The Unforeseen
The Unforeseen
| 01 January 2007 (USA)
The Unforeseen Trailers

A documentary about the development around Barton Springs in Austin, Texas, and nature's unexpected response to being threatened by human interference.

Reviews
Matcollis

This Movie Can Only Be Described With One Word.

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FirstWitch

A movie that not only functions as a solid scarefest but a razor-sharp satire.

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Ogosmith

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Stephanie

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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karlcchen

What's the movie trying to say, what's the issue it trying g to raise? If you know nothing about the subject/place and just watch this movie, you will never know. Just like another engineer finish another Operational Manual - only good for people only know how to operate the machine. The movie should be clear and self-sufficient for people know nothing about the current issue(s) so people know what it is trying to say. This movie is only good for people already know about the issue and want to get more information. Karl

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kbaxters

I just saw "The Unforeseen" yesterday in Los Angeles at the AFI film festival. It is worth seeing, not preachy but really makes you understand how developers have such different interests(money)than you and I do. What happened in Austin has happened everywhere and I think the best message from the film is that we cannot go back and change the damage done but it is clearly time to take a mature look going forward in the future at each of our responsibility and stewardship for the land and nature, we must find a balance. Laura Dunn made a beautiful film that is poetic and mesmerizing and at the heart very sad, you feel a great loss watching this very personal film.

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enviromac

I saw this film previewed on PBS' NOW. It is just wonderful that someone has done a film about this issue. I love that the director took the time to learn about alternative views. This type of film making has the possibility of bringing people together to work on consensus.In an interview with the Austinist, Laura Dunn states:Unfortunately, the "American Dream" has become owning a house with a yard and a fence around it. And these days, unfortunately, that house has to be 2300 square feet, and you have to have a green lawn, and there are all these connotations and associations that are built into the American Dream that--given where we are in terms of our environment...are totally at odds with a sustainable future.We desperately need to have this film screened in Sacramento, California. The pressures we face from development are enormous. Does anyone know who I can contact about this?

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JustCuriosity

This film premiered at Austin's SXSW Film Festival after its initial showing a few months ago at Sundance. The Unforeseen is one of the most cinematically beautiful documentaries to appear in a long time. There are stunning sequences of Barton Springs. One could certainly feel the influence of producers Robert Redford (particularly A River Runs Through It) and Terrence Malick. The nature shots were spectacular. The story that is told is particularly powerful to those who know and love Austin, but the broader conflicts between land development and environmental protection are universal and can be well-understood, although perhaps in a less personal way, by those who have never visited Austin.While the film is clearly takes a pro-environmental stand, it is not a one-sided polemical. It presents a sympathetic and fair portrait of land developer Gary Bradley. It lets him tell his story without making him out to be a cruel unfeeling villain. It presents the history in a nuanced light that is often missing from documentary film-making. The film includes many conflicting voices and let's the audience make its own decisions. This type of film reflects the best standards of journalistic rather ideological Michael Moore-style manipulative film-making. It presents a complicated conflict of values in a way that both takes a stand without mocking those they disagree with. While some of the narrative seems a little self-righteous at times, and the title (taken from a poem used in the film) seems a little confusing and unclear, overall, the film is an excellent lesson in history and politics. I hope that it gets wide distribution, because it is a debate that the American public needs to engage over what trade offs Americans are willing to make between the environment and development. How much of our natural beauty are we willing to give up to accommodate modernity?

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