The acting is good, and the firecracker script has some excellent ideas.

This movie feels like it was made purely to piss off people who want good shows

One of the most extraordinary films you will see this year. Take that as you want.

Close shines in drama with strong language, adult themes.

I watched this just to pass a spare evening when I was ill. It's not tremendously well-made, for I agree with other reviews in that it uses formulaic plots and is often a poor representation of World War 2 and 1940's life. I also found the characters and plot lines were poorly conceived and hard to relate to, not to mention the hideous amount of soapy melodrama of nasty characters bashing another; hardly profound story-telling. However, I'm not completely bashing this as nonsense that isn't worth anyone's time, for it is an entertaining and interesting drama story to watch, just don't expect a masterpiece. It's a typical BBC costume drama for Sunday evenings.

I have just watched this film and I think it is brilliant. It begins with Lily (Anna Friel) meeting Charlie (a Canadian soldier) at a dance. She is swept off her feet and they are soon married. Charlie promises that he will get her away from London and look after her. As Charlie goes back to Europe to fight, Lily gives birth to a girl and soon after receives a letter instructing her to go and live with her Mother and Sister in-law in Canada. Charlie has led her to believe that he lives on a big Canadian ranch. However this is a slight exaggeration! Without giving to much away she is not made to feel welcome by any of Charlie's family or friends, but wins over their friendship by just being kind and human. Just as she wins them over, Charlie returns from the war, a broken man. The film portrays the emotions of wartime and you feel for every character involved in the film. I cannot recommend it enough. Anna Friel was excellent!If you love 1940's era films, this is a must.

The film makers have orchestrated a profound and moving journey, a film in which ideas and themes emerge from the interaction of human beings, and not in competition with them. Anna Friel, Brenda Fricker and Molly Parker form as potent a feminine triumvirate as the movies have seen in a very long time, powerful actresses who bring as much richness to the film's silences as to its words.Superficially, the film could be seen as yet another variation on the "liberating outsider" scenario (a popular feminist theme exploited most recently in "Chocolat"), although in "The War Bride" there is considerably more going on than Lily simply teaching her in-laws how to cut loose and live a little. The weightier theme, which develops steadily throughout the film, deals with the inescapable effects of a global war and the extent to which a conflict can still wreak emotional havoc on those furthest removed from actual combat.

The War Bride is a beautiful and inspiring drama, beautifully photographed, with superb acting and full of personal growth. Lily, an English girl, marries Charlie, a Canadian WWII soldier from northern Alberta, who lives on a "big ranch on the prairies". That sounds good to Lily but when she is sent to Canada for the duration of the war, the reality is very different. She is stuck with a grieving mother-in-law and a crippled sister-in-law, who feed off each others' bitterness and depression. The ranch is an unproductive farm with run-down buildings. Lily is horrified but decides to make the best of it and does very well indeed. If you like this film, then see Cold Comfort Farm (1995), a similar story and an intelligent comedy.