Absolutely brilliant

A brilliant film that helped define a genre

Although it has its amusing moments, in eneral the plot does not convince.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

This is a new British movie from Guerilla Films. It's nicely made, despite it's probable low budget.The story concerns Candy, a young disabled woman who, following a row with her over-protective parents, joins a therapy group at a remote (Scottish?) house. The "Adventures in Truth" group gets off to a good start with some amusing observations on the nature (and overuse) of group therapy.Inter-relationships start to develop between group members (both good and bad) and secrets are both shared and kept hidden from the group. When one of the group is murdered, things get more bizarre - both with the comedy of the funeral plans and the group's response to having a murderer within. There are also some slightly uncomfortable moments (for us) when Candy is subjected to somewhat violent treatment with respect to her disability.At times, this has the slightly surreal feel of one of the "Comic Strip presents..." films, and in many respects is of a similar calibre.Overall, I give this 7 out 10.

This black comedy set in the Highlands of Scotland may well slip by unnoticed in the cinema (and sadly, only gained a limited release in the UK) but it is well worth seeing.Essentially it is an ensemble piece and unlike most ensemble films it works surprisingly well. All of the casting is spot on, but it's carried along with a great scary, starey performance from Elizabeth McGovern as Donna, an American psycho-babble New Age guru offering seven specimens of the weak and weird a philosophy of sorts to cling to.The film effectively and ferociously attacks New Age airhead bullshit and you love to hate McGovern's appalling glib nonsense and insensitivity, and side with the wonderfully stroppy Candy (Elaine Cassidy). Yet no-one here gets away unsoiled by Donna's controlling influence.On the surface this is black comedy with few laugh out loud jokes but an even and regular series of sniggers and shocks at the brazen (but actually almost credible) compromises that this lot of needy retreat attendees are willing to make. Underneath there is a genuine and surprisingly fresh examination of the nature of right and wrong and a whodunit to carry you through a running time that is too long for the material.The film reminds me of David Mackenzie's film, "The Last Great Wilderness", which mines similar territory in both geography and storyline. However writer/director George Milton's "The Truth" is a much better and more rounded experience - and somewhat of a miracle on a budget that was reputedly minuscule. Milton is well worth watching for the future and his "Truth" is a sleeper destined for DVD cult status if ever there was one.

The Truth's British production and low budget is inherent in this quirky murder mystery set in the remote Scottish Highlands.Verging between cringe comedy ala "The Office" and the dry humour of "Life Aquatic..." this film makes good use of the "Guru course" comedy vehicle to end up with a strange yet oddly entertaining result.As well as spending half the film trying to remember which TV programmes you recognise the cast from, the murder mystery slowly reveals itself as each character's true self emerges.Unfortunately some of the characters could have been fleshed out a bit more, such as Spud, with their individual problems and their resolutions tacked on in a last minute hurry.

The Truth is a very clever dark comedy. So clever that it isn't at all easy to adjust to - for the first few minutes you'll stare blankly at the screen, unsure what to make of it: The Truth is a real mush-mash of genres and styles. But once it gets going, it isn't at all bad.The Truth starts as a satire of spiritual self-help retreats. The characters - an eclectic mix including wheelchair bound Candy and Croatian refugee Mia - attend Donna's 'course' at a house set deep in the Scottish Highlands. The movie gradually explores their dark secrets, managing to make some quite challenging situations entertaining. Of course it is only a matter of time before someone turns up dead...I thought The Truth should have been about five minutes shorter. The end doesn't fit with the tone of the rest of the movie. But perhaps it was never supposed to. Maybe The Truth is just too clever for its audience?