrived. The romance between O'Brien and Raines could easily have been squandered with melodrama, but the film always keeps their relationship edgy. Noel's affections, for one, are clearly split between Regan and Colby, whose association with her visibly extends beyond the professional realm ("I recognise him when I see him"). Regan himself, while essentially good-hearted, has a clumsy crudeness about him where women are concerned, in contrast with Colby, who always knows what to say and how to say it. There's something subtly fascinating about Price's 1940s performances; it has to do with how he speaks. When his character is telling an untruth, he does so in a manner that, to us, reeks of deception, and yet we can perfectly understand why the film's characters – say, a policeman – swallow the lie whole. He toes a fine line, and yet manages to suspend the audience's disbelief. Maybe that's why Price got away with starring in so many awful movies.

Ella Raines was one of the best and most under-utilized actresses of the 40's. She was great in Phantom Lady and Tall In The Saddle, and is even better in the Web. And Bendix, O'Brien, and Price all equal her in excellence. But, the writing is the single most above-average thing about this all-but-forgotten little gem. It is exceedingly well[plotted, suspenseful, and surprising without ever seeming the least bit contrived. Mystery fans should track AMC carefully to be sure to catch this one next time around.