Let's be realistic.

Just perfect...

Brilliant and touching

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

I have a feeling that some people who sit down to watch "The Vampire" will feel a little let down, at least when it comes to the movie's promise of delivering horror. It takes a long time for the first genuine moment of horror to come, and there are not that many moments of horror in the entire film! Also, while the movie runs an economical 76 minutes long, it does feel a little padded here and there. On the other hand, the movie does have its share of merit despite those shortcomings. The acting by all the participants is pretty decent; they manage to make their characters pretty convincing. And while the movie was done on a low budget, it never looks particularly cheap or tacky. The most interesting thing about the movie, however, is that the whole vampire plot can be seen as a parable for drug addiction, a topic that was still somewhat taboo when this movie was made. So if you can adjust your expectations so that you don't expect a lot of horror, this movie has some genuine interest.

Paul Landres directed this horror tale that stars John Beal as small town Doctor Paul Beecher, who is called to the home of a dying scientist who had been experimenting with the blood of vampire bats to make a new serum for his research, that he distilled in pill form. Paul takes a bottle of the pills from his pocket, and after he makes his report, forgets about them. Later, when he has a headache, he asks his young daughter to retrieve his aspirin from his pocket, but sadly takes the bat pills instead, which have the unfortunate effect of turning him into a vampire who must kill. Paul tries desperately to understand what happened, as the police close in... Good performance by Beal, some originality, and a most tragic portrayal of a reluctant vampire, though marred by a much-too abrupt ending that is most unsatisfying.

A small town doctor (John Beal) mistakenly ingests an experimental drug made from the blood of vampire bats which transforms the kindly medic into a bloodthirsty monster.I really enjoyed this movie a lot. Great plot, great acting and a very interesting looking monster. There is some odd sexism present (the doctor apparently cannot do his own laundry or cook so he has his 10-year old daughter do it for him). But, hey, it is the 1950s.Not much to say beyond that. I was a bit confused on whether the pills brought on the monster or kept it in check. It seems like pills or no pills the monster was going to kill someone, but maybe I was just confused.

An innocent accident turns a respected small town doctor into a blood-sucking Neanderthal in "Last of the Bad Men" director Paul Landres' "The Vampire," an off-beat, low-budget, black & white, horror chiller from producers Arthur Gardner, Arnold Laven, and Jules V. Levy that belies its title. This United Artists theatrical release takes about a half-hour before it reveals the unfortunate predicament of our sympathetic protagonist. The performances are all uniformly strong, particularly John Beal, but it is James Griffiths who stands out in this worthwhile cast. Since "The Vampire" was produced under the aegis of the repressive Production Code Administration censorship office, all the gruesome violence occurs off-screen, so the squeamish won't have to worry about having nightmares. Landres makes good use of struggling shadows in one atmospheric scene. Ironically, although it is entitled "The Vampire," this movie resembles "Dr. Jekyll and Mr. Hyde." The monster here is not a conventional, fashionably-dressed, debonair vampire, but a brutish looking specimen will huge ugly hands and a misshapen face. We are never given a glimpse of the fangs that he sinks into his victim's necks. The monster drains only a small amount of blood out of its victims. Since its saliva contains a deadly virus, the maniac kills his victims with his bite. Nevertheless, the monster survives as the result of its own immunity. A youth on a bicycle delivers a package to the laboratory of Dr. Matt Campbell in the researcher's old house in a quiet, sleepy, little American town. The youth enters to find Campbell with his head down on his desk. Campbell (television actor Wood Romoff ) asks the youth to fetch Dr. John Beecher (John Beal of "Edge of Darkness"), a friendly, rustic doctor with a young daughter, to see him. Beecher is an old-fashioned physician who still makes house calls when his patients cannot visit him. The boy alerts Dr. Beecher about Campbell, and Beecher arrives in time to hear Campbell mention something about his obscure research. Campbell raves about making an important breakthrough. Before Campbell dies, the doomed researcher hands Dr. Beecher a bottle of pills without a label. Campbell croaks, and Beecher believes the researcher's bad heart caused his death. He shoves the pills into his suit pocket. Later, Beecher suffers the onset of a migraine. He asks his pretty daughter Betsy (Lydia Reed of "High Society") to give him his migraine tablets. Beecher gobbles the prescription medicine without a second thought. He is diagnosing a patient's condition when he feels nauseous and has to lie down. The patient, Marion Wilkins (Ann Staunton of "Daisy Kenyon"), has a heart condition, too, and she lives alone in town. Marion is too sick to come in for her morning appointment and Marion's cleaning lady phones up Beecher. When our protagonist arrives, he finds Marion near death. He spots two puncture holes in her neck and she realizes who he is, reacts with surprise and fear and dies. At this point, director Paul Landres and scenarist Pat Fielder have set up an interesting predicament. People are dying from a maniac on the loose, and the good doctor might have something to do with it. Beecher is pleasantly surprised when he learns that one of his oldest friends from medical school, Dr. Will Beaumont (veteran character actor Dabbs Greer of "Trouble Along the Way ") who works at a nearby university, was subsiding Campbell's research. According to Beaumont, Campbell was working on regression to see whether it was possible chemically to revert the animal mind to a primitive state. If this is the case, Winston explains to Beecher, researchers will know if they can reverse the process and advance the intellect. Will rummages through Campbell's cabinets and finds a pill bottle that contains medication designed "to induce primitive instincts by draining the blood from the brain temporarily. He adds that the pills are habit-forming. Beaumont brings in another scientist, Henry Winston (James Griffiths of "Tribute to a Bad Man"), to come up to speed on Campbell's research. Winston discovers that the pills were a control serum extracted from the bats. He doesn't live long after he makes this discovery because an intruder with large hands breaks into the laboratory and murders him. Naturally, the police investigate and Sheriff Buck Donnelly (Kenneth Toby of "The Thing from Another World") wants to know about the insect bites on the dead man's neck because he saw similar bites on Marion Wilkins' neck. When Beecher confronts Beaumont about Henry's death, Beaumont makes the revelation that the bats used in Campbell's experimentation were vampire bats!The suspense heightens marginally when Donnelly learns Winston died of capillary disintegration, and Sheriff Donnelly wants to exhume Marion Wilkins' body to determine if she died from the same cause. Naturally, mortician Willy Warner (Paul Brinegar of "High Plains Drifter") is appalled that Donnelly plans to dig up Marion's corpse. The medical examiner is just as appalled by the findings of the university analysis. According to the university officials, all three victims died from capillary disintegration. Meantime, Beecher has developed a craving for Campbell's pills. He has killed two people and fears he may kill more. He confesses to Dr. Beaumont that he killed Marion Wilkins, but Beaumont refuses to believe him. Beecher convinces Beaumont to watch him because he thinks that he will undergo the transformation at 11 PM. Beaumont doesn't believes Beecher's story until it is too late for him to do anything. He watches in stunned disbelief when Beecher transformed in front of him and then kills him. Later, Beecher tries to kill himself, but his nurse Carol Butler (Coleen Gray of "Red River") attempts to intervene and reason with him. Again, Beecher transforms into a maniac. He attacks Carol in his office. Buck shows up with Police Sergeant George Ryan (Herb Vigran of "Public Pigeon No. One") and they storm the doctor's house. Buck winds up shooting Beecher. As it lies sprawled on the ground, Beecher gradually changes back into him.