Tied for the best movie I have ever seen

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Loretta Young was borrowed from 20th Century Fox to appear opposite Franchot Tone in this British based drama about a rising young and titled attorney played by Tone who is expecting an appointment from the Crown as a new attorney general. Of course that will happen upon conclusion of the case he is prosecuting now of Dudley Digges accused of murdering his wife.In the meantime Tone's wife gets an intrusive visit at a dinner party by Henry Daniell. It seems as though he's in possession of some letters that Tone wrote to his wife indicating a nasty affair. But in the tradition of the old badger game Daniell at his sneering best is willing to take a payoff.What happens is that the wife of Daniell winds up dead and it's Tone looking good for it because he can't come up with an alibi. This strangely parallels the situation Tone has in court with Digges who cannot confirm his own alibi when his own wife is killed.The blend of British and American players seem to work well here as people like Tone and Lewis Stone who plays the Scotland Yard Inspector with their classical training fit well with the players of Hollywood's British colony. This could have been a lot better though. The Unguarded Hour seems poised to jump into comedy especially when Roland Young is on the screen. But it never quite makes it. Still Young gets a few droll lines in as everybody's favorite house guest.Fans of the stars and some of the most well known character players from Hollywood's golden age should approve.

Director Sam Wood can't get much cinematic life into this courtroom drama about a mild-mannered man (Dudley Digges) accused of pushing his wife off the Dover cliffs. Barrister Franchot Tone is the prosecutor who discovers that a woman witness can prove the man innocent--and little does he suspect that that woman is his wife (Loretta Young).Trouble is there are far too many interior scenes with lots of expository talk so the film, despite a brief running time, moves at a sluggish pace without ratcheting up much suspense.But Loretta Young is very beautiful (at 23), poised and completely charming as the wife who knows too much. She, Franchot Tone and Roland Young carry much of the film, but there's good support from Jessie Ralph, Lewis Stone and Henry Daniell (who figures prominently in the film's conclusion).For a story that involves blackmail and murder, it's much too stage bound for comfort, but worth watching to see Loretta Young at her loveliest giving a very capable performance.

This 1936 film is a great film Classic with outstanding veteran actors who made this into a great dramatic story concerning Lady Helen Dudley Dearden, (Loretta Young) who tries to protect her husband from a past relationship with a young woman. Sir Alan Dearden (Franchot Tone) is an outstanding lawyer who is about to be chosen as Attorney General and his wife Lady Helen is being blackmailed by Hugh Lewis (Henry Daniell) with a bunch of love letters that Sir Alan had sent to this woman. The story gets quite involved with a man being accused of killing his wife and also another murder of a woman Sir Alan had an affair with. There is a very tricky ending to this film that you will not be able to figure out until the very ending of this film. Roland Young, (William "Bunny" Jeffers ) gave a great supporting role to this great film classic.

Great dialogue, the beautiful and sexy Loretta, Henry Daniell at his sleazy best, Roland Young with his gay-friend-who-flirts-with-the-wife quips, a plot that keeps you guessing: like many an entertaining film, the parts are more than the sum. So much fun that its unbelievable ending just seems out of place. Its source is one of those clever stage mysteries made for the Middle Class. Most of Sam Wood's movies are pretty good; it's not that far from the Marx Brothers to this.